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4 of 4 people found the following review helpful:
4.0 out of 5 stars Frenetic and Urgent
V/A, "Royal Court of Uganda", SWP 1998

These Ugandans play like their pants are on fire. It's rare that African field recordings -- or any recordings, for that matter -- have this much fire, verve, and urgency. These field recordings by Hugh Tracey in 1950 and 1952 document the playing of royal instruments, most of which have been destroyed when Prime Minister...

Published on July 30, 2002 by Ken C. Lee

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1 of 6 people found the following review helpful:
2.0 out of 5 stars mulamu namala ampita erinya
The songs are all traditional and used traditaional instruments
Published on November 21, 2001 by Joachim Yawe


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4 of 4 people found the following review helpful:
4.0 out of 5 stars Frenetic and Urgent, July 30, 2002
By 
Ken C. Lee (Los Angeles, CA United States) - See all my reviews
(REAL NAME)   
This review is from: Royal Court Music from Uganda 1950 & 1952 (Audio CD)
V/A, "Royal Court of Uganda", SWP 1998

These Ugandans play like their pants are on fire. It's rare that African field recordings -- or any recordings, for that matter -- have this much fire, verve, and urgency. These field recordings by Hugh Tracey in 1950 and 1952 document the playing of royal instruments, most of which have been destroyed when Prime Minister Obote "fell on the traditional monarchies of Uganda" in 1966 (according to the liner notes on the back cover). This collection of recordings is definitely not for everyone. The music had a tendency to be a little rough and extremely frenetic, constantly surging forward with remarkable intensity. Field recordings are definitely not for everyone, and within this genre, this recording is certainly unique. However, if this description piques your interest, I would not hesitate in checking this out.

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1 of 1 people found the following review helpful:
4.0 out of 5 stars Frenetic and Urgent, July 30, 2002
By 
Ken C. Lee (Los Angeles, CA United States) - See all my reviews
(REAL NAME)   
This review is from: Royal Court Music from Uganda 1950 & 1952 (Audio CD)
These Ugandans play like their pants are on fire. It's rare that African field recordings -- or any recordings, for that matter -- have this much fire, verve, and urgency. These field recordings were made by Hugh Tracey in 1950 and 1952, and document the playing of royal instruments, most of which have been destroyed when Uganda fell to the traditional monarchies of Uganda (according to the back notes). This collection of recordings is definitely not for everyone. The music had a tendency to be a little rough and extremely frenetic, constantly surging forward with remarkable intensity. Field recordings are definitely not for everyone, and within this genre, this recording is certainly unique. However, if this description piques your interest, I would not hesitate in checking this out.
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5.0 out of 5 stars the best baganda music, April 16, 2011
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This review is from: Royal Court Music from Uganda 1950 & 1952 (Audio CD)
These are the songs destroyed by the enemeis of Baganda its the best cd
The only problem is its mixed with banyoro and batoro music ,
if its possible to sell the Baganda music seperate
the cd has enough Baganda songs to make it a cd
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1 of 6 people found the following review helpful:
2.0 out of 5 stars mulamu namala ampita erinya, November 21, 2001
This review is from: Royal Court Music from Uganda 1950 & 1952 (Audio CD)
The songs are all traditional and used traditaional instruments
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Royal Court Music from Uganda 1950 & 1952
Royal Court Music from Uganda 1950 & 1952 by Various Artists (Audio CD - 1999)
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