44 of 44 people found the following review helpful:
5.0 out of 5 stars
Real emotions from real characters, December 30, 2000
This touching and realistic movie is quietly dedicated to jazz pianist Bud Powell and saxophonnist Lester Young (both expatiriates who lived in Paris) on whose life the character of "Dale Turner," the saxophonist, is based. The character of Dale Turner, a jazzman in his last days, is played by Dexter Gordon, a jazzman soon to die of throat cancer. Dexter Gordon, a real-life expatriot jazzman who spent much of his playing years in Denmark, deservedly received an academy award nomination for his moving portrayal based on not only a real life story but people and settings with which he was personally familiar. In many ways it is the story of all three musicians, Gordon, Powell and Young. But even more it is based on a fine book on the life of Bud Powell by the young Frenchman who befriended him (which I cannot put my hands on right now). It's as close to truth as you can come. By the way, Dexter played Montreux the next year and while he sounds fragile in the film, he play with great strength.
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31 of 31 people found the following review helpful:
5.0 out of 5 stars
No middle ground, September 16, 2001
I find it curious that in all the reviews of "Round Midnight" that there is virtually no middle ground. People either loved the movie (most) while others hated it. I suspect those that didn't like the movie are devotees of fusion and fail to appreciate the jazz of the 1950's. Gordon while not the "topical" character of the film, lived this story as an expatriated saxphonist. He brings a reality to the picture that is lacking in similar ventures such as "Bird". While I think "Bird" is too an outstanding film, the reality of watching the music being created live is not there.
This film shames efforts like "Lady Sings the Blues" because of its stark reality. There is no glossing over and memorializing Dale Turner in the movie. He's there with all his warts for all the world to see. This wasn't a star vehicle like "Lady..." was for Ross. This may be the most honest film ever made.
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24 of 24 people found the following review helpful:
5.0 out of 5 stars
Portrait of an Artist as a Jazz Man, November 17, 2005
"Round Midnight" is a masterpiece of a film that portrays the life of a jazz musician on an extended residence in Paris in the 1950's whose struggle with alcoholism and abuse by his "handlers" invites the friendship of a young Frenchman who attempts to aid him in sobriety and salvation. The protagonist jazzman, "Dale Turner," was based on a composite of real-life jazz legends Lester Young (tenor sax) and the tortured and enigmatic Bud Powell (piano). In fact, while much of the film is fictionalized, much of it is drawn directly from the memoir/biography "Dance of the Infidels" written by Francis Paudras, who in real life befriended Bud Powell during his Parisian expatriate days and on whom the character "Francis" is based.
The tone of the film is wistful and tragic as it follows Turner's struggle as an artist creating incredible beauty but destroying himself with alcoholism, and the desperate attempts of his friend to save him (if you like happy stories over realism, stick to your standard Hollywood fare). Tavernier defied the movie studio by insisting that real-life jazz tenor sax great Dexter Gordon (who himself played with Bud Powell in Paris in the 50's) play the role of Turner (he also helped to revise and rewrite the script). Gordon has a soft, but gravelly voice that is difficult to understand on first listen, but his acting is top-notch (he is after all, playing someone he knew, as well as himself to some extent) and he nails one scene after another. He captures Turner's struggle with disillusionment, death, loneliness, paternalism, racism, and the constant pressure to create art to a T.
I don't think you need to like jazz to like this film, but it probably wouldn't hurt. There are a lot of extended scenes where Dexter Gordon is playing the music, along with a supporting cast composed of other real jazz legends such as Herbie Hancock, Freddie Hubbard, Bobby Hutcherson, John McLaughlin, Wayner Shorter, and Pierre Michelot. The result is an authentic portrait and tribute that captures the Paris jazz scene of the 50's, along with a stellar soundtrack (released in two parts as the official soundtrack "Round Midnight" and "The Other Side of Round Midnight" under Gordon's name).
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