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| 1. The Vagabond King |
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Most Helpful Customer Reviews
14 of 14 people found the following review helpful:
4.0 out of 5 stars
It's about time that this was put on CD,
By albertatamazon (Atlanta, Georgia, USA) - See all my reviews
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This review is from: Rudolf Friml: The Vagabond King (Audio CD)
Of all the famous operettas produced on Broadway in the 1920's, the one most neglected in recordings has been Rudolf Friml's "The Vagabond King", first produced in 1925. Only now is the complete work, dialogue and all, appearing on CD. For those unfamiliar with the music, the best known songs are "Only a Rose" and the stirring "Song of the Vagabonds", perhaps the most rousing "battle song" ever written for an operetta. The story is almost exactly the same as that of "If I Were King", the fondly remembered 1938 non-musical film which starred Ronald Colman as poet-adventurer-thief Francois Villon, who lived during the fifteenth century. Both film and operetta were based on the 1901 play "If I Were King", by Justin McCarthy.
We get the entire "Vagabond King" on this 2 CD set, which is a real bonus for anyone who wants to hear what a 1920's operetta actually sounded like in its original, unaltered version. But this brings me to the problem. I don't know why the Ohio Light Opera decided to do this on "The Vagabond King", when all of their other recordings (and I have three others) are so sonically excellent, but the volume on this CD has to be really cranked up for the listener to catch everything. The recording equipment for this live performance was apparently placed in such a way that there isn't enough treble, except at certain moments. At other times,as happens in some live recordings, the singers are too far away for the listener to catch all of their dialogue, and this operetta has a better story than most, being a faithful adaptation of a good non-musical play. Fortunately, a booklet with a libretto is included, but it is one thing to read the words and quite another to hear them performed. The singing, though, is quite good, and excellent for what is supposed to be a semi-professional group. I have no idea if the orchestrations and vocal arrangements used are those that were used in the original 1925 production, but if the Ohio Light Opera followed their usual practice, those are most certainly the original arrangements. It is a true pity that the company saw fit to revise their recording techniques for this operetta, and that is why I am subtracting one star, when I would have otherwise given it a 5-star rating. Operetta fans have long waited for a complete recording of "The Vagabond King", and since this one is not without merit, I am suggesting that you buy it. But be prepared to be fidgeting with the volume control on your CD player. And as far as I can tell, the complete score of the show is included here. The previous reviewer may be confusing the additional songs written for the 1930 and the 1956 film versions of "The Vagabond King" with the songs used in the stage version. (The film versions used little of the original music.) Only the songs written for the stage version are used here. But where are the usual Amazon audio clips?
12 of 12 people found the following review helpful:
4.0 out of 5 stars
At last a complete recording of a Friml favorite,
By
This review is from: Rudolf Friml: The Vagabond King (Audio CD)
May the Muse of Operetta shower blessings on the Ohio Light Opera for its seemingly endless stream of recordings of complete operettas, dialogue included (not always a Good Thing), as performed at the College of Wooster. Having enjoyed, some more than others, such rarely heard complete performances of Victor Herbert's "The Red Mill" and "Elaine," Gilbert and Sullivan's "Princess Ida" and "Utopia Ltd.," some Kalaman, some Messager, and so on, I am delighted to report that their latest, Rudolf Friml's "The Vagabond King," is among the best of the lot. It is on a double-CD set from Albany Records (TROY 738-39) and well worth the hearing.
For one thing, the tunes range from truly memorable to at least quite good: "Only a Rose," "Love for Sale," "Sons of Toil and Danger," "Love Me Tonight." The story is actually a pretty good one for an operetta, with just enough seriousness to make you care for these characters. The cast is game, with a virile sounding Francois Villon in Ted Christopher, who can handle both music and dialogue with an Alfred Drake dash. If Brian Woods' King Louis sounds too much the stock stage villain (an older voice would have helped) without any real menace and if there is no real depth to the female roles, Julie Wright (Katherine) and Sandra Ross (Huguette), the music helps you forget that fact. Conductor Steven Byess does a good job with a small orchestra. I begin to wonder if a chorus can be trained to sing so that we can actually understand the words without following the full text that is thoughtfully provided in all of these OLO sets. The same goes for sopranos at the higher registers. Granted these are taken from stage performances and not from a recording studio, but a little more attention to consonants within and at the end of words would help immensely. Nevertheless, a complete recording of this Friml work is certainly a MUST for anyone who loves musical theatre. Ironic footnote: Rodgers & Hart had already adapted a play about Villon and wanted to create a Broadway version. The backers agreed and gave the job to Friml! Such is showbiz.
11 of 14 people found the following review helpful:
1.0 out of 5 stars
Don't waste the money,
By
This review is from: Rudolf Friml: The Vagabond King (Audio CD)
This one is only for completists. The recording level is strangely low, so that only a strong audio system or listening indoors with headphones can give you a strong sound. This is especially problematic since the chorus is incomprehensible. The performers are conservatory types most of whom can't act, which makes it too bad that the producers for some reason record the dialogue along with the score. And -- that dialogue is what makes this a 2-CD set; this is by no means a full rendition of the score. There is clearly a lot of missing dance music and reprises; there is about half as much music as you get in, say, JAY's STUDENT PRINCE double-CD, and much less than on Encores' NEW MOON recording. This recording gives no notion of why THE VAGABOND KING was such a hit in its day, and most buyers will be better off waiting for someone else to really do the score proud.
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