Russian Cinema (Inside Film Series) [Paperback]

David Gillespie (Author)

Book Description

ISBN-10: 0582437903 | ISBN-13: 978-0582437906 | Publication Date: December 12, 2002

Russian Cinema takes in over 300 films in a lively and informative exploration of the cinematic genres that have developed over almost 100 years, including the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov and Sokurov.

Editorial Reviews

From the Back Cover

Russian Cinema provides a lively and informative exploration of the film genres that developed during Russia's tumultuous history, with discussion of the work of Eisenstein, Pudovkin, Mikhalkov, Paradzhanov, Sokurov and others.

The background section assesses the contribution of visual art and music, especially the work of the composers Shostakovich and Prokofev, to Russian cinema. Subsequent chapters explore a variety of topics:

* The literary space - the cinematic rendering of the literary text, from 'Sovietized' versions to bolder and more innovative interpretations, as well as adaptations of foreign classics

* The Russian film comedy looks at this perennially popular genre over the decades, from the 'domestication' of laughter under Stalin to the emergence of satire

* The historical film -  how history has been used in film to affirm prevailing ideological norms, from October to Taurus

* Women and Russian film discusses some of the female stars of the Soviet screen (Liubov Orlova, Vera Alentova, Liudmila Gurchenko), as well as films made by male and female directors, such as Askoldov and Kira Muratova

* Film and ideology shows why ideology was an essential component of Soviet films such as The Maxim Trilogy, and how it was later definitively rejected

* The Russian war film looks at Civil War and Second World War films, and the post-Soviet treatment of recent conflicts in Afghanistan and Chechnya

* Private life and public morality explores the evolution of melodramas about youth angst, town and village life, personal relationships, and the emergence of the dominant sub-genre of the 1990s, the gangster thriller

* Autobiography, memory and identity offers a close reading of the work of Andrei Tarkovskii, Russia's greatest post-war director, whose films, including Andrei Rublev and Mirror, place him among the foremost European auteur film-makers

Russian Cinema offers a close analysis of over 300 films illustrated with representative stills throughout. As with other titles in the Inside Film series it includes comprehensive filmographies, a thorough bibliography and an annotated further reading list. The book is a jargon-free, accessible study that will be of interest to undergraduates of film studies, modern languages, Russian language and literature, as well as cineastes, film teachers and researchers.

Dr David Gillespie is Reader in Russian in the Department of European Studies and Modern Languages at the University of Bath.

Series Editor - Alexander Ballinger, McLean Film & Media Ltd.

Cover Image: Ignat Daniltsev in Mirror (Andrei Tarkovskii, 1974) reproduced with kind permission of Artificial Eye Film Company Ltd.

About the Author

Dr. David Gillespie is at University of Bath.

Product Details

• Paperback: 216 pages
• Publisher: Longman (December 12, 2002)
• Language: English
• ISBN-10: 0582437903
• ISBN-13: 978-0582437906
• Product Dimensions: 9.3 x 6.2 x 0.4 inches
• Shipping Weight: 12.6 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #554,801 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

8 of 11 people found the following review helpful:

5.0 out of 5 stars Great Book on Great Cinema, November 4, 2006

By 

Raymond F. Gillis (Yonkers, New York) - See all my reviews
(REAL NAME)   

This review is from: Russian Cinema (Inside Film Series) (Paperback)

As a big fan of Russian, Japanese and French cinema this valuable book helps fill the void, at least in Russian Cinema.

Some great names here and lesser known artists. The study of the films are candid and uncompromising...yet Mr. Gillespie gives a very solid and balanced account.

Many Russian classics are shot in Black and White and have a style all their own. Most are very surprising to Western audiences in that they break tabboo's often considered common. Read the book and then try to see the films...you shall be plesantly surprised...and deeply moved.