A look at the rich traditions of Benin, Cameroon and other great African kingdoms. Suzanne Blier puts the arts of these royal African cultures in the context of wider cultural and religious traditions.
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
4.0 out of 5 stars
Beautiful, fascinating photos, detailed text, overview weak,
By A Customer
This review is from: Royal Arts Of Africa: The Majesty of Form (Perspectives), The (Trade Version) (Paperback)
This is a rare good book. We have too little exposure to the great arts of Africa; this book is a remedy. ABy linking the art chosen to the royalty of West Afarica kingdoms, whe illustrates how close the connections were between power and art; power including raeligious and ritual power as well as temporal. The book lacked only an overview analysis to tie all the sections together amorae firmly.
12 of 14 people found the following review helpful:
5.0 out of 5 stars
excellent, difficult to find quality like this.,
By gemstoneone@worldnet.att.net (Pensacola, Florida) - See all my reviews
This review is from: Royal Arts Of Africa: The Majesty of Form (Perspectives), The (Trade Version) (Paperback)
One of the finest books on African Art I have studied. I showed my copy to a business assoicate from the Republic of Congo. She is from the Kuba tribe and deals in art from this area. She asked me to get a copy for her work and a friend of hers wanted another copy. If the African people approved of the book, what else can I say. Top reference book.
5 of 5 people found the following review helpful:
4.0 out of 5 stars
Diverse and rich artwork,
By
This review is from: Royal Arts Of Africa: The Majesty of Form (Perspectives), The (Trade Version) (Paperback)
An allure of this book is the many (206) illustrations of art from the kingdoms of west and central Africa. Of these, some 140 are in full colour and show the impressive skill of the court artists.
In Benin, Dahomey, Yoruba and other kingdoms, there were flourishing scenes. Each distinctive and fascinating. Readers may be familiar with the centuries of European artwork and how these varied between those countries. One thing this book makes clear is that central Africa had an equally rich and diverse history that, sadly, has not been often recognised by outsiders. The book can be read at several levels. The first and most immediate is simply an appreciation of the illustrations. A deeper level is to integrate that visual appreciation with an understanding of the cultures from which they derived.
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