Run Bitch Run NR

Amazon Instant Video

(42) IMDb 4.2/10
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After she is brutally raped and left for dead, Catholic schoolgirl Catherine awakes with one thing on her mind, REVENGE.

Starring:
Ivet Corvea, Cheryl Lyone
Runtime:
1 hour, 27 minutes

Available to watch on supported devices.

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Product Details

Genres Thriller, Horror
Director Joseph Guzman
Starring Ivet Corvea, Cheryl Lyone
Supporting actors John Winscher, Peter Tahoe, Daeg Faerch, Christina DeRosa, Patricia Grant, Mike Tursi, Chenoa Mason, Chris Weidman, Ryan Henslee, Caejar Cox, Lori Soleil, Douglas Macpherson, Mickey Faerch, Maz Siam, Cream Cabahug, Sylvia Ochoa, Daniel Demello, Aycil Yeltan
Studio Vicious Circle Films
MPAA rating NR (Not Rated)
Rental rights 7-day viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Other Formats

Customer Reviews

Very low budget and the acting is poor.
dannho
If you're interested in the cinematography, the film is shot on moderate quality film and then filtered to give it a grainy, retro feel.
Jane
So if you need to waste some money and get a movie to sleep through, this is the one.
GBoswell

Most Helpful Customer Reviews

38 of 41 people found the following review helpful By Jane on July 1, 2010
If I can describe my feelings regarding this movie in one word, it would be "meh". While others may find it shocking at some points, overall I found it a bit too over the top to even illicit much of a response.

The plot is very basic: Two Catholic school girls are selling Bibles door to door when they witness a murder within a rundown house that happens to be a drug/prostitution den. The girls are captured, and one is immediately raped and killed while the other is taken to a wooded area and sexually assaulted. She manages to escape, and then exacts her revenge.

It's a very standard and gruesome rape/revenge plot, although to be frank there is more rape than revenge. Out of the nearly 90s minutes of video, the revenge part comprises about 20 minutes. While the content may not be as cringe-inducing as some horror movies, it is still very, very graphic. Do not watch if you are adverse to nudity, murder, rape, or necrophilia. Really, just don't. Personally, I found much of it so over the top that at points it seemed an almost satire of the 70s faux-snuff films. I'd have stopped watching the first 5 minutes in, but I have to admit, the subpar acting, horrible wanna-be porn music, grainy film and gratuitous violence had a deer-in-the-headlight effect on me. I continued watching (fast forwarding in many areas) simply because, like a nasty car crash, you just can't look away.

If you're interested in the cinematography, the film is shot on moderate quality film and then filtered to give it a grainy, retro feel. I have to admit, the director did a good job in this regard. As far as the shots and angles are concerned, it's competent, but lacks that slick professionalism you'd associate with "real" movies.
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32 of 41 people found the following review helpful By Paul Aragon on December 13, 2009
Verified Purchase
Beating a Dead Horse.

There is a new type of modern grindhouse film that has emerged over the last half decade or so, which I feel is a direct offshoot of the Torture Porn franchises of Saw and Hostle. It seems that these two franchises managed to turn the soil over on a market that has been in hibernation for the past couple of decades. If you would bare with my indulgence a minute, I would at first like to tell you that I have decided to call this new offshoot of film "Neo Exploitation" in order to have some sort of readily available label to pin on it during the course of this review. To distictly clarify exactly what kind of animal I am talking about here, I will at first like to tell you what kind of film this is not. Lately, some new shocking French films have come out that clearly have strong eliments of exploitation coursing through their veins, they are Baise Moi, Irreversible, High Tension, Insides, and Martyrs. The major distiction that separates these exploitation films from Neo Exploitation is their professionalism. All the French shockers I have mentioned have real directors, real actors, real screen writers, and real budgets with studio backing involved. If anything, these French shockers seem more like sister offshoots of The Japanese Horror Industry, and not offshoots of Torture Porn. In contrast, The Neo Exploitation films are entirely amateur productions. These films lack professionalism, budgets, acting, adequate film jobs, and usable scripts. The Neo Exploitation films include such un-noteworthy titles as Blood and Sex Nightmare, Live Feed, Defenceless, The Hood Has Eyez, Gutterballs, and Sick Girl, none of which I would feel comfortable recommending to anyone.
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12 of 14 people found the following review helpful By Ben Wasden on November 18, 2010
I saw this movie several months ago, and didn't type a review for it then. I am typing a review now because I really liked this throwback to 70's horror, and I wanted to throw my two cents in since it has such a low rating on here.

I'm shocked that Run Bi**h Run has only 2 1/2 stars out of 5 on amazon.com, when in my opinion it's the best rape/revenge film ever made. I enjoyed it more than both Last House on the Lefts and I Spit on Your Grave. It has a real sense of fun about it, a fast pace, colorful and sometimes profane dialogue, as well as in your face violence. Oh, not to mention all the nudity. What more do people want?
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4 of 4 people found the following review helpful By Quadro Sinead Summer on May 7, 2013
Format: Amazon Instant Video
This is definately done in the style of 70s sleaze cinema with a little Russ Myer, Last house on the left, I spit on your grave, Kill Bill, and a few other sleaze movies I can think of rolled into one film. One film it kept reminding me of was Ms.45. I agree with other people who commented accordingly. The film borrows shamelessly from Tarantino, which is no suprise either. Most people who reviewed this film here hated the music. I liked it actually because it fit the film and it also fit the music of 70s sleaze cinema. The movie is bad, but it seems to take pride in the fact that it is. Some of the acting was very poor while some was pretty good actually as far as this kind of film goes. I also liked the idea of the ugly duckling catholic school girl transforming into the buxom sulty sex kitten. I wasnt expecting that. Earlier in the film she appears pretty homely while her fellow catholic school girl friend appears far prettier and takes on the naughty, sexy role. I expected that she would be the main subject of the film, but she wasnt. She gets offd fairly early in the film. Once the beast comes out in the ugly one and she lets hair hair down shes pretty attractive in a very unusual way. In the way a female lead would have appeared in one of these sorts of films in the 70s. In some ways this film succeeds more accurately in re-creating a grindhouse feel than films such as Death Proof or Planet Terror, which while very well done dont feel like they are actually from that era of cinema. This one does on the other hand feel like the real thing. Over all this movie is truly bad but its good that it is or it wouldnt have felt so much like those taboo sleaze films of the 70s.
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