Amazon.com Review
Things have certainly changed in Kenya since the 1930s, when Baroness Karen Blixen (a.k.a. Isak Dinesen, author of
Out of Africa) had a farm at the foot of the Ngong Hills. In Francesca Marciano's
Rules of the Wild, the Blixen spread has become an affluent white suburb of Nairobi, home to the tony "Karen" Shopping Mall and populated by a new breed of narcissistic young expatriates and second-generation white Africans. Esme, the beautiful twentysomething Italian narrator, lands in Kenya by happenstance, seeking to escape a painful past and the recent death of her beloved father. Captivated by the sheer physical beauty of the landscape and the raw honesty of her new "tribe," Esme is further ensnared by her love for two dynamic men--one a gentle 1990s version the Great White Hunter, the other an angry journalist obsessed by the carnage of Somalia and Rwanda. In her eminently readable novel, Marciano creates a hip, knowing set of characters who are ironically aware that their easy lifestyle, supported by trust funds and cheap labor, contrasts darkly with the poverty and decay of east Africa. Esme, an intense and thoughtful observer of the scene, struggles not only with the desire to test herself, "to love without illusion, to love without feeling safe", but with what it means to be white in Africa, living in bizarre isolation from the native culture, drawing spiritual sustenance from the land but protected from the continent's turmoil. Finally, the passion she develops for Kenya roots her and gives her purpose, a home. As one of her friends observes, "I'll tell you what it is about this place.... It sentences you to freedom ... you are constantly reminded of what it means to be free and to be alive. And then it becomes difficult to settle for anything less than this."
--Marianne Painter
--This text refers to the
Hardcover
edition.
From Publishers Weekly
The voice of Italian-born narrator Esme, which seduces the reader into the world of this intelligent first novel, is sad, tense, darkly foreboding, secretly desperate. From the beginning, we know that this will be a story of missed opportunities, failed love affairs, unfulfilled longings. Juxtaposed with the tale of a woman trying to find herself is a trenchant and striking picture of contemporary Africa. Esme flees Italy for Kenya after the death of her charismatic father, a poet, and is grateful to find security in an affair with idealistic safari operator Adam. Africa initially seems a paradise to Esme. She is welcomed into the inbred white community of Nairobi, where alcohol and drugs are routine pleasures, everyone has slept with everyone else and the colonial attitude toward blacks has not changed. When she meets a burning social conscience, restless Esme recognizes a kindred spirit, and their passionate affair threatens to destroy the only haven she has known. Hunter has covered the carnage in Somalia and Rwanda, and his insistence that Esme acknowledge the "real" Africa?the poverty in which most Africans live, the despoliation of the environment?unsettles her already fragile emotional balance. In the end, she will be caught between two worlds, two lovers and two visions of the future. Marciano's passion for the spectacular landscape of Africa is almost palpable. Her character analysis is often profound as she delicately conveys the moral complexities of social and personal issues. Her Africa is a paradox in every sense: beautiful and tragic, luxuriant and rotting, paradise and hell, Esme's nemesis and her salvation. This resonantly ironic, beautifully observed novel announces an impressive new talent. 50,000 first printing; major ad/promo; author tour; rights sold in Germany, Sweden, Italy, Denmark, France, Holland and Brazil; simultaneous Random House audio.
Copyright 1998 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.