Ryan Adams - Easy Tiger

Ryan Adams | Format: Audio CD

Product Details

• Audio CD (June 26, 2007)
• Original Release Date: 2007
• Number of Discs: 1
• Label: Lost Highway
• ASIN: B000P29B1W
• In-Print Editions: Audio CD  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (103 customer reviews)
• Amazon Best Sellers Rank: #2,431 in Music (See Top 100 in Music)
  • #10 in Music > Indie Music > Country > Alt-Country & Americana
  • #17 in Music > Country > Americana
  • #45 in Music > Folk > Contemporary Folk > Singer-Songwriters

Editorial Reviews

Amazon.com

Easy Tiger, Ryan Adams's ninth solo studio album, is a return to form in every way. He's already shown that he can bash out three albums in one year--not to mention the hilarious fake hip-hop records posted for free on his Web site--and that he can sound as much like the Grateful Dead as he wants to in his constant subsequent touring. Backed once again by the Cardinals, Adams synthesizes and refines his approach to smooth, gorgeous country-pop. "Tears of Gold" is one of the best songs he's written in ages, while "Two" is a slowly percolating, sweet little number that recalls Sean Hayes in its soulful folksiness (someone named Sheryl Crow accompanies Adams on vocals). One of the greatest treats of this languorous, twangy album is the subtle ways that genre gets played with. "I Taught Myself How to Grow Old" is the best Harvest outtake Neil Young never wrote, while the treated, synth-sounding guitar solo on the druggy, chooglin' "Halloweenhead" sounds like it comes straight out of Journey. And "The Sun Also Sets" sounds more than a little like Rufus Wainwright covering Fred McDowell's "Write Me a Few of Your Lines." It bursts with enough melodrama as to border on musical theater. But, as is clear on these songs of love and loss, Adams has always been at his best when giving into his most mellow, dramatic side. --Mike McGonigal

Ryan Adams Photos

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Product Description

I think there are really only two kinds of pop music CDs these days. There are the ones you listen to only once or twice, maybe downloading the single good song to your iPod or computer; then there are others that grow stronger, sweeter, and more necessary each time you play them. Gold was that way; Cold Roses was that way; so was Jacksonville City Nights. I won't say Adams is the best North American singer-songwriter since Neil Young...but I won't say he isn't, either. What I know is there has never been a Ryan Adams record quite as strong and together as Easy Tiger; it's got enough blue-eyed, blue-steel soul (with the faintest country tinge) to make me think of both Marvin Gaye and the Righteous Brothers. Probably ridiculous, but true. And the songs themselves are beautiful--the lyrics tightly focused and brief, the feeling one of melancholy calm that will probably be a revelation to fans that remember the old, sometimes angry Ryan Adams.

Now there's this, maybe the best Ryan Adams CD ever. And I know you want to listen to it right away. But slow down. Take your time. This album asks for that, and it will reward your full attention.

In other words--easy, Tiger.

--Stephen King

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Customer Reviews

Most Helpful Customer Reviews

27 of 29 people found the following review helpful:

5.0 out of 5 stars Tomorrow's on it's way, and there's always new songs to sing, June 29, 2007

By 

J. Chasin (NYC, NY) - See all my reviews
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This review is from: Ryan Adams - Easy Tiger (Audio CD)

Easy Tiger is a lilting and beautiful country-ish record that solidifies Ryan Adams's position as the premier songwriter of his generation. It is one of his most polished works, which may not seem like good thing (no one ever complained that Exile on Main Street needed more polish); but his newfound sobriety brings with it a maturity and discipline that, believe it or not, he wears well. At 38 minutes, the record seems to end too soon- a welcome respite in the digital age-- and in my book when you want to go back and play the thing all over again, that is generally a very good sign.

Meanwhile the Cardinals continue to evolve and solidify as one of the best bands around. Neil Casal's guitar is piercing and articulate; Jon Graboff's pedal steel provides a lot of the feel and color. Every member of the band save for Adams and drummer Brad Pemberton has turned over since Cold Roses (2005), and yet they keep getting better and tighter, as their live shows continue to demonstrate. While the feminine presence of former bassist Catherine Popper is missed in the vocal mix, Chris Feinstein manages to push the Cardinals musical chemistry forward on his first record with the band.

The waltzes "Goodnight Rose" and "Tears of Gold" harken back to the country sounds of Jacksonville City Nights; either song would fit seamlessly on that record. "Two," which Adams has been playing live for 18 months, is done as a duet with Sheryl Crow, a Cardinals fan who's voice melds in a pretty way with his. Like a lot of Adams's best songs, this one manages with simple language to capture the pure hurt of love; "It takes two, when it used to take only one..."

"Halloween Head" is a little anomalous here, done as a punkish garage rocker; what keeps it from being jarring is the insane catchiness of it. "Pearls On a String," yet another beautiful song, contains lines that nicely sum up Adams's prolific output: "Tomorrow's on it's way/ And there's always new songs to sing."

Adams and the Cardinals have been touring to support this record as an acoustic 6-piece, with producer Jamie Candiloro on piano and Adams putting his guitar aside (hand trouble.) The acoustic treatment brings out the richness in this material, the timelessness of the compositions. For those of us who grew up with artists like Neil Young, Van Morrison, and the Band, and who still treasure the classic records these artists made, Ryan Adams and the Cardinals are a contemporary treasure.

9 of 10 people found the following review helpful:

5.0 out of 5 stars Damned If He Does, Damned If He Doesn't..., June 27, 2007

By 

C Smith "JustJames.org" (CUYAHOGA FALLS, OH, United States) - See all my reviews
(REAL NAME)   

This review is from: Ryan Adams - Easy Tiger (Audio CD)

Adams catches grief no matter what he does. The same people who chastise him for being too odd, erratic and/or unpredictable will slam him the next time around for playing it safe and/or being too mainstream. Thankfully, the man just writes and records what's in his heart.

EASY TIGER is clearly Ryan's most impressive work to date. I never thought he'd top LOVE IS HELL (Parts 1 & 2), but he's really done it this time. The songs are amazingly well-crafted and his voice is in great form.

Highlights for me are TWO, EVERYBODY KNOWS, RIP OFF, PEARLS ON A STRING and THESE GIRLS. To be honest, there's not a bad track on the disc. Sure, HALLOWEEN HEAD is a bit weird - but it's so damn catchy and well-written, you can't help but catch the hook.

There is something for everybody here - lush productions, sparse piano and voice, bluegrass-flavored acoustic guitar and nice harmonies. Taken as a whole, it's a release that will take a long time to find it's way out of your CD player or off of your iPod playlist.

Highly recommended.

4 of 4 people found the following review helpful:

4.0 out of 5 stars It took a few listens, but this is pretty dern good., August 26, 2007

By 

dj_wacker (Seattle, WA United States) - See all my reviews

This review is from: Ryan Adams - Easy Tiger (Audio CD)

When I first listened to Easy Tiger, I though it was over-produced and, as a fellow reviewer noted, awesome by normal radio standards but average for Ryan Adams. Then, I did two things to gain some perspective on the album. I went to see Ryan live in promotion of this album and I read the one page expose on Easy Tiger's production in Rolling Stone. Ryan belted out a number of tunes form this album at the show and they sounded incredible. I popped the album back into my player and gave it a few more listens. Just like with JCN, this album grew on me immensely. It -is- a bit over-produced, but Ryan's vocal phrasings and the Cardinals' melodic hooks put it leagues above any other 'heavily produced' top 40/rock album. The lyrics are incredible (as always) and seem more interesting after hearing about the singer's travails in the RS story. This album is definitely not as loose at the last three, but it is still the Cardinals and still has that seventies acoustic rock vibe. As to a previous reviewer's comment that listeners wouldn't find themselves humming any tunes off this album, I can't get the cheesy, butt-rock influenced, drug rocker Halloween Head out of my head. It is really becoming a problem... :)