23 of 23 people found the following review helpful:
5.0 out of 5 stars
Unforgettable, January 15, 2006
ROXANA is a fascinating book. Too often the title character is measured against Moll Flanders and is found inferior. Yes, she shares several of Moll's traits, including beauty, ambition and a lack of hesitation to use sex to exploit a situation to her advantage. But Roxana is a far more complex character. Whereas Moll started poor, Roxana suffers a calamity from which she must recover. It is through this experience that she develops into the con-artist that she becomes. But what truly sets her apart from all of Defoe's other characters is that she is capable of guilt. She is more psychologically developed in other ways, too. Notice all the complex emotions when she engineers a menage-a-trois with a gentleman and her maid, Amy. Defoe was "pushing the envelope" with ROXANA. Wherein MOLL FLANDERS is a comedy, ROXANA is a primitive thriller. It's a pity Alfred Hitchcock never adapted ROXANA for the screen because there are several very unsettling and suspenseful scenes in the novel as ROXANA's true identity is in danger of being revealed. And the ending is truly unsettling. I don't know why Hollywood hasn't discovered this one (although considering all the terrible film versions of MOLL FLANDERS, perhaps it's just as well).
The form of the novel was new when ROXANA was written. There were no rules. There were no precedents. Defoe came up with something truly extraordinary. There's nothing else quite like it. For me, ROXANA is unforgettable. I first read this book twenty years ago and there are scenes that still haunt me. If you've read ROBINSON CRUSOE and MOLL FLANDERS, by all means read ROXANA, too. You'll be amazed at how avant-garde ROXANA seems in comparison. Of the six of Defoe's major works that I have read, this is one of my favorites. It's not as tidy as CRUSOE and MOLL, but it has more of a plot and covers a broader range of emotions.
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21 of 22 people found the following review helpful:
4.0 out of 5 stars
Interesting Psychological Study, November 30, 1998
By A Customer
This novel follows the progress of a woman who is left by her husband with only her servant. She vows never to be poor again, and climbs her way back up the social ladder by using men and her body. The novel, while possibly intended as a conduct book to show women what happens to those who sin, reads today as a portrait of a woman trapped between society's views and her own upward movement. A very interesting, and at times disturbing, read.
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19 of 20 people found the following review helpful:
5.0 out of 5 stars
A Defoe fan, February 21, 2002
I read "Robinson Crusoe" as a young boy, and never forgot it (55 years later); then, as a mature adult I read "A Journal of the Plague Year" and "Moll Flanders", both of which were execellent reads; and a few days ago I finished "Roxana", so let me share a few thoughts about the book.
First off, when you read Defoe, it is essential to realize that you are dipping into the very beginnings of English literature. Anything that is three centuries removed from the present has to be put into its historical context in order to make sense of it, and contemporary values must be held in abeyance. If you are capable of doing that, you are in for a heck of a good story, as are all of the books mentioned above.
"Roxana" concerns the rise and fall (mostly rise) of a woman left destitute, along with her five children, by her fool of a husband. Circumstances eventually lead her to prostitution as a means of survival, and as luck would have it, her "gentlemen protectors" are uniformly wealthy, and by means of careful marshalling of her earnings Roxana becomes independently wealthy. But what she lacks is social status, which leads her to her final alliance with a Dutch merchant who knows nothing of her past.
Along the way, Roxana begets and abandons about nine offspring here and there(this being the days before birth control), and one of them, Susan, figures in the downfall of Roxana. This novel pays great attention to the psychological aspects of living a life that is generally condemned by society. Defoe shapes Roxana's psychological health around his own ethical views, and, as such, makes Roxana suffer for her choices in the long run. Thus, the novel does not end happily for its central character, an interesting fact, in that this is the only novel of Defoe's that does not end happily for the protagonist.
All told, "Roxana" is a great read. Defoe certainly reflects his ethical biases, but at the same time does a good job of objectively fleshing out charaters who forcefully express points of view that differ from his own.
For me, everything worked beautifully in the novel until the last paragraph, but that happens a lot in literature.
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