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55 of 56 people found the following review helpful:
4.0 out of 5 stars
A manual for converts, October 6, 2003
Few voices are as forceful or as eloquent as that of the convert. This account of personal awe in the face of Nature is a passionate example. From the centre of Christian America, Goodenough explains why ideas of divine forces driving Nature must be replaced. Her replacement, trying to mediate between "cold" science and misleading traditional dogma, is called "natural religion". Astonished by the wonders of cosmology and life, Goodenough became a scientist and shed her monotheistic background. What wasn't thrown out with the theology was her sense of wonder. Having once buried her head beneath a pillow out of despair over her inability to comprehend the cosmos, she relates how she emerged to study science. She chose biology, and it's well for us she did. Her description of protein construction is unmatched in science writing.
In this work, she opens at the beginning, explaining how physics underlies everything, including life. She relates how "life from non-life" can and does occur. She moves to a description of the origins and later development of life's processes. Cell mechanisms are portrayed. In this topic, she creates a wonderful idea - the Mozart Metaphor. We listen to a Mozart sonata with a sense of awe and veneration. Those feelings, she urges, aren't diminished by the knowledge that the music is reducible to blobs of ink on a page. Any musician can read those dots and restore the wonder by playing the music. In life, our knowledge of life's processes doesn't diminish the marvel of them. Goodenough translates that feeling into a "Mystery" which she wishes to share. If you need to understand how much of life functions, but fear abandoning "traditional" beliefs, this book is a fine first step.
A second step is one Goodenough regrettably omits. While her "natural religion" comes accompanied by a wealth of poetic, Biblical and other religious messages, the voice of science itself is silent in this book. Charles Darwin's own "grandeur of this view of life" is a serious omission in a book so descriptive of evolution. While some would resist pairing Darwin with Mozart, the evolutionist's reach extends beyond our tiny world. The same is unlikely to be the case for the composer. It's not enough to turn what science has shown us about life into a new "faith". Practitioners of science deserve hearing, especially when an author is speaking in their name. The information she uses has taken many years, much hard work and no little inspiration. Goodenough might have given that foundation a bit more ink. Some fine chapter illustrations grace the text, but the bibliography is limited. [stephen a. haines - Ottawa, Canada]
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38 of 38 people found the following review helpful:
5.0 out of 5 stars
There is wonder aplenty in nature and science, June 24, 2003
"But there must be something more" is a common refrain among those who believe that science robs the world of its meaning; those who cannot countenance that we are ultimately elaborate biochemical reactions, that life emerged from non-life, that stars are nuclear furnaces, that the universe began with a Big Bang. Ursula Goodenough answers this refrain with compassion, patience, poetry, and above all, a command of science and a gift for communicating its achievements and its excitement. In "The Sacred Depths of Nature", Ursula Goodenough, a research biologist, presents a series of meditations on the mysteries of nature. She argues passionately that there are mysteries aplenty within us and about us, and that we needn't invent a supernatural realm. How can one contemplate the exquisite workings of a signal transduction cascade within a living cell, or the grandeur of stellar evolution, or the complexity of biological evolution without a sense of awe? As Carl Sagan was fond of pointing out, these stories have far greater richness and beauty than do any religious myths, no matter how richly embellished. As Ms. Goodenough amply demonstrates in this unique little book, science needn't be devoid of awe; its language needn't be dry and unpoetic; its students needn't be deprived of feeling. In fact, quite the contrary. The intricacy and grandeur or nature, as revealed by science, is every bit as awe-inspiring as the greatest religious myths; indeed, even more so. Ms. Goodenough argues that understanding life is like understanding a Mozart sonata. As she puts it, "The biochemistry and biophysics are the notes of life; they conspire, collectively, to generate the real unit of life, the organism." Building on this theme, each chapter explores some aspect of biology, embracing the intrinsic beauty of some complex process, never shying away from accurate terminology, and always employing apt metaphors and analogies that make the concepts accessible to virtually anyone. For example, as Ms. Goodenough explains, "Patterns of gene expression are to organisms as melodies and harmonies are to sonatas. It's all about which sets of proteins appear in a cell at the same time (the chords) and which sets come before or after other sets (the themes) and at what rate they appear (the tempos) and how they modulate one another (the developments and transitions)." Each chapter ends with "reflections", in which the author grants herself greater poetic license to interpret the lessons of the chapter in a personal way, and to explore common intuitions about life, even as they have been sanctified in religious rituals. In one such reflection, Ms. Goodenough's declares "I have come to understand that the self, my self, is inherently sacred. By virtue of its own improbability, its own miracle, its own emergence." Even if the reader does not come away with the same sense of awe at the workings of nature as the author, there is one observation that will surely be impressed upon him/her; that it is indeed possible for a scientist, a reductionist, a non-believer, to be filled with wonder, gratitude, and awe. These things are not antithetical to science; for some, they are integral to science. Those of us who are scientists typically have appreciated this fact in some way since childhood, although perhaps not as poetically or poignantly as Ms. Goodenough. For those who insist that there must be something more, Ms. Goodenough's reflections may begin to persuade you that there is wonder enough within a single cell to rival any liturgy, and any cathedral. How can anyone who even begins to grasp their inner workings ask for more? I highly recommend this book to anyone who wishes to appreciate the poetry and awe of science. It takes a small but significant step toward bridging a chasm between science, which is too often perceived as suffocatingly impersonal and dispassionate, and the sacred, which is mistaken for the exclusive domain of religion. My hat is off to Ursula Goodenough. I suspect that she will help to bring a good many talented young people into science who may not have otherwise ventured to go there, and just as importantly, help to remove some of the stigma associated with science and its practitioners.
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41 of 42 people found the following review helpful:
5.0 out of 5 stars
As good as the best of Loren Eiseley., October 11, 1999
This review is from: The Sacred Depths of Nature (Hardcover)
This book is a gem. Not only are the science passages an exquisite introduction to astronomy, cell biology (Goodenough's field of expertise), and evolution, but her reflections on the meaning she personally derives from such knowledge leave the reader yearning for more. Her passage on the meaning of death--indeed, a celebration of death, for the kind of life and love only it can call forth--is unsurpassed by all the outpourings of those who have ever written on this subject from the standpoint of the humanities. Most poignant are the places in which Goodenough transcends the innate human urge to find (or make) meaning--when she surrenders to the purest of all religious responses: simple assent. Taking science as far as it can go toward understanding the cosmos, life, and consciousness, she is moved by the wonder of it all to demand no more insight. She is fully, intimately, restfully at home in the universe, in her version of divinity: the sacred depths of nature. At these moments of surrender, the words she offers bring tears to this reader's eyes in their spare beauty. And then, able to draw no more from either the science or her own soul, she offers up a poem or psalm from various of the world's wisdom traditions. Some day, some day, this reader hopes--centuries from now, at best--a new wisdom tradition expressed in the time-tested artisty of poems and psalms will have emerged for those, like Goodenough, on the path of religious naturalism. But the words that will be metered will not be limited to those of Lao Tsu or the Hebrew sages. They will be drawn from the revered works of Eiseley, Leopold, and Goodenough.
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