Sacco And Vanzetti Must Die! (Paperback)

by Mark Binelli (Author)
Key Phrases: selling eels, pie fight, knife bit, The Frenchman, Ching Ling Soo, Italo Balbo (more...)

Editorial Reviews

From Publishers Weekly
What do comedy and anarchy have in common? That's the question behind this wildly inventive debut novel that recasts the famous anarchists as a pie-throwing slapstick duo. The reader first meets Nic Sacco ("Fatty") and Bart Vanzetti ("Skinny") as comic actors à la Laurel and Hardy in Sacco and Vanzetti Dessert the Cause, a film that mixes classic gags with a bitter rivalry. The duo barrel their way from vaudeville to film, finally striking it big with a series of "knife-grinder" comedies that are as violent as they are funny. Like a good silent comedy, the novel has its share of feints—Binelli cites fictional interviews and scholarly works about the pair's place in film history. But for all the off-kilter humor, there's an undercurrent of social consciousness that calls attention to the xenophobia of the early 20th century (one of the pair's movies is called A Couple of Wops in a Jam), condemning the role ethnic prejudice played in the actual Sacco and Vanzetti's conviction and execution. It's a hefty book, more intellectually satisfying than emotionally so, and it takes a long time for Binelli to bring together his counter-tale with its real-life antecedents. Still, this is an impressive first outing; ambitious in scope and brimming with sharp-edged black humor. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
What if Laurel and Hardy were anarchists? This novel reanimates real-life accused anarchists Sacco and Vanzetti, sent to the electric chair in 1927, in the guise of an Italian-American slapstick duo whose waning fame blurs comedy and creative destruction. Ascending from vaudeville to the big screen with brilliantly subtle pie fights (Sacco and Vanzetti Dessert the Cause) and other radically physical comedy (kangaroo boxing in Sacco and Vanzetti Meet the Heavyweight Champion, Primo Carnera), the team edges their way to prominence with a series of high-concept knife-throwing pictures (Never a Dull Moment, A Couple of Cut-Ups, of course). But a USO show with Bob Hope goes awry, President McKinley gets shot, and the controlled chaos of Sacco and Vanzetti's slapstick becomes explosive enough to land the performers in jail. With his first novel, Binelli adds himself to the list of prodigious young authors working in the medium of pop culture. Although he throws around many questions about public personae, historical memory, and the anarchy of a good laugh, it's clear that Binelli's most abiding intellectual interest is about the social construction of ethnicity. Brendan Driscoll
Copyright © American Library Association. All rights reserved

See all Editorial Reviews

Product Details

• Paperback: 353 pages
• Publisher: Dalkey Archive Press (July 23, 2006)
• Language: English
• ISBN-10: 1564784452
• ISBN-13: 978-1564784452
• Product Dimensions: 8.3 x 5.5 x 1.3 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars See all reviews (4 customer reviews)
• Amazon.com Sales Rank: #354,243 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

5.0 out of 5 stars A work of considerable talent and originality, August 8, 2006

By	Midwest Book Review (Oregon, WI USA) - See all my reviews

The Nic Sacco and Bart Vanzetti in Mark Binelli's novel "Sacco And Vanzetti Must Die!" are not the infamous anarchists executed for treason by the United States government, but film stars and slapstick comedians who rose to fame through a seedy New York vaudeville club, then on to Hollywood films and USO tours (where they opened with disastrous results for Bob Hope). Eventually their careers decline , slapstick becomes a kind of stand-in for anarchic freedom, the two performers begin to merge with their more infamous namesakes. An alternate history of the 20th Century, "Sacco And Vanzetti Must Die! " is a work of considerable talent and originality, documenting author Mark Binelli as a writer who has mastered wit and storytelling to produce a highly recommended, minor masterpiece of literate, thoughtful, thought-provoking, and thoroughly entertaining fiction.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Great Fun!, July 27, 2006

By	Derrik Albertelli - See all my reviews (REAL NAME)

This book is a triumph on a number of levels.

He started to lose me toward the end, but he deals with the subject at hand with such depth that I couldn't put it down.

What do comedy and anarchy have in common? "The ability to enter a crowded pie-shop and see nothing but possibility".

Bravo Signor Binelli!

1 of 1 people found the following review helpful:

5.0 out of 5 stars Baffling, at first , October 13, 2006

By	Bartolo (New York City, New York USA) - See all my reviews

Two or three chapters into this novel an unaccustomed question occurred: why, exactly, had the author written it? This was a question usually put to rest, when the answer wasn't self-evident, after a few pages of a book. But in this case, I remained puzzled why Binelli had conflated anarchists and vaudevillians. Why give them movie careers? Why bother to give them so un-funny a premise as a knife-throwing act? Binelli's wit and cool precision weren't in keeping with inventions of extravagant whimsy or loopy arbitrariness; this wasn't Woody Allen. The high quality of writing kept me reading, however, and soon the raison d'etre emerged: "Sacco and Vanzetti Must Die!" is a postmodern fiction-writer's equivalent of Meditations on Being Italian-American. Hence the appearance of various stereotypes (e.g. the organ grinder, the Mafiosi) and a cast that includes Primo Carnera, Benito Mussolini and Italo Balbo, and references to other Italians and Italo-Americans from Enrico Caruso to Enrico Fermi, if memory serves. (Binelli's kin were knive-sharpeners, and no doubt other elements here are autobiographical) Once my initial perplexity was resolved, I was free to concentrate on the novel--thoroughly entertaining, imaginative, provocative (as when the real historical figures Sacco and Vanzetti are presented) and quite satisfying. I look forward to Binelli's next effort--which I somehow doubt will center on his ethnicity.