90 of 97 people found the following review helpful:
5.0 out of 5 stars
Perfect Pitch, July 2, 2009
Fans of Sarah Dunant will not be disappointed! Like Dunant's Birth of Venus and In the Company of the Courtesan, earlier works in what now is her trilogy of historical novels, Sacred Hearts has authentic roots in the Italian Renaissance. And it's a page-turner, a meticulously crafted story of love and devotion. Via a convent full of compelling female characters, Dunant cuts right to the soul of human relationships as we continue to interrogate them today. Dunant's young heroine, Serafina, is determined to escape the convent where she has been placed against her will. Through Serafina's struggles Dunant reveals the transformative powers not only of prayer but also of art, music, and medicine. She invites us to distinguish true spirituality from the threat of a rigid and dehumanizing fanaticism; to appreciate the vibrant life of women who refuse simply to obey; and to know both the ecstatic joy of song and the wondrous gifts of science. Rich with details that enable us to see, hear, and taste the city of Ferrara in the 16th century, Sacred Hearts is a big story with multiple marvelous crescendos.
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46 of 49 people found the following review helpful:
5.0 out of 5 stars
"Words. They came from my mouth, not my heart.", July 17, 2009
Dunant immerses her reader in 16th century Ferraro, in the convent of Santa Caterina, where devoted nuns spend their days in work, prayer and song, isolated from the temptations of the world. Holiness perfumes the halls of this convent, a group of woman dedicating their lives to the service of God. One would assume the usual human troubles have no place in God's house, but behind the thick walls and locked iron gates of Santa Caterina, human failings intrude on a regular basis. Meanwhile, the Council of Trent moves to further separate the nuns from the outside, fearing contamination from the world.
While the abbess, Madonna Chiara, weighs the implications of the Counter-Reformation and interfaces with life outside the convent, other personalities dominate convent life in Renaissance Italy: the fierce mistress of novices, Suora Umiliana, who heartily believes that starving the body will bring the soul closer to God; Suora Zuana, a healer whose herbs bring comfort to ailing nuns; Suora Magdalena, who is visited by visions in her humble cell; and Suora Perseveranza, who espouses "the music of suffering". All of these characters are impacted by the new novice who wails against her fate. Serafina resists her imprisonment in the insular world of convent life, a pawn of fortune and her father's will. Suora Zuana attempts to comfort the grieving novice, touched by Sarafina's palpable despair.
As in her previous novels, Dunant doesn't disappoint, breathing life in to 16th century Italy behind thick convents walls. In Santa Caterina, even the holy nuns cannot escape their flaws, exacerbated by the tortured days of the reluctant novice, who suffers the unimaginable torments of her isolation from the world and the man she loves. Even in the realm of the sacred, temptation insinuates itself, ambition to be closest to God, to experience the exhilaration of pain. The prayers, hymns, incense and yearning for God are tangible. All the more painful for the healer, Suora Zuana, to question her conscience, her own precious serenity at risk by the actions she considers.
Sacred Hearts is all the more powerful for its sense of isolation, a separateness from the world and the subtle balance between pride and humility that is integral to such a vocation, interior struggles all the more intense for the imposed silence and watchful eyes of others. Dunant has an exceptional ability to translate such an existence, to make familiar the daily offices of prayer, small sacrifices and the quest to be one with God. This is a rare and beautifully wrought tale of exquisite intelligence, the private landscape of the soul and the permutations of choice in the religious life. In the holiest of places, the sacred territory between the promises of heaven and the joys of the earth, prayers are answered. Luan Gaines/2009.
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29 of 30 people found the following review helpful:
4.0 out of 5 stars
Breathtaking, profound, educational, & entertaining, July 14, 2009
I didn't know quite what to expect from this novel about 16th century convent life. I really like good historical fiction, but the convent setting wasn't all that appealing. I'm so glad I read it anyway.
This was a wonderful & thought-provoking book. The characters (even the minor ones) are fully fleshed. The setting is used to the greatest advantage in the telling of the story - the claustrophobia of it, the beauty of it, the sense of the town & the outside world pressing against the convent walls. I loved learning about the day-to-day lives of these nuns & the ways they learned to live fully (or not so fully) in their world. The story of the dispensary sister, her garden, her remedies (learned from her doctor father) was also fascinating - I loved learning about how all kinds of cures were made. It's interesting to realize how many of these cures are still in use today in one form or another.
It is sobering to note that many of these women were walled up in convents against their will, to increase the dowries of a sibling or because they were disfigured, or just not very pretty, or not very smart or - perhaps worst of all - far too smart & talented. We've certainly come a long way. & yet despite the narrow confines of the nunnery & the narrowly defined roles assigned to these women they created full & rich lives & found ways to govern themselves, to make music & art, & to in many ways remove themselves from the world of men.
This was a moving story & a fascinating look into another world. Highly recommended.
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