A key figure in the Pop Art movement, Roy Lichtenstein was inspired by images from comic books, newspaper advertisements, and mail order catalogues, cheaply printed images whose look was as far from "art" as the average person could imagine. With their basic hand drawn line, they were also about as archetypal as image making can get. In response to this dumb beauty of pulp imagery, and to the odd powers of simple black and white images to stimulate our appetite, Lichtenstein made some of his most essential, enduring paintings. The apparently simple paintings of single objects--a tire, a curtain, a sock, a diamond brooch, a golf ball--project riveting clarity, simplicity, and astonishing newness that are the bedrock of his art, and of Pop Art itself.
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About the Author
One of the most beloved of American pop artists, Roy Lichtenstein was born in 1923 in New York, and studied there at the Art Students League and later at Ohio State University, during which he completed a three-year tour of duty in the army. His early work was based on American genre and history painting, and took on Cubist and Expressionist styles. His first proto-Pop work was created in 1956; his first pop 'Brushstroke' painting appeared in 1965. Lichtenstein died in 1997.
Robert Rosenblum is a curator at the Guggenheim Museum and a professor at the Institute of Fine Arts, New York University. He is the author of multiple volumes on modern and contemporary art, including The Paintings of August Strindberg and Paintings in the Musee d'Orsay. Rosenblum is the recipient of a Frank Jewett Mather Award for Distinction in Art Criticism.
Robert Rosenblum is a curator at the Guggenheim Museum and a professor at the Institute of Fine Arts, New York University. He is the author of multiple volumes on modern and contemporary art, including The Paintings of August Strindberg and Paintings in the Musee d'Orsay. Rosenblum is the recipient of a Frank Jewett Mather Award for Distinction in Art Criticism.
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