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50 of 56 people found the following review helpful:
5.0 out of 5 stars
Come For The Movie, Stay For The Extras, December 1, 2000
From Russia With Love, the second James Bond film, is one of the best (in my view, second only to Goldfinger). Unlike the later films in the series, From Russia With Love is extremely faithful to the Ian Fleming novel with only slight variations on the story. In order to obtain a Russian decoding machine, 007 must travel to Istanbul, Turkey to aid a beautiful Russian defector ... even though he and the British Secret Service know it's probably a trap. But unbeknownst to Bond SPECTRE is playing the Russians and the British against each other. This is the most realistic of the Bond films with a story that could probably happen in the real world of espionage. The film does contain a gadget -- a trick briefcase (also in the Fleming novel) that contains throwing knives, ammunition, a folding sniper's rifle, 50 gold sovereigns and a tear gas cartridge that explodes when the case is opened improperly. The film, however, takes a very realistic approach to the story with none of the cartoon antics present in many of the later Bonds.
Terence Young, who also helmed Dr. No and Thunderball, does an outstanding job of directing. He makes wonderful use of the locations, especially in Istanbul. As with his other two Bond efforts, Young eschews a cartoon approach to the action in favor of a more brutal, realistic approach. And unlike many later Bond directors, Young concentrates on developing characters, making them real people with real emotions. The audience feels for the characters emotionally -- something unheard of with the cardboard cutout characters of the later films.
Peter Hunt's editing is a marvel. The action scenes are tightly edited and the film's pacing and continuity are flawless. In addition, the DVD documentary shows just how much Hunt helped shape the final project. He went beyond simply editing the film and actually helped shape and improve the story.
However, the best thing about the film is the casting. Young must have taken great care to properly cast From Russia With Love because every part matches their novel counterpart down to the last detail. Sean Connery, of course, is, and always will be, the best James Bond. Newcomer Daniela Bianchi is terrific as pseudo defector Tatiana Romanova. She is beautiful, sexy and appealing. It's too bad she didn't have more of a screen career. Lotte Lenya (Threepenny Opera), the famed German musical star, does a wonderful villainous turn as Rosa Klebb, former SMERSH agent who is now working for SPECTRE. Robert Shaw (A Man for all Seasons, Black Sunday, Jaws) is chilling as SPECTRE assassin Red Grant. And Pedro Armendariz, in the performance of his career, plays Ali Karim Bey, the head of Station T, Turkey. Aremedariz's performance is especially poignant because he was dying of cancer during the filming. He shot himself while in the hospital soon after he was through filming.
From Russia With Love is not only a good Bond film, but a good film alone, apart from the series. Along with Dr. No and Goldfinger, From Russia With Love represents a high point that the later films never quite matched.
The DVD transfer is spectacular, with terrific sound and picture quality. What makes the DVD special, however, are the special features which include three documentaries, trailers, TV and radio spots and cast & crew profiles. The main documentary is especially interesting as it details how the filmmakers drastically changed the story progression during the shoot. As with all of the Bond DVD's, MGM has done a superb job, giving the buyer much, much more than just the film to view.
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18 of 18 people found the following review helpful:
5.0 out of 5 stars
One of the Best James Bond Films, January 1, 2007
This review is from: From Russia With Love - 2-Disc Ultimate Edition (DVD)
There is not much more that can be added to what has already been written or said about FROM RUSSIA WITH LOVE. It is considered to be one of the better Bond films in the series.
Before I get on to the main point of what I have to add, I do want to comment on the widescreen versions that have been issued. I am not sure what the proper aspect ratio of this film is. In a comparison of the DVD to the Laser Disc, the DVD appears to have been cropped at the top and bottom to give it a wider effect. The proportions of the prints I saw in several theaters all resembled the Laser Disc.
My more important note of curiosity however is the content of the film itself. I still have not seen any version on VHS, Laser or DVD as the ones I have seen in the theater for FROM RUSSIA WITH LOVE.
It appears that on video two scenes contain cuts.
Cut # 1: When Red Grant has Bond on his knees at gunpoint aboard the Orient Express, he editorializes in a most graphic manner about the roll of film that was shot of Bond and Tatiana in the boudoir. For its time, this was a rather risqué piece of dialogue. By today's standards it is somewhat timid. Bond's comeback is still intact on the video, responding to Grant how it took a collection of pretty sick minds to dream up such a scheme. That was a direct response to Grant's cut line and gives us an insight into Bond's moral standards that there is a line that even he would not cross given his flare for the more amorous pursuits.
Cut # 2: This cut line is more obvious and comes at the end of the film when Bond and Tatiana are floating down the canals of Venice. Bond holds up the reel of film seized from Grant. Again, Bond makes a direct reference to Grant's cut line from the train in a droll throwaway remark to a puzzled looking Tatiana. You can actually see this cut because the music jumps. Once more, this cut line of dialogue gives us another glimpse into the James Bond mystique as it was still being formed and honed for the screen. I am sure Bond is probably saying to himself, "Take all the dirty pictures you want. I'm the one with the girl and Grant, "old boy," you're the one six feet under."
As for the film itself, it is one of the classic James Bond films and will remain so for all time. The tone of the series would be altered slightly from what director Terence Young had established in DR. NO and in this film. The next film, GOLDFINGER directed by Guy Hamilton, would retain the style established by Terence Young yet he would refine the character of James Bond with a more tongue-in-cheek approach. In FROM RUSSIA WITH LOVE James Bond is the dedicated civil servant with a licence to kill and he uses it in the assassination of Krilencu (Fred Haggerty) just as coldly and objectively as he had eliminated Professor Dent (Anthony Dawson) in DR. NO. For these reasons I believe there are two distinct camps in the ranks of Bond loyalists. One prefers the style or more specifically the portrayal of James Bond found in FROM RUSSIA WITH LOVE, while the other faction favors that established in GOLDFINGER. The James Bond found in FROM RUSSIA WITH LOVE is a much tougher fellow not to be seen again until ON HER MAJESTY'S SECRET SERVICE and LICENCE TO KILL.
Another specific point about FROM RUSSIA WITH LOVE is the score composed by John Barry. Barry's score in this film is not as complex or melodically constructed as in his subsequent Bond scores. Yet, Barry's score is as old school as is Sean Connery's approach to the role and that is exactly the way it should have been. Barry's no-frills score compliments Connery's no nonsense Bond. In essence FROM RUSSIA WITH LOVE is a product of its time and a very good one at that.
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17 of 18 people found the following review helpful:
5.0 out of 5 stars
Easily one of the greatest in the James Bond series, March 7, 2003
Most James Bond fans have their personal favorites among all the films in this forty-year series: FROM RUSSIA WITH LOVE is mine. In many ways, this was actually the first film with the full James Bond formula in tact. DR. NO was enjoyable, but Sean Connery's Bond was very different in that film than in the subsequent films. In DR. NO, Bond was a serious, unironic, humorless secret agent, very much like the character in the Ian Fleming novels. In FROM RUSSIA WITH LOVE, Bond departed from the character in the novels, and became witty, ironic, and very much tongue-in-cheek. In short, he became the Bond we all know and love. This is also the first film in which Desmond Llewelyn appeared as Q, who went on to play in all the remaining films (excepting Sean Connery's comeback with a different studio). Q provides Bond with his trick attaché case, the first of the many gimmicks we associate with Bond. The story is a great improvement as well. On top of this, the villains in FROM RUSSIA WITH LOVE represented a huge leap forward from DR. NO. In the list of the great Bond villains, both Robert Shaw's Donald 'Red' Grant and cabaret legend Lotte Lenya's Rosa Klebb rank near the top. Shaw comes across less as a human being than a highly programmed cyborg, and Lenya's sadistic turn as a poisoned-knife-in-shoe harpy has been often imitated. The setting for the film, Istanbul, is one of the best in the entire series. It perfect set the international tone for all subsequent Bond films. The city is used as a perfect backdrop for much of the film. Among all the other distinctions of this film, it also belongs on the short list of the great train films, with much of the film taking place on the train that travels along the route of the former Orient Express. The only film that I think rivals this one in the James Bond series is the immediate sequel, GOLDFINGER, which is my second favorite Bond film. By the way, this is one of the few films in which Bond does NOT say, "Bond, James Bond."
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