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Royal Censorship of Books in Eighteenth-Century France Hardcover – February 1, 2012

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Editorial Reviews


"Raymond Birn's masterful new work focuses on the early-middle periods and on the middle-high social world of eighteenth century letters. As such, it is a useful corrective and counterbalance to several decades of scholarly emphasis on subversive literature, cultural scandal, and the moral unraveling of the Old Regime. Expanding upon a series of lectures delivered at the Collège de France and published in French in 2007, this short, elegant book is the best overview of the prerevolutionary system of French censorship available in any language. It will be a valuable resource for researchers and students of the Enlightenment and of the history of censorship more generally."—Carla Hesse, American Historical Review

"Birn's overview of the censorship structure simultaneously encompasses a large scope and provides a wealth of detail. By underscoring the censors' scholarly knowledge, Birn suggests that their decisions were shaped by wider developments in the French cultural landscape as well as by their responsibility to defend the absolutist regime. Historians working on eighteenth-century France have often been drawn to the drama of the forbidden book trade but this study underscores the need to think just as closely about the much bigger corpus of texts which were permitted to circulate by the French authorities. Royal Censorship has something to say about the subtleties and difficulties of controlling the printed word which resonates beyond the French context, and this edition will allow these ideas to be transmitted to a wider audience of scholars and students."—Louise Seaward, European History Quarterly

"As Raymond Birn's revealing case studies show, the weakening of censorship enforcement is reflected in the behaviour of the censors themselves and the increasingly sympathetic stance of the Direction de la librairie . . . Propelled by circumstances they could not control, the censors turned into effective agents of Enlightenment. Birn is not the first to point out the paradox, but his new book . . . is a well-stated reinforcement of the case."—David Coward, Times Literary Supplement

"Birn's study presents an alternative view of royal censorship in eighteenth-century France, one based on extensive and thoughtful study of primary source materials. As such, it will prove a valuable resource for any who are interested in book publishing and censorship under the absolute monarchy" — Paul Benhamou, New Perspectives on the Eighteenth Century

"Birn's effectively argued central thesis is that royal censors were far more conscientious, circumspect, and inclined toward indulgence than the travails of Diderot, Voltaire, and other literary celebrities might lead one to suppose. . . The abundant questions left hanging attest both to the richness of Birn's subject and to the tantalizing nature of his compact overview."—Jay Smith, French History

About the Author

Raymond Birn is Professor Emeritus of History at the University of Oregon. His most recent books are Forging Rousseau: Print, Commerce and Cultural Manipulation in the Late Enlightenment (2001) and Crisis, Absolutism, Revolution: Europe and the World, 1648-1789 (2005).

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