Rubber Soul (1990)

The Beatles | Format: Audio CD

Product Details

• Audio CD (October 25, 1990)
• Number of Discs: 1
• Label: Capitol
• ASIN: B000002UAO
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl
• Average Customer Review: 4.6 out of 5 stars  See all reviews (789 customer reviews)
• Amazon Best Sellers Rank: #8,112 in Music (See Top 100 in Music)
  • #87 in Music > Classic Rock > Supergroups

Track Listings

1. Drive My Car

2. Norwegian Wood (This Bird Has Flown)

3. You Won't See Me

4. Nowhere Man

5. Think For Yourself

6. The Word

7. Michelle

8. What Goes On

9. Girl

10. I'm Looking Through You

11. In My Life

12. Wait

13. If I Needed Someone

14. Run For Your Life

Editorial Reviews

Amazon.com

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." --Don Harrison

Product Description

Audio CD.

Most Helpful Customer Reviews

61 of 69 people found the following review helpful

5.0 out of 5 stars Possibly Their Finest June 4, 2001

By A Customer

Format:Audio CD

RUBBER SOUL is the Beatles first masterpiece, and the original UK version is far better than the American LP. This is how the Beatles themselves intended it, not some hack from Capitol Records.

DRIVE MY CAR is an excellent opening track. It was chopped off of the original American record and was replaced by It's Only Love.

NORWEGIAN WOOD is about one of John's real-life affairs, and it is my favorite song on the album. It is probably the first time the sitar was used in popular music.

YOU WON'T SEE ME, great pop from Paul, and has some fine drumming from Ringo.

NOWHERE MAN, one the best tracks on the entire album, and it was cut off the American record.

THINK FOR YOURSELF, good track from George, not his best but still very good. Nice fuzz bass.

THE WORD, very much in the same vein as ALL YOU NEED IS LOVE, but this track is much better.

MICHELLE, classic Paul. Beautiful melody.

WHAT GOES ON, country song co-written and sung by Ringo. Neither bad nor great.

GIRL, more classic Lennon. He dominates this album.

I'M LOOKING THROUGH YOU, great Paul track, features Ringo on Hammond organ.

IN MY LIFE is possibly the Beatles' best song, and may be the greatest song ever written. Excellent keyboard solo.

WAIT, more classic stuff.

IF I NEEDED SOMEONE, George's best song up to this point. Great lyrics and a hypnotic guitar intro.

RUN FOR YOUR LIFE is Lennon at his most jealous. One of the weaker songs on this CD, but it features some great guitar work.

Rubber Soul is essential to everyone's music collection.

85 of 98 people found the following review helpful

5.0 out of 5 stars Perhaps the most influential album ever. March 14, 2000

By A Customer

Format:Audio CD

The impact of this 1965 album is incredible. The earliest recorded of the five great Beatles albums (Revolver, Sgt. Pepper, White Album, and Abbey Road are the others), Rubber Soul was the album that invented "album rock." This was the first rock album recorded for its own sake, without any Top Forty hit singles to back it up (Nowhere Man did not appear on the U.S. version). The songs "Girl", "Michelle", and "Norwegian Wood" each got massive radio airplay despite never being released as singles. Before Rubber Soul, most albums were junk, consisting typically of one or two songs that were Top Forty hit singles with the rest being throwaway filler tracks. Thanks to Rubber Soul, rock artists for the first time got serious about recording albums as works of art rather than just another way to make money. My favorite songs here are "Girl" and "In My Live", but just about everything on this CD is superb. However, I don't like the way they tinkered with the song selection; I would have preferred the original vinyl release format. The psychedelic cover art was the best of its time and it too was trendsetting. Overall, a must have CD for anyone who wants an introduction to their work, and don't forget the other four!

154 of 187 people found the following review helpful

5.0 out of 5 stars The Beatles' artistic growth begins to snowball. September 19, 2001

By Mike London TOP 1000 REVIEWER

Format:Audio CD

RUBBER SOUL is an undeniably brilliant album, but before I get underway I want to address a statement I read in an earlier review, which I find difficult to believe that someone would actually make this statement. Matthew McDowell, in his review dated September 4, 2000, said this was the first significant album ever produced. That is simply an asinine statement. Even that year, Dylan gives The Beatles a run for their money (and arguably beats them, especially with HIGHWAY 61 Revisited), and both BIABH and HW61R were already released. There was a significant body of recordings and albums in other genres being produced for a long time, especially jazz, and his claim of RUBBER SOUL being first important album ever is both ridiculous and uninformed. That being said, I will resume the review proper.

RUBBER SOUL, The Beatles' sixth studio album in a mere three years, takes its place as the very first full length release that truly beings the evolution of away from the boy-girl "I Love you" pop that dominated the first half of their career.

The truly fascinating element of The Beatles are going through their recordings chronologically. You can watch that extremely rapid artistic growth explode. It is amazing that this is the same band who, a mere three years ago, recorded PLEASE PLEASE ME. Obviously, there are several influences that can be felt on this album, although The Beatles up the antes one with this release.

This album sounds like The Beatles playing (and beating) The Byrds at their own game. There are gorgeous three part harmonies, several compositions that would become standards almost on their release, and such a vast improvement artistically over the last five albums. The Beatles knew the time to move was now. Dylan had released BRINING IT ALL BACK HOME and HIGHWAY 61 REVISTED that year, both of which are much better aestheticallythan The Beatles' effort that year (HELP!).

The critics always talk about RUBBER SOUL being that pivotal album in The Beatles' artistic growth, but that is simply not true. While it is true that it is the first ALBUM by The Beatles to have that mature sound, about half of HELP! stands proudly alongside this release, as does the non lp tracks "Yes, It Is," and "I Feel Fine," which, to me, has always sound much more midperiod Beatles than the earlier material with which it belongs. Although it's true it's the first ALBUM of their mature sound, the seeds were already there in earlier material already released.

Sometimes I wonder what would have happened had they scrapped HELP!, but the five or six extra tracks on this, and released the other half as singles, but we can never know. What we do know, however, is that tracks like "Help!," "Ticket to Ride," "It's Only Love," "Yesterday," "I've Just Seen a Face," and "You've Got To Hide Your Love Away," (which, by the way, is the best song Dylan never wrote) point toward this release. The first two tracks cited hearken back to tracks like "Hard Days' Night" and their earlier sound, the lyrics are much better and without expense to the melody.

Those who complain that the record company has butchered the pre-1967 Beatles releases by coming out with totally reconfigured albums are putting on prominent display their ignorance of The Beatles' history and the decadence of Capitol in regards to respecting the artistic integrity of their artists. There were ELEVEN*, count them, eleven U.S. albums released from1963 to 1966. In the UK, however, The Beatles had only issued FIVE albums before this. No one complains about these missing albums with the exception of this US version of RUBBER SOUL.

In those days, The Beatles were extremely hot commodities (which they still are) and the market supported singles more than albums anyway, so the reshuffling of all the tracks does not effect (much) the artistry of the songs until we get to RUBBER SOUL and REVOLVER. It is only until SGT. PEPPER that the American version and the UK version coincided. The most famous of these bastardized American albums is "Yesterday . . . and Today," the famous Butcher album, which is comprised of the four lost RUBBER SOUL tracks, two from the Side 2 of Help!, three from the then current REVOLVER sessions (the album was not completed when YESTERDAY was released), and the "Day Tripper/We Can Work It Out Single." Yet that album has its place in Beatles history more for the cover as opposed to the music inside, although the music is brilliant. But of all the American albums, this and the U. S. RUBBER SOUL are the most sorely missed.

Why are they sorely missed? Well, there's a reason why there have been many people complaining about the UK version when they grew up with the American version. With the release of this particular album, The Beatles and their contemporaries (especially Dylan) were firmly moving the market away from the singles and were becoming much more album oriented, which is why this is the most controversial reconfiguration. The rest sound like a collection of singles: this sounds like a unified album. To those who argue that the American release is better I do not necessarily agree. "Nowhere Man" stands as a vastly important composition, the first of The Beatles to move beyond the boy-girl subject of their early pop material, and to remove it from this album makes the record suffer greatly. The American release compensated (partially) as having "Face" as the opener, which I greatly prefer to start the album off as opposed to "Drive My Car." This version of the album also is strengthened by dropping the rather bland "What Goes On," the worst track on the album.

As everyone praises this album, no one seems to fully discuss the disturbing "Run For Your Life," an extremely misogynistic Lennon song and the most baffling song in The Beatles' canon. This song makes a rather weakened end, and Ringo's simply isn't that impressive.

Still, an enthusiastic five star release non-the-less.

* For those interested, on these eleven albums there are tracks that are no longer available commercially, although they are of only marginal interested to the general fan as they are only tracks used for scoring the movies. A HARD DAYS NIGHT has four instrumental tracks used for movie scoring which are currently unavailable. THE BEATLES' SECOND ALBUM supposedly has some tampering to it to the actual recordings themselves, though what I do not know. The U. S. version of HELP! contains five tracks of Ken Thorpe's film score from the movie, which makes it like the YELLOW SUBMARINE album.