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20 of 23 people found the following review helpful:
4.0 out of 5 stars
Highlights the Novelty of Fiction as International Conflict, June 16, 2000
Written shortly after the major events surrounding the Rushdie Conflict (though not before the murder of the Japanese translator of the Satanic Verses), Daniel Pipes provides major insight and perspective into the root causes of this international conflagration. He provides both a breakdown of Rushdie's work, and an explanation of the translation difficulties that further encouraged misunderstanding about the Book's actual contents. He appears to have a steady grasp of Arabic by the bibliography and transliteration, consonant with a fair amount of expertise in analyzing Islam. He provides the Islamic rationales for trying Salman Rushdie for apostasy, and indicates the questionableness of Khomeini's method (not the penalty itself) even under Islamic standards.(Gotta give 'em a trial, a chance to repent over three days, and then chop-chop- at least for the Sunni variety of Islam, though the various madhdhabs or schools of jurisprudence differ on the exact details of divinely sanctioned murder.) After reading the Satanic Verses, I whole heartedly concur that because of its level of erudition and numerous allusions to less familiar (to Westerners) stories from the salvation history of Islam to South Asian culture, it is no surprise how few people actually read the entire novel. But what is rather disturbing about human nature, is that this didn't stop complete Ignoramuses from opining- Pipes provides a multitude of quotes indicating the level of hearsay fed to the masses. Pipes also emphasizes the unprecedented scale of this eruption of world-wide riots and protests, citing works critical of Islam with far graver blasphemies. One blasphemous volume mentioned by Pipes that I found enjoyable was 23 years- a critical biography of the Prophet Muhammad by Ali Dashti, who although Pipes doesn't make reference to it, "disappeared" in 1980's Iran. Pipes also mentions some of the effects the conflict had on the front lines of bookselling and publishing, pondering over the possible changes the death threats and bombings inaugrated by religious fervor. A decade later, I don't know how to guage his power of prophecy, but his commentary on the complex intersecting issues remain both incisive and fascinating.
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17 of 20 people found the following review helpful:
5.0 out of 5 stars
Full of insights, November 13, 2001
Here is one example: the title of Rushdie's book. Pipes explains that while in English "the Satanic verses" is a plain ordinary phrase that refers to an embaraasing event in Islamic history, this phrase is not used in Arabic. Most Muslims won't recognize the event by that designation; Muslims call it something quite different. But when "verses" is translated into Arabic the word used refers specifically to Quranic verses. So the title is translated roughly as "The Satanic Verses of the Quran" or "The Satanic Quran". Don't assume from this that Pipes if profferring an apologetic. He is not; this book is critical of "fundamentalist Islam". But Pipes is careful to explain how such Muslims think and react.
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5 of 6 people found the following review helpful:
3.0 out of 5 stars
Views the outcry over Rushdie in a larger geopolitical context, September 19, 2005
THE RUSHDIE AFFAIR is Daniel Pipes' analysis of the uproar by Muslims over Salman Rushdie's novel THE SATANIC VERSES from mid-1988 to March 1989, with especial attention on Ayatollah Khomeini's death fatwa and the resulting diplomatic fallout. Though the book was published in early 1990 and so lacks a long-term view of the matter, it is still a valuable and informative historical document.
Pipes explains how the novel is offensive to Muslims, explicating its references to the founding of Islam which the average Western reader wouldn't grasp, as well as Khomeini's edict and voices of support and dissent with it. The second part of the book is an examination of larger issues evoked by the novel's reception, namely the relationship between Iran and the West, the efficacy or lack thereof of censorship and, quite pertinent to our times sixteen years later, the matter of Muslim communities living in the West. Pipes asks if perhaps the greatest danger against speech isn't far-off pariah states like Iran, but rather Muslim communities in Europe which refuse to integrate and wish to eradicate all opposition to Islam and its sharia law in the society around them.
It is clear right away that Pipes has little sympathy for Rushdie. In the short biography of the author, Rushdie is described as a haughty intellectual, an elitist, an a nihilistic Leftist. I thought this was unfair, and showed the author to have little understanding or appreciation of the literary art. However, Pipes' low view of Rushdie allows him to consider in greater depth the question of whether Rushdie deserved the criticism and fatwa. Ultimately, what Pipes feels about the matter is simple bafflement, because the Muslim world during the 20th century tolerated writers and intellectuals who said far worse things about Islam than Rushdie, and there's no real reason why Rushdie should have been singled out for such a great outcry.
The book is informative, but more on its coverage of international relations than any insights on the literary world. If you haven't read THE SATANIC VERSES yet, don't try Pipes' book, because you've been missing out on an entertaining and truly marvelous novel, and it will be baffling to read about a controversy over a book you know nothing about yet. The book may be worth flipping through if you're curious about why Rushdie's novel sparked such a reaction.
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