5 of 5 people found the following review helpful:
5.0 out of 5 stars
Superb. Rudin illustrates is one of the greatest portraits of man ever written., July 5, 2006
I found Rudin profoundly touching and an almost astonishing work for a novel so slender. Rarely in so few pages can a writer have illustrated his themes so emphatically and so artfully. Throughout Turgenev uses nature as a proxy for narrative description and as a result the novel has a very calm and controlled feel. The characters are bound by their differing natures and their development is shadowed by changes in the natural environment they find themselves in.
More importantly, to my mind, however is the way in which the character of Rudin exposes the central contradiction between a desire for truth and a desire for love. By his nature, as we discover, Rudin is unable to conquer love but is however able to remain true to his ideals, despite being unable to act upon them. To this extent Rudin is impotent, he is clear about what he wishes to achieve - to become a man of action - yet he is fundamentally unable to achieve such a goal. As such he is destined to remain unhappy. However, unlike others, he perceives this and so is able to remain truthful to his self and thus in contrast to those other characters in the novel that are destined to remain unhappy, as he too is destined, he at least discovers and embraces his true self and as such realises the higher being in him. A higher being so often alluded to by others.
In such a fashion Turgenev exposes this central dialectic beautifully. By positing Rudin amidst a decaying social setting and allowing his seemingly constant passage of self-discovery inadvertently to fuel the self-discovery of those who come into contact with him, Turgenev demonstrates how a synthesis between self-knowledge and self-sacrifice is essential before true love can be sown within one's soul. Rudin, by being so lucid regarding what he loves (truth), whilst simultaneously illustrating to all the futility of his love, shines a light upon the ready attainability of the loves of other characters. Thus those characters who sought to see in Rudin something approaching an ideal are shocked and provoked into attaining their own, real, ideals. It is only those who refused to see in Rudin anything but impotence, coldness and bluster who emerge unchanged characters at the novel's conclusion.
As of Rudin himself, his love (truth) is attained only at the cost of discovering that he is less a mighty oak and more a shallow tumbleweed (Rudin himself goes from using the Oak as an analogy for his feelings to that of a tumbleweed by the end of the novel). Perhaps it is this inevitable conclusion to Rudin's long search, the same search that befalls all of us, that provokes Rudin (in the Epilogue) to finally attain his ideal as a man of action and thus ensure that, against the greatest odds, his seed was not, after all, sown upon barren ground.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars
Self-deception and a facade we place between us and reality, September 9, 1996
By A Customer
This is a simple parable, told within a beautiful story.
We meet Rudin through several people's eyes and learn much
more about him from the differences others see in him than
we learn directly. It is facsinating to see the interplay
between the man's fantasies and his facade.
You are left with very profound and troubling unanswered
questions about your own life and our tenuous connections
to "reality." This is a powerful volume for anyone who is
seriously and sincerely examining their own motives,
especially if you are dissatisfied with your current
conclusions.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Second reading, twenty years later, May 9, 2005
I was very pleased to read this one for the second time. No doubt I was too young to appreciate its virtues twenty years ago. I look forward to reading more of his work, much of which will be new to me.
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