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Rules of the Game Paperback – June 1, 1991


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Paperback, June 1, 1991
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Product Details

  • Paperback
  • Publisher: Faber & Faber (June 1991)
  • Language: English
  • ISBN-10: 0571126235
  • ISBN-13: 978-0571126231
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (102 customer reviews)
  • Amazon Best Sellers Rank: #8,242,051 in Books (See Top 100 in Books)

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Customer Reviews

The Criterion film quality is superb and the extras are worth every penny.
Karmagold
I even began to perceive that the one great rule which most of us adhere to is the RULE for which Andre Jurieu dies - never demonstrate true passion in public.
Bragan Thomas
It is essentially an interview of Renoir, who talks about his shooting style, and the themes and characters of the film.
keviny01

Most Helpful Customer Reviews

193 of 201 people found the following review helpful By keviny01 on January 24, 2004
Format: DVD
*** NOV-22-2011: ADDED REVIEW OF 2011 BLU-RAY & DVD ***

Criterion now has released 3 editions of this French classic: 2004 DVD edition (blue cover with photos) that has been put out of print, 2011 DVD edition (bright cover with vintage drawing) that has identical content save for a revised supplement, and a corresponding 2011 Blu-ray edition that is a high-def version of the 2011 DVD.

The 2011 Blu-ray and DVD appear to have used the same source that yielded the 2004 DVD. As those who have seen the 2004 DVD know, the original source is not in the best of shape, even though it is the best material Criterion was able to get. Google "nytimes hunting rules of the game" to see the report on Criterion's effort in tracking down the best material of the film. So does this Blu-ray look as good as the "Casablanca" blu-ray, the "Gone of the Wind" blu-ray, the "It's a Mad, Mad, Mad, Mad World" blu-ray? No, it doesn't. But as usual, Criterion maintains the integrity of the picture by retaining a lot of film grains on the transfer. Other studios may use digital noise reduction (DNR) to remove those film grains to not annoy modern viewers. But Criterion consistently retains film grains on its Blu-rays, thereby retaining a lot of picture details which may have been lost otherwise had DNR been used. Those who have seen a classic film in theaters would know that film grains are inherent to the pictures from those periods. These Criterion Blu-rays therefore give you as close to a theatrical experience as you can get.
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70 of 72 people found the following review helpful By Nowhere Man VINE VOICE on January 28, 2004
Format: DVD Verified Purchase
On its surface, "The Rules of the Game" is a light farce involving the couplings - and decouplings - of an assortment of weekend guests staying at the chateau of the Comte de la Cheyniest (Marcel Dalio). Without knowing any other context, the film can be enjoyed on this level: Renoir's writing (he co-scripted) is witty and his direction is elegant and sublime. His fluid long-shots make you feel like you're gliding along in this rarified - though topsy-turvy - world; and his open approach to the actors is suffused with generosity. He never allows us to focus on one particular person, or couple, because, in this social world, "everyone has their reasons" and everyone's actions bounce and intertwine with everyone else's.
As a homage and updating of a classic French farce, "Rules" is flawless; it is, however, as a commentary on the decline of a social order that makes this more than a cinematic souffle. Shot in 1939, "between Munich and the War" as Renoir says, the film is portrait of the European aristocracy where ethical codes (conjugal fidelity above all) are not only violated, but are even dismissed as irrelevant. Human relationships collapse and reform with sudden ease (witness the gameskeeper and the poacher) and those who cling to outmoded notions of love and faithfulness set themselves up for disaster (such as the aviator). This is the domestic complement to Renoir's war drama, "La Grande Illusion", where the mournful French and German artistocratic officers, having more in common amongst themselves than with the common soldiers of their respective nationalities, lament that mechanized warfare has rendered their class irrelevant.
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66 of 72 people found the following review helpful By The Sentinel on October 20, 2000
Format: VHS Tape
Jean Renoir's THE RULES OF THE GAME takes place on the eve of World War II at an aristocratic house party in an opulent chateau just outside of Paris where the overlapping `affaires d'amour' of all social classes are observed with a keen and compassionate eye. Renoir looks to the eighteenth-century world of Commedia dell'Arte and Mozartian opera, and seamlessly integrates farce with tragedy, using a classical form to offer his audience a profound and multifaceted parable on the disturbing realities that underlie the veneer of contemporary French society.
It is the middle-class aviator, André Jurieu (Roland Toutain), who embodies the film's central conflict between the private passions and a sense of obligation to a larger social body. Right at the outset of the film, he violates the unwritten "rules" of social propriety by declaring to a radio reporter his disappointment that the woman he had been courting, Christine de la Chesnaye (Nora Grégor), is not present at his reception after completing a record-breaking flight across the Atlantic. His skill with the advanced technology of aircraft is not matched by an ability to deal with people, particularly in matters of love. Indeed, André's careless and unmediated show of desire for a highborn lady not only transgresses the received law of proper social conduct but of traditional class distinctions as well.
Other characters also entertain desires that come into conflict with the social order.
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