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Sabbath Bloody Sabbath
 
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Sabbath Bloody Sabbath [Import, Original recording remastered]

Black SabbathAudio CD
5.0 out of 5 stars  See all reviews (4 customer reviews)


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Audio CD, Import, Original recording remastered, 1998 --  

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Biography

Black Sabbath have come to epitomize the heavy metal genre and, though they have launched many a band of hairy copyists, their legend will surely outlast them all. Black Sabbath cite disparate influences such as Cream and the Beatles and are, in turn, cited as having influenced artists from System of a Down and Metallica, to Busta Rhymes and the Cardigans.

Since they began in Birmingham, England in… Read more in Amazon's Black Sabbath Store

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Product Details

  • Audio CD (September 22, 1998)
  • Number of Discs: 1
  • Format: Import, Original recording remastered
  • Label: Castle Music UK
  • Copy Protected
  • ASIN: B000005RFL
  • Also Available in: Audio CD
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #126,169 in Music (See Top 100 in Music)

 
1. Sabbath Bloody Sabbath
2. A National Acrobat
3. Fluff
4. Sabbra Cadabra
5. Killing Yourself to Live
6. Who Are You?
7. Spiral Architect
8. Looking for Today

Editorial Reviews

1996 reissue on Castle of their top 20 1974 album for WarnerBrothers. Digitally remastered from the original mastertapes with faithfully restored artwork, it contains alleight original tracks, including the title smash and'Killing Yourself To Live'.

 

Customer Reviews

4 Reviews
5 star:
 (4)
4 star:    (0)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
5.0 out of 5 stars (4 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

4 of 4 people found the following review helpful:
5.0 out of 5 stars The original Sabbath's Finest Hour, May 29, 1999
By 
This review is from: Sabbath Bloody Sabbath (Audio CD)
In a world of heavy metal imitators, no one does it better than Sabbath. Sure they had their peers (but Deep Purple was never really metal, and Zeppelin were kind of overrated), and they had their heirs (Priest and Maiden, and perhaps early Metallica). But to this day Black Sabbath define metal,and Sabbath, Bloody Sabbath is the finest album by the original four. It has just the right blend of electric and acoustic guitars, a variety of tempos, and lyrics that mix magic with the basest of real-life existentialism. Kudos also to Drew Struzan, who created a cover which flirted with Satanism but actually invokes the duality of man. Now, I was only 2 when it was first released, but I can only guess that this album captures exactly what it was like to be a teen in 1973. How I wish I could have seen Sabbath, Purple, or Elf in their '70s heyday. And frankly, "Fluff" is so wonderful I wish I could have had it played at my wedding.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars My favorte Sabbath, January 16, 2006
By 
Daniel Maltzman (Arlington, MA, USA) - See all my reviews
(REAL NAME)   
This review is from: Sabbath Bloody Sabbath (Audio CD)
If one were to ask what Black Sabbath's golden era was, most ivory-tower music historians and co-called "experts" would probably say it was the band's first four albums. If you were to ask anyone (critic, or fan) what was Sabbath's best offering, "Paranoid," (1970) or perhaps the self-titled debut, (1970) or even "Master of Reality" (1971) would be your answer. For this fan, however, I'm going to have to go with the band's fifth album "Sabbath Bloody Sabbath" (1974) as being my personal favorite album by the legendary British metal band.

In terms of creativity, musicianship, and songwriting, the iron was still hot by the time Sabbath recorded "Sabbath Bloody Sabbath." Key elements that so defined the band's first four albums are still in place; blues-based, sluggish riffs, a gloomy outlook, and gothic trappings abound, but this time the band try to expand their sound by introducing synthesizers and orchestration into their formula (courtesy of Rick Wakeman of YES). Like any of the band's first six albums, Sabbath is as focused and tight as ever.

In all honesty, the first six albums are all classics, all flawless; you could really argue any of the first six releases as being the band's best album. I tend to give the nod to "Sabbath Bloody Sabbath" because I think it showcases Iommi's best riffs and the added synths work really well encompassed into the band's bluesy/sluggish signature sound.

On "Sabbath Bloody Sabbath," like any classic Sabbath or early Ozzy solo work, we see Ozzy in his prime. Long before Ozzy Osbourne became a parody of himself, being known to most as an oafish buffoon on a reality show as opposed to an icon, he really was genuinely chilling. Geezer Butler (bass) and Bill Ward's (drums) bone-crunching rhythm section are as intimidating and intense as ever.

The opening title track "Sabbath Bloody Sabbath" stands as one of the band's greatest songs. From the second the needle hits the groove of the record, or you press play on your CD player, your senses are almost overwhelmed by a riff that is simultaneously intense, gripping and infectious. As the song grinds along, it goes from angry, lean and mean, to a melodic, almost bittersweet, to a full-throttle attack. After the overwhelming "Sabbath Bloody Sabbath," the listener is offered a reprieve with the laid-back yet fully captivating "A National Acrobat." The beautiful melancholy acoustic "Fluff" is perhaps Iommi's all-time greatest instrumental and serves as a sharp contrast to the rest of the album. The band's experimentation makes itself known with the hard-hitting "Sabbra Cadabra," as synthesizers and piano come out of left-field, throwing the listener a welcome curveball. One of the band's bleakest songs, "Killing Yourself" is kind of like a heavy-metal version of John Lennon's "Working Class Hero." The gloomy-as-could-be synth-heavy "Who are you" enters prog-rock country. The album offers another surprise with the pop-savvy "Looking for Today," and the epic closing "Spiral Architect," the latter adding orchestration. The orchestration works well in combination with Iommi's killer solos.

When a band tries to expand their sound with experimentation it doesn't always work. This isn't the case at all, however, with "Sabbath Bloody Sabbath." This album is the perfect example of a band experimenting, growing, and maturing, without loosing its teeth or letting its ambitions run wild. "Sabbath Bloody Sabbath" stands as not only one of the band's best albums (or best) but is also one of the best rock albums from the 1970s.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Sabbath branches out and kicks ..., April 20, 2002
By 
"jaylimmo" (Los Angeles, CA USA) - See all my reviews
This review is from: Sabbath Bloody Sabbath (Audio CD)
It takes a while to grow on you, but this is really the best Sabbath studio LP of all. Though there is no such thing as a perfect Sabbath album, this album has a spot of genius in every song: the choruses of "Looking For Today" (you buried the lead, guys) and "Killing Yourself To Live", the brief descending guitar breaks in "Spiral Architect". And the grooves are the deepest Ozzy & Co. ever cooked up. The title track is just death itself; some enterprising rapper oughta hook up with "A National Acrobat" tout suite; and despite the cliché-squared lyrics, "Sabbra Cadabra" cooks harder than the Meters, even. The instrumental is pretty and dealable, and "Who Are You"'s melody ultimately overcomes the lack of Iommi-skronk. Overall, one killer record.

Incidentally, the remastered version is worth purchasing - brighter, and with much more bottom end.

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