Customer Reviews

Running Back Thru Canada

5 star:		(9)
4 star:		(5)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

The Guess Who went on a cross-country tour of Canada last summer, playing to over 200,000 enthusiastic fans. From the opening drums of "Runnin' Back to Saskatoon," to the acapella ending of "Share the Land," the five Winnipeg natives--Burton Cummings (vocals, piano, flute, harmonica & guitar), Randy Bachman (guitar & vocals), Donnie McDougall (guitar & vocals), Bill Wallace (bass & vocals) and Garry Peterson (drums, percussion & vocals)--proved in no uncertain terms that they were still a force to be reckoned with. I was lucky enough to catch one of the shows on the tour, and let me tell you, the band was amazing. Boasting "no overdubbing, no fixing in the studio, and no adding of musicians," Running Back Thru Canada is the band's new double live CD, and an excellent document of the tour.

"Runnin' Back to Saskatoon" gets things off to a great start, with a killer harmonica solo by Cummings. The arrangement was a bit different on this tour, with Bachman taking three solos in a row instead of one, as on Live at the Paramount. "Guns, Guns, Guns" followed, and it was at this point that McDougall earned a new respect from me. I had always thought of him as more of a rhythm guitarist, but his leads on the song were breathtaking. Before "Rain Dance," Cummings takes time to introduce Peterson as "one of the finest drummers to ever come out of Canada." It's especially fitting here as he serves up some outstanding drum fills in the song. One of the best songs on the tour was "Glamour Boy," Cummings' stab at the music industry. Burton said in a recent interview that, as a vocalist, this is one of the hardest songs for him to sing. You'd never know it by listening--he nails the vocals with ease. The thing that made the song even better was Bachman's stellar solo at the end of the song, taking it to a new level.

Taking the lead from this year's Crosby, Stills, Nash & Young tour, The Guess Who basically did a three-part show. The first part was mostly electric, followed by an acoustic set, and then they rocked out for the last hour or so. Cummings told a story of how the band played in coffeehouses when they were starting out (edited out on the CD), then introduced the acoustic set by saying "welcome to the coffeehouse." Although there were no Cummings solo songs in the show, Bachman managed to get three BTO tunes in there. The first of which was a great version of "Looking Out for #1," featuring acoustic solos by both Bachman and McDougall.

"Sour Suite" was beautiful, as always, accentuated by McDougall in the place of the strings that appeared on the studio version. "No Sugar Tonight/New Mother Nature" was one the biggest crowd pleasers, and rightly so. Prior to this tour, "Talisman" had never been performed live. The newbies out there probably won't think much of the song, but this one was clearly aimed at the older fans--especially the "Wooden Ships" tease they threw in toward the end. "Let it Ride" was the second BTO tune in the set, only this time it featured a radically different arrangement with great five-part harmonies. Once again, McDougall adds a tasty solo to the song. "Undun" stayed true to the original, with Cummings breaking out the flute for his first solo of the night, proving that he hadn't lost his touch. The biggest surprise, and one of the most enjoyable tunes on the tour, was Artificial Paradise's "Follow Your Daughter Home," with Cummings' extended 'Mexican rap' at the beginning.

Several of the tracks here were taken from the band's hometown show in Winnipeg, which unfortunately for the crowd, was hit by a major thunderstorm, forcing them to cut the show a bit short out of safety concerns for the band. After the storm cleared, the band launched into a fiery13-minute version of "American Woman," complete with the 'roast beef' intro (albeit with transposed verses by Cummings). Although this particular rendition was shorter than some of the others on the tour, it's an inspired performance.

"Albert Flasher" always sounds good, as does "Hand Me Down World" (written by, and dedicated to the band's late lead guitarist, Kurt Winter). "Orly" was one of the songs dropped during the tour, and after hearing the version included here, you can't help but wonder why. McDougall burns up the fretboard with his solos on the song, and the rest of the band is clearly into it. "Takin Care of Business" is pretty much the epitome of classic rock and (even though, for me, the song falls into the 'tired of it' category) this is one of the best performances of the song that you'll ever hear, easily surpassing the original. "Bus Rider" (another song written by Kurt, although the liner notes say otherwise) sounds a bit slower here than the studio version, but aside from Cummings' vocals at the very end, it sounds great. The encores--"No Time" and "Share the Land"--are both showcases for the bands intricate harmonies, and are just as outstanding as everything else on these two CDs.

Running Back Thru Canada is an awesome representation of The Guess Who's summer tour. With the group's recently renewed popularity and ever-increasing exposure via commercials on TV, etc, they seem to be unstoppable right now. There's been talk of a US tour in 2001. If they come to a venue anywhere near you, don't miss them.

Ok I got it! With bated breath and a little trepidation I cranked it up. Oh baby, your going to have to set aside room for this two disc set. It desrves a place next to "LIVE AT THE PARAMOUNT" in your library. Flat out excellent! The quality of the recording is great and the singing and playing is excellent. Dare I say that "Runnin' back to Saskatoon" is better than the original, and "Guns,Guns,Guns" is electric and awesome! Even "Glamour boy" blows away the original with a serious electric guitar solo to finish it out. The BTO tunes are fresh and hot as well. I'm sorry if I'm sounding like a broken record here but you have got to hear this for yourself. I haven't been this pleased about a CD that I've not heard before in many years. Burton and Randy and the Boys have proven that the Roast Beef is far from gone. Well done! I can't wait till the new studio CD is out later this year. It is exciting to have this great Rock & Roll Band back playing at this level.

The first thing that you realize upon inspection of this album is that it is grossly mis-named. If any of the guys pictured are running anywhere, it's to Canuck Burger for a Double Chubby Chuck. That said, you know the music's GOT be be good (why else subject yourself a group photo)?. It is. Real good. It's clear these guys have something to prove and, for he most part, they do. The material is excellent (though it would've really pushed the envelope to include some of Burton Cummings Morrison-esque ramblings), the band cooks and there's a genuine sense of enjoyment throughout. A few times I caught Burton Cummings souding like Axl Rose as birthed by Ethel Merman, but he's forgiven. He, more than anyone, sounds in awe of the music they have and continue to share.

I've been a fan of the Guess Who in most of their incarnations over the years, but I believe my favorite albums were "Artificial Paridise" and "Road Food." Putting that band back together with Randy Bachman was a stroke of genius. This is a terrific live record with Mc Dougall and Wallace adding great vocal harmonies along with first-rate guitar playing. Bachman's "unplugged" BTO chesnut "Let it Ride" is a better song here than on the original recording, and although singing is not his strong suit, I like his delivery of this tune better than C. F. Turner's. Being an "old" guy, I have really longed for a new release that "rocked." There is precious little rock and roll available these days, but if that is what you are looking for, you will find it here. Bachman's solo's demonstrate a passion that you would perhaps not expect from an "elder statesman." Garry Peterson is solid as a ton of granite and yet still plays with the agility ususally associated with a jazz drummer. Burton Cummings has always been one of our best rock and roll pianists and he is even better here than I remembered. Vocally, the high notes are still there most of the time, but I do think that "Rain Dance" should be retired or perhaps performed in a lower key. Other than that quibble, this would get five stars.

I saw the show at the Corel Center in Ottawa and it was flawless. The sound, selection of songs, a lengthy acoustic set and the obvious enjoyment of the band made this a memorable show. The CD - recorded at the Winnipeg show - captures the chemistry almost as if you were there. If you like the Guess Who - buy this!!

All I gotta say is WOW! and now I'm really sorry to have missed the tour when it came through here, although the rumors that were running that the band may get back together keep me going!

I've fallen into the Guess Who about a year before the tour, and just fell in love with their sound. When I saw the 1st stop on their tour (Winnipeg, their hometown) on TV, all I could think of is that these guys still got it and I was praying for a CD to be released. It was! The songs on the CD are taken from the same stop on the tour and if you're a fan, it'll send chills down your spine. If you aren't, you will still find a few songs where you can't hold back from tapping your toes, not to mention a mean 13 minute rendition of American Woman where Randy pulls a couple old tricks out of his bag of guitar tricks.

One word of advice, RUN, don't walk, don't stall and definately don't dwaddle on your way to get this and crank it! All I'm waiting for now is the Video edition with commentary and try to relive the experience vicariously through the fans in Winnipeg, including lightning and thunder.

This is a super excellent Cd. I am 13 years old. I loved this Cd even though I did not live during their rein. I went to the Concert with my Parents and bought Cd right when it came out. Not only is it good for A trip down memory lane for adults. It is just plain good music.

A very good album, which exceeds their '70s live album recorded at the Paramount. "Hand Me Down World" is faster and has better vocals than their '70s live version, "Rain Dance" also has better vocals, this is the only live recording of "Undun" that I know of (and done well), and "Guns Guns Guns" sounds much like the awesome studio recording in spite of its complexity. Oddly, Burt Cummings' voice is almost unrecognizable here--now a very closed-mouth sound. My main disappointment was that the really pretty jazzy ending of "Lookin' Out For #1" was completely omitted here, which I considered the climax of the song.

This 2 CD set is a must-have for any Guess Who fan. I was a little skeptical, but it's well-done and it rocks! I'm not sure about Randy Bachman's voice, but I still like his BTO selections on the set. It sounds like the group did it for the love of music moreso than the love of money. Find this wherever you can...and play it often.

If you were ever a Guess Who fan, you owe it to yourself to just click that button to the right and order this amazing double-CD set. It's obvious that The Guess Who were never this good, not even in the original 1968-1975 heyday of the band! The reasons are many: Tighter arrangements than ever, great song selection, and the brilliant decisions to have Bill Wallace replace Jim Kale on bass and have Don McDougall rejoin the band on guitar. Burton Cummings' vocal style has changed over the years; he's more shrill now (see what happens when you write vocal gymnastics at 20 that you have to re-create at 50?). However, the overall band and performances are first-rate, with the middle "coffee house" acoustic set a real revelation. Let's hope this great band gets to tour the U.S. soon and release an album on new material. Warning: This CD is not to be confused with "Down the Road Live" or "The Spirit Lives On," which were indie sets put out by Kale's bar band version of the Guess Who and are simply the two worst live albums in the history of recorded music.