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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Country folk with a big helping of bluegrass,
By hyperbolium (Earth, USA) - See all my reviews
This review is from: Route 23 (Audio CD)
This Raleigh, NC band is influenced by the string-band sounds of bluegrass, but their guitar-mandolin-banjo-fiddle-bass line-up is extended by touches of pedal steel and harmonica, and their harmonies are often more Everly-sweet than hill-country blue. These aren't criticisms so much as a suggestion of what distinguishes this group from their stage-mates at summer festivals. There's a lot of folk influence in Dave Wilson's songwriting, and the playing feels more back-porch relaxed than straight-ahead bluegrass combos; when they breakdown for an instrumental it's more like a cantering hootenanny than a hot-picked gallop.The album's filled with great original songs that peer toward the future. "Nowhere to Sleep" seeks to resuscitate a relationship, "Louisiana Freight Train" dreams of the romance at rail's end, and "Arms of the Law" ponders the mental prison at the conclusion of a jail sentence. The album's title song is the set's highlight, a sad tale of those deserted by the "progress" of new highways; you can just about hear the tumbleweeds blowing along the Mother Road. The lone cover is a banjo-lined, harmony-rich version of Don Robertson's "Born to Be With You" that's scarcely recognizable as the mid-50s hit by The Chordettes. [©2005 hyperbolium dot com]
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Whew thats good!,
By Bgrass Fan "Bgrass Fan" (Hoboken, NJ) - See all my reviews
This review is from: Route 23 (Audio CD)
Should be noted that these guys picked up the Best New Bluegrass Band award at Rockygrass Bluegrass Festival in 2004(personally a better festival than Telluride now). The title track hasn't left my head for days, along with the great track 'Saro Jane'. Definitely try and catch the CCL live show and pick up their first disc, a treat for the ears.
3 of 4 people found the following review helpful:
4.0 out of 5 stars
Takes bluegrass to an intriguing region of Americana,
By
This review is from: Route 23 (Audio CD)
With their youthful exuberance and joyful spirit, Chatham County Line's second album, "Route 23" continues where their June, 2003 debut left off. The Raleigh, N.C. bluegrass quartet continues to feature guitarist Dave Wilson's lead vocals and prolific songwriting, along with. John Teer (fiddle, mandolin, vocals), Chandler Holt (banjo, vocals), and Greg Readling (bass, pedal steel, vocals) who has apparently replaced bassist Ned DuRant. Readling, a very capable multi-instrumentalist known to friends simply as "G," appeared on CCL's debut album playing accordion and piano. Wilson's singer/songwriter and folk rock sensibilities are easily translated into strong contemporary folk-inspired bluegrass. On the title cut, Wilson paints a picture of a small town bypassed and left to languish after a new highway is routed around town. In some songs like "Nowhere to Sleep" and and "Make Some Pay," Wilson can be rather wry-witted. In another like "Louisiana Freight Train," he can tell a grievous story of abandonment. "Ruination" speaks to effects of outside influences, particularly evil forces. Holt's "Sun Up" and Teer's "Gunfight in Durango" demonstrate the band's prowess with original feisty banjo (with Scruggs tuners) and fiddle instrumentals. Guest Caitlin Cary provides harmony vocals on two cuts.Despite the band's modernistic interpretation of bluegrass, they consider themselves "new traditionalists" because they have great admiration for the seminal tradgrass players, sounds and themes. With a vibrant signature sound, Chatham County Line's music is breaking down barriers between folk, country and bluegrass genres. Exuding confidence, the band has been seen with Arlo Guthrie at the Woody Guthrie Folk Festival in Oklahoma. In their short time together, they also picked up the "Best New Bluegrass Band" award at RockyGrass in Lyons, Colorado. Obviously not wanting to be confined or restrained, this quartet takes bluegrass to an intriguing region of Americana. (Joe Ross, staff writer, Bluegrass Now)
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