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Rumor And Sigh

53 customer reviews

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Audio CD, October 20, 1998
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$4.05 $0.29
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$7.99 & FREE Shipping on orders over $35. Details Only 18 left in stock (more on the way). Ships from and sold by Gift-wrap available.

Frequently Bought Together

Rumor And Sigh + Shoot Out the Lights + I Want To See The Bright Lights Tonight
Price for all three: $26.97

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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
  1. Read About Love 3:34$1.29  Buy MP3 
  2. I Feel So Good 3:22$1.29  Buy MP3 
  3. I Misunderstood 4:05$1.29  Buy MP3 
  4. Grey Walls 4:21$1.29  Buy MP3 
  5. You Dream Too Much 4:06$1.29  Buy MP3 
  6. Why Must I Plead 4:58$1.29  Buy MP3 
  7. 1952 Vincent Black Lightning 4:43$1.29  Buy MP3 
  8. Backlash Love Affair 4:49$1.29  Buy MP3 
  9. Mystery Wind 4:35$1.29  Buy MP3 
10. Don't Sit On My Jimmy Shands 4:26$1.29  Buy MP3 
11. Keep Your Distance 4:11$1.29  Buy MP3 
12. Mother Knows Best 4:58$1.29  Buy MP3 
13. God Loves A Drunk 4:43$1.29  Buy MP3 
14. Psycho Street 4:28$1.29  Buy MP3 

Product Details

  • Audio CD (October 20, 1998)
  • Number of Discs: 1
  • Label: Capitol
  • ASIN: B00000DRC3
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (53 customer reviews)
  • Amazon Best Sellers Rank: #39,766 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

29 of 30 people found the following review helpful By Steve Vrana HALL OF FAMETOP 500 REVIEWER on May 24, 2000
Format: Audio CD
Looking back over Thompson's Nineties output, it is clear that this 1991 effort was the best of the lot. Rumor and Sigh's batch of songs mines familiar themes of broken hearts and failed love. Sometimes Thompson approaches these topics with humor as in "Read About Love." Sample lyric: "I do everything I'm supposed to do/If something's wrong, then it must be you/I know the ways of a woman/I've read about love." But usually his lyrics reflect a more realistic look at the darker side of relationships, as in "I Misunderstood" ("I thought she was saying 'good luck'/She was saying 'goodbye'"), or the melancholy "Why Must I Plead" ("All your bitterness and lies sting like tears in my eyes/And a thousand lovesick tunes won't wash away the wounds from my mind").
Thompson, however, is not terminally morose. He turns in an upbeat performance on the accordian and fiddle number "Don't Sit on My Jimmy Shines." And while lyrically "Mother Knows Best" is the stuff of nightmares, Thompson's piercing guitar keeps things moving along at a rollicking pace. And "Psycho Street"--which may not warrant many repeated listenings--exhibits Thompson's gallows humor.
The centerpiece of this collection though has to be the stunning solo acoustic guitar performance of "1952 Vincent Black Lightning." Almost ten years later I still get goosebumps when Thompson sings the final verse. [This song alone is worth owning this album. I still can't understand why it got left off his 3-CD career retrospective "Watching the Dark."]
Thompson is quite simply the English-speaking world's best-kept secret. He is an amazing songwriter, an unbelievable guitarist and a strong vocalist.
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21 of 21 people found the following review helpful By william woolum on May 17, 2000
Format: Audio CD
If my house were burning, before I would rescue family photographs, the deeds to the house and our motor vehicles, precious jewelry, birth certificates, family heirlooms, my grandmother's Bible, or my manuscript in progress, I would rescue my Richard Thompson music collection. The second recording I would grab would be RUMOUR AND SIGH (after I grabbed SHOOT OUT THE LIGHTS). Richard Thompson is the music lyrics equivalent to Geoffrey Chaucer. Like Chaucer, who creates a group of vividly individualized tale telling pilgrims making their way to Canterbury, Richard Thompson creates vividly individualized characters who tell their tales through Thompson's songs. They are complex characters: a vengeful young man just released from jail, a geek devoted to the accordian recordings of Jimmy Shands, a felon with a tender heart in love with a 1952 Vincent Black Lightning and a red-headed girl, and a forlorn man whose lover turned out casual, not serious, etc. Thompson, like Chaucer, is by turns whimsical, satirical, ironic, enthusiastic, tender, cruel, angry, surreal, and always fresh and deeply intelligent. But I've saved the best for last: Richard Thompson is a guitar messiah. Whether electric or acoustic, few guitarist can match Thompson's versatility and virtuosity. If you enjoy traditional British folk, sizzling speed metal, polkas, reels, atmospheric expressionism, Chuck Berry styled rock and roll, and sundry other styles of popular and progressive music, Richard Thompson is king.
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18 of 19 people found the following review helpful By Wayne Klein HALL OF FAMETOP 500 REVIEWERVINE VOICE on August 9, 2003
Format: DVD Audio
Since the 5.1 DTS/Dolby Digital version of album review has been lumped in with the CD review (because of amazon's system being unable to distinguish between two versions of the same title), I'm going to address both separately. The CD is first. RT was especially prolific during the 90's. He rocked in the decade with the 1988 release "Amensia" and moved on to produce a substanial body of work during this period. "Rumor and Sigh" is the best album (outside of "Mock Tudor) that he produced during the decade. From the opening song the acerbic "Read About Love" to the character study "I Feel So Good" (an almost hit)the heartbreaking "I Misunderstood" there's hardly a misstep here. Yes, there can be 5 star albums that have flaws (I can't think of a 5 star album without them whether they be something a fan nitpicks or not)but the overall quality and power of the best material here makes up for even the lesser material.

I Misunderstood and I Feel So Good promised to finally break through to a larger audience with their clever MTV videos. Read About Love is probably one of the most stunning but less subtle songs on the album. It could easily have been written about the Internet and it's #2 usage--looking for Porn.

1952 Vincent Black Lightning is the type of song that Thompson has always excelled at; it's got a tight narrative, great melody and a tragic folk inspired ending. The only song that doesn't quite work for me is the epic closer Psycho Street. Yes, it captures the type of world we live in today but it's a bit obvious and a bit ordinary and predictable (particularly for a Thompson song). The best song for me is the often overlooked Keep Your Distance (in addition to You Dream Too Much).

The production by Mitchell Froom has often been criticized.
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