Customer Reviews

Russian Dolls

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4 star:		(7)
3 star:		(2)
2 star:		(1)
1 star:		(2)

 

 

Cedric Klapisch's 2005 film LES POUPEES RUSSES is a sequel to his effort of three years before, L'AUBERGE ESPAGNOLE ("The Spanish Apartment"). It's a very different sort of story. While the first film centered on the zany camaraderie that developed between several European students in Barcelona, LES POUPEES RUSSES focuses on the lovelives of a selected few characters, though Klapisch does briefly reunite the cast of the Spanish apartment. This review assumes that the reader has already seen L'AUBERGE ESPAGNOLE, a fine film I do recommend.

As LES POUPEES RUSSES opens, Xavier is now thirty, making his living in Paris ghostwriting celebrity autobiographies and scripting soap operas, while the manuscript of his Barcelona novel languishes in neglect. He has gone through numerous relationships since his return from Spain, and wallows in self-pity with Isabelle and Martine, both still alone as well. After an exposition on the misery of these characters, the main plot is set into motion by two events. One is Xavier's commute to London to work on a script with Wendy, now a writer herself. The other is William's engagement to a Russian dancer and move to Saint Petersburg, where he invites all his friends for the wedding. Though I shall avoid spoilers here, I can say that it is through his involvement in these goings-on that Xavier finally finds the stability he was looking for.

Lars, Tobias, Soledad, and Alessando only appear in the Saint Petersburg scenes, and are granted only a few lines each. Though it is rather curious that these characters were brought for probably the most expensive filming in spite of their peripheral roles, the viewer feels no outrage that they get so little screen time. At this point, one's sympathy is entirely with Xavier, Wendy, and William and his Russian bride, and so seeing some of the faces from L'AUBERGE ESPAGNOLE adds only a nice highlight on the years that have gone by.

For this reviewer, intrigued by the references to the building of a united Europe in L'AUBERGE ESPAGNOLE, the comments on society and politics in this film were powerful as well. If LES POUPEES RUSSES does not overtly speak of Europe's future, as in the first film when the students question the place of Catalan, the story is nonetheless based on growing changes in European youth. One is increased mobility. That a bunch of old friends from Spain can reunite in Saint Petersburg is a plausible development speaks much of how much young people travel now. Another is multilingualism, dialogues in LES POUPEES RUSSES are in English, French, Spanish, or Russian (with subtitles where necessary). And through the involvement of William's engagement to a Russian, the film shows that European integration goes beyond the borders of merely the EU.

But LES POUPEES RUSSES is also a beautiful love story. I was never content with the other portion of the plot of the first film, where alongside European changes we viewed the story of a young man finding himself. In Barcelona, the twenty-five year-old Xavier was acting like someone several years younger and some of the twists were silly. Here, however, the relationship between Xavier and the women he meets is entirely convincing, and the ending is one of the most satisfying and heartwarming I know of in film.

This reviewer finds himself at around the same point in life as Xavier, and resides in Europe with a similar multilingual and mobile lifestyle. Perhaps that is why the film is so touching for me, but I regrettably can't say what younger viewers in the United States might think of the film. Still, anyone is sure to finds LES POUPEES RUSSES a well-made and entertaining production.

Some of the reviewers here try too hard to find a depth that simply isn't in this funny movie. As the sequel to L'AUBERGE ESPAGNOLE (THE SPANISH APARTMENT), the cast is reunited, but not until the final scenes about the wedding in St. Petersburg between William (Kevin Bishop) and Natasha (Evguenya Obratztsova). The major portion of LES POUPEES RUSSES (RUSSIAN DOLLS) deals with Xavier's (Romain Duris) inability to find success as a serious writer and happiness in his unsuccessful search for true love, Wendy's (Kelly Reilly) involvement in a disastrous relationship with a verbally abusive alcoholic boyfriend, Isabelle's (Cecile de France) troubles with lesbian love interests, and Martine's (Audrey Tautou) problems with past lovers while raising her very young son. Each is looking for true love in all the wrong places. So many Russian Dolls within Russian Dolls. It is a movie that is more mature than L'AUBERGE ESPAGNOLE and more humorous and enjoyable for having grown up...just like Xavier. I recommend this movie highly.

RUSSIAN DOLLS ('Les Poupées russes') is the full of love folllowup by Cédric Klapisch to his highly successful 2002 film 'L'Auberge Espagnole', the film that tossed multinational young people together in a Barcelona apartment and watched them interact and create some sense out of the havoc that was their lives. Klapisch has fine comic timing, a sense of spontaneity, and a cast lifted from his previous film - all ingredients for a fine little spin on current relationships. If the film is too much in love with itself, (the self-indulgent multiple split screen viewing and back and forth pacing tends to be a bit cutesy), in the end there is so much fun and wry wisdom to spread around that many of the holes in the script can be forgiven.

The story focuses on event five years after the Barcelona doings in 'L'Auberge Espagnole' and yet as the main character Xavier Rousseau (Romain Duris) narrates the current tale he finds the need for flashbacks to explain current circumstances. William (Kevin Bishop), the bigot from before who labeled roommate Tobias (Barnaby Metschurat) as a Nazi, has smoothed out a bit and in fact has found love in a Russian girl Natacha (Evguenya Obraztsova), a Russian ballet dancer who lives in St. Petersburg and the current story is supposed to be about their wedding in St. Petersburg which will also be a reunion for all the roommates from Barcelona. Xavier is a writer who is forced to be a ghostwriter for celebrities who want to publish memoirs because he has difficulty writing a silly television love series and is stuck in his writing of his own novel. He cannot keep relationships (but then very few in this group of friends can) and he teeters between his allegiance to his ex Martine (Audrey Tautou), while moving in on one of the celebrity interviewees Celia (Lucy Gordon). He is warned by his lesbian roommate Isabelle (Cécile De France) about his wanton ways but Xavier uses Isabelle as cover for his 98-year-old grandfather (Pierre Gérald), who insists he marry. Xavier toys with a beautiful black girl Kassia (Aïssa Maïga) and is rejected, and just about the time when Xavier feels as though he will never find the right girl ('You just keep opening them like Russian nested dolls hoping that the one in the center will be your choice'), his script is picked up by BBC and he flies to London to work with Wendy (Kelly Reilly - William's attractive sister, unsuccessful in finding a decent mate) and voila! The rest of the intrigue is best left to the viewer: it does become complicated and multilingual and hilarious...and touching.

Weaving all the cast members form his first film into the resolution of the second film proves to have some problems in continuity, but then this is not great writing nor was it meant to be. This is French comedy in fine form and is a thoroughly entertaining film and the chance to watch some beautiful people display how crazy relationships today have become. Grady Harp, November 06

The open life style of these young well educated Europeans is
far from traditional. Xavier is shown sleeping around
and having an openly lesbian best friend-room mate.
They appear to be looking in every place possible for
"LOVE" as if that were more important than anything else in life.
Most ordinary people who would try to live like this would end up in disaster?!
As touching and well written as the script may be,
it is also a prescription for social problems.
Western society seems to be stretching the edges of moral decay
and encouraging the young on a road that may not end
in anyone being happy or healthy?

The problem is not the movie, it is Romain Duris the main character in the film, why this guy ever made actor is beyond me, he was so so in the Auberge Espagnole movie, but in this one, Russian Dolls, he literally sucks. the movie is saved by Kelly Reilly and some great shots of St Petersburg

I'd never heard of this movie before I saw it by chance, and only just now found out it has a prequel. Must see...Must see... Russian Dolls was stylish, fast-paced, deep, funny, and hopped around Europe like a travel show with a plot. The comparison of the relationships shown in this film and the famous Russian dolls (store one within another) was a perfect metaphor. I'm ordering it today on DVD. I loved it!

It's inevitable that people will always say, "Oh, the sequel is just not as good as the first" (The Spanish Apartment). Well, I find it hard to justify that. It just feels like a continuation. You get more of what was wonderful about The Spanish Apartment, with new cutting observations by the narrator/main character, and it really feels like a real person, evolved over time. I bought this and the original all at once.

Cedric Klapisch's 2005 film LES POUPEES RUSSES is a sequel to his effort of three years before, L'AUBERGE ESPAGNOLE ("The Spanish Apartment"). It's a very different sort of story. While the first film centered on the zany camaraderie that developed between several European students in Barcelona, LES POUPEES RUSSES focuses on the lovelives of a selected few characters, though Klapisch does briefly reunite the cast of the Spanish apartment. This review assumes that the reader has already seen L'AUBERGE ESPAGNOLE, a fine film I do recommend.

As LES POUPEES RUSSES opens, Xavier is now thirty, making his living in Paris ghostwriting celebrity autobiographies and scripting soap operas, while the manuscript of his Barcelona novel languishes in neglect. He has gone through numerous relationships since his return from Spain, and wallows in self-pity with Isabelle and Martine, both still alone as well. After an exposition on the misery of these characters, the main plot is set into motion by two events. One is Xavier's commute to London to work on a script with Wendy, now a writer herself. The other is William's engagement to a Russian dancer and move to Saint Petersburg, where he invites all his friends for the wedding. Though I shall avoid spoilers here, I can say that it is through his involvement in these goings-on that Xavier finally finds the stability he was looking for.

Lars, Tobias, Soledad, and Alessando only appear in the Saint Petersburg scenes, and are granted only a few lines each. Though it is rather curious that these characters were brought for probably the most expensive filming in spite of their peripheral roles, the viewer feels no outrage that they get so little screen time. At this point, one's sympathy is entirely with Xavier, Wendy, and William and his Russian bride, and so seeing some of the faces from L'AUBERGE ESPAGNOLE adds only a nice highlight on the years that have gone by.

For this reviewer, intrigued by the references to the building of a united Europe in L'AUBERGE ESPAGNOLE, the comments on society and politics in this film were powerful as well. If LES POUPEES RUSSES does not overtly speak of Europe's future, as in the first film when the students question the place of Catalan, the story is nonetheless based on growing changes in European youth. One is increased mobility. That a bunch of old friends from Spain can reunite in Saint Petersburg is a plausible development speaks much of how much young people travel now. Another is multilingualism, dialogues in LES POUPEES RUSSES are in English, French, Spanish, or Russian (with subtitles where necessary). And through the involvement of William's engagement to a Russian, the film shows that European integration goes beyond the borders of merely the EU.

But LES POUPEES RUSSES is also a beautiful love story. I was never content with the other portion of the plot of the first film, where alongside European changes we viewed the story of a young man finding himself. In Barcelona, the twenty-five year-old Xavier was acting like someone several years younger and some of the twists were silly. Here, however, the relationship between Xavier and the women he meets is entirely convincing, and the ending is one of the most satisfying and heartwarming I know of in film.

This reviewer finds himself at around the same point in life as Xavier, and resides in Europe with a similar multilingual and mobile lifestyle. Perhaps that is why the film is so touching for me, but I regrettably can't say what younger viewers in the United States might think of the film. Still, anyone is sure to finds LES POUPEES RUSSES a well-made and entertaining production.

"Les poupees russes" (= "Russian dolls") is the sequel to "L Aubergue espagnole" (= "The Spanish apartment"), an entertaining film about young people living in a foreign country and trying to find their path in life.

The director of both films is Cedric Klapisch, the subject is more or less the same, and all the actors of the first movie are present in the sequel. The difference is that "Les poupees russes" is better than "L Aubergue espagnole", due to the fact that it ties some plot holes, and allows us to see what happens to the characters. Are they mature, or merely older? And what happened to Xavier (Romain Duris), the young man from France who wanted to be a writer?

I thoroughly enjoyed discovering the answers to those questions, and I think the same thing will happen to you. All in all, "Les poupees russes" is not an excellent movie, but it is a very entertaining one, and I am pretty sure you will like it. Recommended!

Belen Alcat

PS: You don t need to watch "L Aubergue espagnole" before "Les poupees russes". However, doing so will give you more insight into what is happening, so I think it is worthwhile.

Let me begin by saying that I am not often compelled to review films, mostly because let's face it, people really cannot care that much about whatever it is that I (or anyone else) has to say about someone else's work. However, I write this brief review for those of you who would have otherwise overlooked this strangely compelling movie. This movie successfully depicts the idiosyncrasies of love and relationships through a rather complex and quirky network of stories. Stylistically this movie is young, and fast- something resembling the ethereal nature and nostalgia of a collection of unforgettable memories. The acting is strong, as is the directing, and cinematography. The soundtrack is delightful and plays a substantial role in the development of the film. Even though this movie is not without its flaws, Les Poupees Russes succeeds at presenting a compelling and touching story about the power (destructive as it may be) of raw, cliche-free (or often unapologetically clichéd) love.