From Publishers Weekly
There's little to surprise veteran thriller readers in Smith's new crime novel (after Karma, 1994), and not much to please them either. The villain is a familiar sort?a serial killer?as are her pursuers, aging robber Tyler Pierce, who's an ex-con, and Naomi Cohen, an erstwhile prostitute with a heart of gold. Despite rich detailing, these two heroes in fact seem chipped from any number of Elmore Leonard novels, as does the Florida setting. The set-up is strong: after ripping off an armored van shipment, Pierce learns that his daughter has been slain in Florida by the maniac known as the Sweetwater killer. Heading south to find the murderer and extract revenge, he hires Naomi as his local guide and sorts out clues, running up against a bent cop, drug runners and other oddballs. There's no mystery, since readers are told the killer's identity early on, and there's scant suspense as Smith devotes too much space to interplay, sometimes cute, sometimes maudlin, between his leads. Fierce action too rarely punctuates the narrative. The most extended action sequence?of Pierce struggling naked through lethal swamps as a hurricane sweeps by?is powerful but seems arbitrarily inserted for effect. Even the killer's motivation?rage against abortions?appears more calculated than realistic, and leads to some intrusive pro-choice soapboxing. A pat ending laced with symbolism only confirms that Smith is straining here, etching a novel that, despite some crisp lines, winds up feeling as bogus as a three-dollar bill.
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Highly praised for earlier novels depicting independent-minded characters in difficult situations, both female (Due North, LJ 9/92) and male (Stone City, LJ 4/1/90), Smith here develops another striking antihero who certainly follows a different drummer. Tyler Pierce, recently released from prison for bank robbery and settled in small-town Missouri as a roofer, learns that his 22-year-old daughter is the latest victim of a serial killer in Florida. With the aid of money stashed from one last bank job and the help of contacts outside the law, including a prostitute, a drug dealer, a crooked cop, a retired pimp turned female, and numerous other vivid characters, he tracks the killer. Like Carl Hiaasen, Smith knows the dark side of Florida with its bizarre characters, and his atypical protagonist might well be compared to some of Elmore Leonard's. We know the killer early on, but the plot is still cinematically fast, the dialog fine, and the suspense, mixed with humor, builds to a real twist. Highly recommended.?Roland C. Person, Southern Illinois Univ. Lib., Carbondale
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.