11 of 12 people found the following review helpful:
4.0 out of 5 stars
Keeps getting better, June 30, 2007
Reviewers of this book seem divided, and I have to agree with those who enjoyed The Sacred Cut. What I admire about author Hewson is simply that he is a literate writer who knows how to create likeable, thoroughly human protagonists. They're not typical, they're not omnipotent, they're not even at the top of their field or their game. Nic is just learning, and gets better with every case. Peroni is a good cop who's made a serious mistake but takes responsibility for his own choices. Teresa is a tough as nails pathologist who is scared about love but willing to stick her neck out and hope for the best. As for his villains, Hewson also makes them credibly human. Terribly twisted but human. Some of the passages relating the killer's train of thought are downright chilling. While technically a police procedural, The Sacred Cut is more a story of ordinary, well-trained people trying to solve a horrendous crime and prevent its repetition while preserving their own sense of morality. If the plotting has flaws, they are more than over-ridden by Hewson's characterizations and by his remarkably cliche-free prose. The setting in the timeless city of Rome is icing on the cake.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars
Compelling, January 24, 2006
It's five days before Christmas, and Rome is covered in snow. Braving the elements on this cold winter night are policemen Nic Costa and Gianni Peroni, accompanied by civilian Mauro Sandri. A photographer, Sandri is assembling a documentary on the policeman and their city.
Summoned to the Pantheon by a shaken security guard, the policemen are ambushed by an intruder, who begins shooting before fleeing into the night. The policemen are unharmed, but the photographer is fatally wounded. Later, a woman's body, bearing knife marks in the elaborate pattern of the so-called Sacred Cut, is found on the premises. Seeking justice for the photographer, Costa and Peroni begin searching for the murderer; their investigation will bring them into conflict with one of the strangest killers they've ever faced, a man out to settle scores with origins in the days of Desert Storm.
A happy blend of police procedural and international thriller, Hewson's third Nic Costa novel finds the trinity of Costa, Peroni, and their Chief, the irascible Leo Falcone, in fine form, fearlessly grappling with criminals, bureaucracies, significant others, and the American intelligence community in their pursuit of the truth. Providing laughter and thrills in equal amounts, Hewson makes it look easy.
The Sacred Cut is totally compelling, one of those rare thrillers which emphasizes character over action, although Hewson acquits himself admirably in that department as well. It's the attention Hewson lavishes on his entire cast that keeps readers' interest piqued; all the rest, as they say, is gravy.
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8 of 10 people found the following review helpful:
5.0 out of 5 stars
Couldn't put it down!, February 6, 2006
I picked up this book because of the snowy scene of Rome on the cover. It's been a not-so-snowy winter here, so I thought I'd make up for it with a snowy novel. This was an excellent book and truly transported me. It was an intelligent novel with many twista and turns taking place over three days near Christmas. Hewson's characters are well developed and the end left me sympathetic to many of them and hoping for more in his upcoming novel to be relased in 2007. I'm going to go back and read some of his earlier novels in this Nic Costa series while waiting for "The Lizard's Bite" to be relased.
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