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Sacred Geometry: Philosophy & Practice (Art and Imagination)
 
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Sacred Geometry: Philosophy & Practice (Art and Imagination) [Paperback]

Robert Lawlor (Author)
4.7 out of 5 stars  See all reviews (18 customer reviews)

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Book Description

June 17, 1982

An introduction to the geometry which, as modern science now confirms, underlies the structure of the universe.

The thinkers of ancient Egypt, Greece and India recognized that numbers governed much of what they saw in their world and hence provided an approach to its divine creator. Robert Lawlor sets out the system that determines the dimension and the form of both man-made and natural structures, from Gothic cathedrals to flowers, from music to the human body. By also involving the reader in practical experiments, he leads with ease from simple principles to a grasp of the logarithmic spiral, the Golden Proportion, the squaring of the circle and other ubiquitous ratios and proportions.

Art and Imagination: These large-format, gloriously-illustrated paperbacks cover Eastern and Western religion and philosophy, including myth and magic, alchemy and astrology. The distinguished authors bring a wealth of knowledge, visionary thinking and accessible writing to each intriguing subject. 202 illustrations and diagrams, 56 in two colors

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Sacred Geometry: Philosophy & Practice (Art and Imagination) + A Beginner's Guide to Constructing the Universe: Mathematical Archetypes of Nature, Art, and Science + Sacred Geometry (Wooden Books)
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Product Details

  • Paperback: 112 pages
  • Publisher: Thames & Hudson (June 17, 1982)
  • Language: English
  • ISBN-10: 0500810303
  • ISBN-13: 978-0500810309
  • Product Dimensions: 10.6 x 7.7 x 0.4 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Best Sellers Rank: #31,613 in Books (See Top 100 in Books)

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Customer Reviews

18 Reviews
5 star:
 (14)
4 star:
 (3)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (18 customer reviews)
 
 
 
 
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93 of 95 people found the following review helpful:
5.0 out of 5 stars Excellent workbook to learn sacred geometry. Well illust., March 20, 1998
By 
M. Z. Tyree (Sedona, Arizona, USA) - See all my reviews
(REAL NAME)   
This review is from: Sacred Geometry: Philosophy & Practice (Art and Imagination) (Paperback)
This 112 page workbook explores sacred geometry using illustrations from science and art, such as Islamic tiles, atomic structure, architectural proportions and fine art. Nine workbooks within 10 chapters lead one through geometric constructions using only a pencil, compass, straight-edge and graph paper. Includes the Vesica Piscis, Golden Section, Squaring the Circle, Geometry and Music, the Platonic Solids and more. Interspersed with philosophy about the meanings and symbolism of sacred geometry. I love this book and use it in my art.
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86 of 89 people found the following review helpful:
5.0 out of 5 stars Beautifully illustrated, well designed, valuable, October 1, 1999
By 
This review is from: Sacred Geometry: Philosophy & Practice (Art and Imagination) (Paperback)
Lawlor's book has been in my library since 1990. Excellent general presentation on the arts of sacred geometry and mandala. I've read it dozens of times, often for looking for analytical knowledge but sometimes just enjoying the soothing flow of beautiful illustration. Much insight is skillfully enclosed in this slender volume. Highly recommended!
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138 of 152 people found the following review helpful:
3.0 out of 5 stars Finish, then publish (please)..., December 9, 2003
By 
This review is from: Sacred Geometry: Philosophy & Practice (Art and Imagination) (Paperback)
There is a gulf between the promise of this book and what it actually delivers. The idea of exploring the deeper meaning of geometry (there is some wonderful insight here), and the approach of making it a doing experience for the reader are both worthy of praise. Unfortunately, like many books of this type, it is also riddled by mistakes: vague and/or spurious conclusions/interpretations, sometimes confusing layouts and printing, typos, misdirections, and enough false statements and faulty calculations that my trust in this book was steadily replaced by skepticism and annoyance. It seemed as though I was doing as much proofreading as learning. Whether all of the fault lies with the author is a question. Perhaps proofreaders and editors are called upon to check material they don't fully grasp. Or perhaps no one concerned expects us to study these books too carefully.
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