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Rufus Wainwright


Price: $10.00 & FREE Shipping on orders over $35. Details
Includes FREE MP3 version of this album.
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Audio CD, May 19, 1998
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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Foolish Love (Album Version) 5:46$1.29  Buy MP3 
listen  2. Danny Boy (Album Version) 6:12$0.99  Buy MP3 
listen  3. April Fools (Album Version) 5:00$1.29  Buy MP3 
listen  4. In My Arms (Album Version) 4:08$0.99  Buy MP3 
listen  5. Millbrook (Album Version) 2:11$0.99  Buy MP3 
listen  6. Baby (Album Version) 5:13$0.99  Buy MP3 
listen  7. Beauty Mark (Album Version) 2:14$0.99  Buy MP3 
listen  8. Barcelona (Album Version) 6:53$0.99  Buy MP3 
listen  9. Matinee Idol (Album Version) 3:08$0.99  Buy MP3 
listen10. Damned Ladies (Album Version) 4:07$0.99  Buy MP3 
listen11. Sally Ann (Album Version) 5:01$0.99  Buy MP3 
listen12. Imaginary Love (Album Version) 3:28$0.99  Buy MP3 

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Rufus Wainwright: Out of the Game

Biography

Affectionately referred to by Elton John as “the greatest songwriter on the planet” and praised by The New York Times for his "genuine originality," Rufus Wainwright has established himself as one of the great male vocalists and songwriters of his generation. He is the son of folk singers Loudon Wainwright III and Kate McGarrigle, and brother of Martha Wainwright but ... Read more in Amazon's Rufus Wainwright Store

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Product Details

  • Audio CD (May 19, 1998)
  • Number of Discs: 1
  • Label: Dreamworks
  • ASIN: B000007SFM
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (188 customer reviews)
  • Amazon Best Sellers Rank: #78,142 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

The singer/songwriters working today who point to Tin Pan Alley and Broadway musicals as central inspirations can be counted on an index finger. Rufus Wainwright is quite an anomaly--but, then again, he's the son of Loudon Wainwright III and Kate McGarrigle. Wainwright has been compared to Randy Newman for his piano-based orchestral sense, but unlike Newman, he rarely turns those poppy conventions against themselves: he's always sentimental and sincere about the fluff he explores. When he drives his melodies and lyrics hardest--as on the Beatlesque "April Fools" and the barroom "Matinee Idol"--his considerable imagination is most convincing and entertaining. Fans of folk simplicity should skip this one, but the more adventurous may find the charm in Wainwright's ambitious debut. --Roy Kasten

Product Description

Customer Reviews

I bought the CD after hearing one song.
judianne_w@rocketmail.com
In short, Rufus Wainwright's music is unique in that it blends heartfelt melodies and passionate lyrics with a modern alternative sound.
Manuel J. Barba (Mjbarba@aol.com)
Its such a feel good song when you are in a bad mood, the song and Rufus' voice make things better!
Angela Perrin

Most Helpful Customer Reviews

51 of 54 people found the following review helpful By "rousaswgnr" on November 4, 2003
Format: Audio CD
Rufus Wainwright is an unfortunately little-known singer/songwriter with a very strong, very loyal cult following. His debut self-titled debut album is tpyical of what has become Rufus' own genre of sorts. Yes, his own genre, because there is absolutely nothing like Rufus' work. His music is hauntingly original, using varied instruments to acheive a near-perfect range of sound.
This album has no profound information regarding a bad childhood, inner-city living, or even the trials of the working man. It is an eclectic assortment of music that reflects the little things of life like love. Rufus' voice exudes the emotion that the listener begins to feel from listening to the elegant lyrics flowing effortlessly from their speakers. This album has been the most enjoyably diverse that I have purchased in 12 months.
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17 of 18 people found the following review helpful By Randy Dunbar on February 22, 2006
Format: Audio CD
It is circa 1996 on Fairfax avenue in Los Angeles. The place is Largo, the room dense with people. In one corner is an upright piano. I have been invited by a friend who tells me that she thinks I will like this singer.

At first note, I am won. Nasal, scratchy like a tumbleweed on a smooth road, the songs are so masterful, beautifully written, that there is no dismissing Rufus Wainwright. Later at a party, Van Dyke Parks will be there. A hero since Surfs Up" which is one of the most panaramic songs ever written (by Brian Wilson), he is hard to approach, as is Rufus, who seems to fall back into the bedrooms periodically for those things we cannot discuss.

It was all uphill. He blossomed. He wrote, he sang and he became famous. Last summer I saw him at the Wiltern, up very close as the Wiltern decided to make the beautiful deco palace a slum by removing all the seats. Still girly, still sometimes silly, always poetic, it was good to see that Rufus had not lost the promise. He lost the drugs, hopefully found a lover and will someday soon compose a movie score (hint). This is talent, so rare today, in its ability to convey thoughts, images that actually require some mind.
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74 of 91 people found the following review helpful By Tim Brough TOP 1000 REVIEWERVINE VOICE on July 28, 2004
Format: Audio CD
Okay, so what if Randy Newman had been a young gay man steeped in Tin Pan Alley and showtunes instead of Southern California sarcasm and movie soundtracks? Then you may have gotten a debut similar to Rufus Wainright's. When this album came out in 1998, it received an unbelievable amount of hype, with Rolling Stone going as far as calling it one of the best albums of the year. Naturally curious, I picked it up.

I was left to scratch my head and wonder what all the fuss was about. Yes, Rufus was eccentric and somewhat original, he had the family pedigree to back it all up genetically, but this debut CD was nowhere near the great white hope it was being written up as. In fact, with the exception of three songs, I still find it to be precocious and grating. But it was those three songs....

"Foolish Love" certainly courted the Newman comparisons. The piano arrangement brought a lyrical flair forward that made the disc start off with promise. "April Fool" certainly borrowed liberally from Elton John, The Beatles and the Beach Boys and made for a pretty decent video (and was one of the things that moved me to buy this disc). And "Barcelona" captured a simple acoustic beauty that would burst forth in full bloom several years later when "Poses" was released. In fact, I was so underwhelmed by this debut that I didn't even get "Poses" when it was first released; it was Rufus' version of "Across The Universe" that made me ask "is that the same guy?" and go pick it up.

So while I still listen to this from time to time, if you're curious as to why Rufus Wainwright gets the cultish devotion he actually does deserve, his debut is NOT the place to start.
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9 of 9 people found the following review helpful By Norm dePlume on January 16, 2005
Format: Audio CD
Honest to God, if you like this kind of music, you'll like Rufus Wainwright. If you don't, you'll hate it. There are samples right there - listen to them. I've just read many of the reviews, most of which were trying to argue matters of taste - trying to convince the people who loved this album that they didn't know what they were talking about. I only wish that all (or some) of the albums I've bought on faith/friend's recommendations were nearly this good.
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8 of 8 people found the following review helpful By A Customer on June 13, 1999
Format: Audio CD
True critically important talent in each generation of musicians tends to come from those who can take traditional pop, folk, rock, jazz, whatever styles and reinfuse them with modern sensibilities, essentially reinventing the genre. There are many failed attempts, (Ricky Martin, anyone?) but then there's Rufus Wainwright. Somewhere between vaudeville ivory-tickler and queer melodrama lies Wainwright's synthesis of playful piano stylings and "important" confessionals about all the sufferings of (true?) love. Does this mean he's the heir apparent to Meatloaf? God, I hope not. Instead of industrial-strength balladeering, Wainwright's wistful ironies lack the kind of clenched brow fist-shaking that makes other singer-songwriter drama queens look foolish by comparison. Wainwright is unafraid to be honest about the depths of his feelings, like any good writers of the confessional school, but he's also too smart (and too trusting of his audience) to not acknowledge just how pathetic that can be. If melodrama like Andrea Bocelli and Celine Dion is weeping-in-front-of-a-mirror material, Rufus is slap-yourself-in-the-face-and-snap-out-of-it empowerment. Wainwright is unafraid to experience the full depth of his feeling, but also intelligent enough to not drown in it. His skill lies in beautifully communicating both; the complexity with which he communicates both the romance and pathos of his songs is what makes his music so compelling.
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