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Summer Reading
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The visual characterization of Rumpelstiltskin is a triumph: an odd elfin man with bulbous eyes, a gigantic, flat black hat, impossibly skinny arms and legs, and long, pointed black shoes. This Rumpelstiltskin is not scary or horrid, but rather mischievous and weird. When the young queen finally guesses his name, and thus is able to keep her baby, he flies off on his huge cooking spoon (with a pout), true to the Grimms's 1819 version of the story. (Zelinsky provides notes on his text in the back of the book, indicating his careful research into various editions of the original Grimm tale.) Zelinsky's retelling is straightforward and smooth, with only a few lines of text on each page to complement the truly magnificent full-page illustrations. A delightful book worth its weight in gold! (Ages 3 to 7)
--This text refers to an out of print or unavailable edition of this title.
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Paul Zelinsky hasn�t altered a single detail of the odd story, but his illustrations, based on Italian Renaissance oil paintings, make the tale clearer and far less frightening. His control of gesture and facial expression is marvelous, and as you watch the miller�s daughter�s face change from innocence to wariness to fear for her child, to intelligent calculation, and finally to triumph, it is obvious that this is a story of a young woman making her way from complete innocence, where she is at the mercy of others, to an intelligent (if crafty) control of her own life. The best picture in the book is the final one: the miller�s daughter, now queen, looks down on her baby with love, while the greedy king stands looking on, a little dumbfounded, a little awed. There may be hope for this relationship after all.
This is a book my daughter asks me to read over and over, and I�m more than happy to do so.