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31 of 31 people found the following review helpful:
5.0 out of 5 stars
One of the biggest highlights in an outstanding series., December 6, 2001
Against his editor's counsel, Tony Hillerman switched from nonfiction to fiction writing over 30 years ago, with a story ultimately entitled "The Blessing Way;" introducing an (at the time) new type of hero and a new setting to the realm of the mystery novel - a Navajo policeman named Joe Leaphorn and the world of the Diné, i.e. [Navajo] "people," living on the rugged plains, deserts and mountain ridges of the southwestern Four
Corners Country. From the first book on, Hillerman's novels drew in equal parts on the author's natural gift as a storyteller, his upbringing within and hence, intimate knowledge of the world he describes, and his training as a writer; all of these elements blending into fascinating storylines and vivid and accurate portrayals of the land and its people.
Based on the success of his Leaphorn series, Tony Hillerman then created a new hero and (initially: a second) series set in Dinetah (Navajo country): tribal policeman Jim Chee. But while Joe Leaphorn was married and methodical and seemed, over the course of the years, to have found a way to harmonize Navajo traditions and 20th century American life, the younger Chee, unmarried, initially trained to be a shaman and deeply traditional, yet at the same time drawn to women living in the white man's world, was struggling to find that same sense of balance.
Whether or not Hillerman's unequal heroes were always meant to meet, they eventually did so in "Skinwalkers" and have been solving crimes together ever since, and their disparate tempers and approaches to police work add another level of tension to the stories, in addition to the cultural differences between the Navajo and the world(s) surrounding them, and the tribal policemen's perpetual clashes with the federal authorities. In more than one novel, Hillerman transcends the world of the Navajo, bringing in and contrasting to it the views and traditions of other tribes of the Southwest, not all of them historically on friendly terms with the Navajo (e.g. the Hopi in "The Dark Wind," the Ute in "Hunting Badger" and the Zuni in "Dance Hall of the Dead"). In "Sacred Clowns," Chee and Leaphorn (who has long since gained a reputation as the "Legendary Lieutenant") must delve into the society of Tano Pueblo to solve the murder of a teacher at a Navajo school, which seems to be connected to a death in the pueblo. As they dig through layers and layers of secrets, they again face the skepticism of a society that has had its "issues" with the Diné in the past. Yet, they slowly unravel the mystery surrounding the Kachina dancers ("sacred clowns") at the heart of the story and finally come to an, as always, surprising conclusion.
If you have never read a book by Hillerman and it's important to you to get to know the main characters of a series as they develop over the course of time, you'll have no choice but to go all the way back to "The Blessing Way" and read your way through to this particular book (which in a way makes sense, of course and, given the caliber of these stories and their author, should be a lot of fun, too). But like every good writer, Hillerman provides enough background for Leaphorn and Chee for even a first-time reader to be able to understand and appreciate his heroes and the things that drive them from the context of any of their stories - and I'll almost guarantee that this won't remain your only Hillerman book for a long time anyway: you'll be hooked midway through the tale at the very latest and will want to know more about the Legendary Lieutenant, Sergeant Chee and their people as soon as possible and before long, will find yourself swallowing every other book about them, too. Oh, by the way ... they are still at work together, never mind that Joe Leaphorn retired from the police a couple of years ago; so you should probably also be prepared for new installments. Yet, while I have no doubt that those will all be good reads (so far, there isn't one weak book in the series), "Sacred Clowns" will forever remain one of my favorite stories about Lieutenant Joe Leaphorn and Sergeant Jim Chee.
Also recommended:
The Joe Leaphorn Mysteries: The Blessing Way/Dance Hall of the Dead/Listening Woman
The Jim Chee Mysteries: Three Classic Hillerman Mysteries Featuring Officer Jim Chee: The Dark
Tony Hillerman: The Leaphorn & Chee Novels : Skinwalkers, A Thief of Time, Coyote Waits
American Mystery! Special: Skinwalkers
A Thief of Time
Mystery! Coyote Waits
The Great Taos Bank Robbery: And Other True Stories of the Southwest
Seldom Disappointed: A Memoir
Navajoland: A Native Son Shares his Legacy (Special Scenic Collection)
Here, Now, and Always: Voices of the First Peoples of the Southwest
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8 of 8 people found the following review helpful:
3.0 out of 5 stars
Cultural portrait more compelling than the mystery..., June 19, 2000
I'm not really a mystery buff, so when my book discussion group chose this title to read, I was a little wary. But someone who had read several Hillerman titles recommended his works as much for the cultural portraits they provide as for the mystery element. With SACRED CLOWNS the cultural component is strong indeed: in fact, you could say that the murder mystery is mainly a pretext to explore Navajo and Pueblo life more deeply. Cultural lore comes first, and wrapped up in the text of a pulpy detective novel, it may seem easier to take than, say, a anthropological tome or a socio-political screed. I found the murder story sketchy and confusing. Perhaps regular readers of the genre would disagree. What I did find compelling were the principal characters, tribal police officers Jim Chee and Joe Leaphorn, their inner conflicts and their attempts to make sense out of the cultural conflicts they experience. They, and some of the secondary characters as well, are well developed characters, whom you come to care about. What makes the mystery storyline a little less resonant, I suspect, is that we never really get to know much about the victim or ultimately, the murderers themselves. The ending is a bit of a surprise, but primarily because it involves characters we scarcely got to know at all. Still, I wouldn't rule out reading more Hillerman. As a more or less painless way of acquainting oneself with American Indian culture, this novel can't be beat. Well worth checking out--if not at the cash register, or via email, at least consider borrowing it from the local libary.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars
Last of the best, May 21, 2002
After adding *Sacred Clowns* to his "Navajo mysteries" series, Hillerman stepped out of the milieu to write a novel best forgotten, *Finding Moon*, about the fall of Saigon. Sadly, when he returned to the series, something was lost, and the books since have felt almost as if they were being ghost-written for him. *Sacred Clowns* is the last of the best of these books. Set at the fictional "Hano" Pueblo, it explores history, religion, and antiquities, weaving together environmental issues, intertribal rivalries, and a good, solid story with interesting characters. Chee and Leaphorn are dealing with their respective personal problems, and both stories move forward in promising ways. This is not the best of the series. That honor goes to *A Thief of Time*, because Hillerman got it all right and it dazzles. It's not the most representative. That would be *Skinwalkers*, I think, and hence its selection for the first Hillerman Mystery Theatre production this fall. And it's not my favorite; that would be *Coyote Waits*, with its surprise ending that brings home the potential for tragedy on the reservation better than any mainstream novel I've read. But it is a good, solid book, entertaining, educational, densely plotted and well written. Of the books added to the series since, the lastest, *The Wailing Wind*, finally suggests that Hillerman is getting back on track, but if you are new to this remarkable and exciting set of novels, begin with one of the three I've recommended above, then, if you like that, go back to the first or second novel and read your way forward. By the time you jump the gully of *Finding Moon*, you will be prepared to forgive some tiredness in the stories that come after. Joe Leaphorn and Jim Chee will be gone eventually, like Thomas Perry's wonderful Jane Whitefield. I will miss them. For a complete discussion of the "Indian mystery" genre, check my web site.
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