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The Rustle of Language
 
 
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The Rustle of Language [Paperback]

Roland Barthes (Author), Richard Howard (Translator)

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Book Description

0520066294 978-0520066298 January 18, 1989
The Rustle of Language is a collection of forty-five essays, written between 1967 and 1980, on language, literature, and teaching--the pleasure of the text--in an authoritative translation by Richard Howard.

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Editorial Reviews

From Publishers Weekly

Barthes (19151980), a disciple of structuralist Claude Levi-Strauss and author of Empire of Signs, The Responsibility of Forms, etc., was one of the leading philosophical linguists of our time. This collection of essays, which deals with the scientific study of signs and symbols, of literary language in general and of the points where scientific and literary language diverge, also offers speculations on science, history, art and authors such as Balzac, Flaubert and Gide, and insists throughout on the writer's subjectivity ("literature follows the hand"). The book should prove an excitement for students of language. The general reader, however, is likely to have difficulty with such concepts as "language-objects," "speech-act" and "limit-noise," or understanding how "The rustle of language forms . . . the utopia of music's meaning," and so may have trouble keeping up with the subtle and fiery rush of Barthes's thoughts.
Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Review

"Barthes' career was an exemplary search for understanding how man creates meaning, a lifelong exploration of man's definition as homo significans, the maker of meaning in signs. In anthropology, in linguistics, philosophy, and the discourse upon literature, this has been a characteristic preoccupation of our age, and no one addressed himself to it so persistently, so multifariously, so ingeniously, as Barthes." -- Peter Brooks, The New Republic

"In The Rustle of Language, the typically Barthesian texture of the writing makes itself felt. That texture (delightful to many of us (is composed of the mutual jostling of many (often mutually incompatible) registers of discourse. Linguistics, literature, philosophy, . . . history, semantics, Marxism -- these are only the commonest of the many categories that organize Barthes' thinking. . . . In all of these essays, the briskness and liveliness of Barthes's style makes the work interesting." (Helen Vendler, New York Review of Books

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