From Publishers Weekly
In this dark, tender debut, Frank Verbeckas is a young paramedic patrolling the mean streets of Manhattan. Frank's real passion, however, is photography; he's constantly snapping pictures of injured and dead bodies while on his rounds. "I don't like healthy people," he tells his brutish partner, Burnett. Though Frank treats his photographs as just a harmless hobby, the obsession runs much deeper. What he's really after is photography's ability to give him "a clarity and precision" that he lacks in real life, where the violence of his job punctuates an ever-present loneliness. His father is dead; his mother's in another state; his surgeon brother treats him with contempt. Frank's only refuge is the homemade darkroom in his apartment, where he spends hours under the "weightless, red glow" of a safelight. His emotional numbness gets him into trouble when he joins up with Burnett and another medic to sell stolen drugs from the hospital. But his relationship with 21-year-old Emily Pascal, a fencer infected with HIV, finally shakes him out of his detachment. The doomed romance is rather sentimental (like a minimalist, edgy
Love Story), but Burke's spare prose and sharp eye for the beauty in urban misery makes this a moving tale of lost souls searching for permanence in a chaotic world.
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In the free-fire zone of early-1990s Harlem, emergency medical technician Frank Verbeckas drifts from one fresh horror to the next. Numbed by his father's suicide, Frank falls in with a rough-and-tumble ambulance crew that is as willing to deliver bruising blows to a rummy frequent flier as it is to provide top-flight care to hopeless trauma cases. When he isn't boosting narcotics or encouraging insurance scams against the city, Frank snaps photos of the dead, the dying, and the down-and-out. His cowboy-surgeon brother, Norman, berates Frank for wasting his life. And he does seem headed for disaster--until he meets Emily Pascal, an HIV-positive competitive fencer. Against his better judgment, Frank eases into a romance. In punchy, cinematic chapters, Burke tenderly illustrates the transformative powers of love between people riding out tough emotional times even as he keeps the medical lowlight reel rolling. As Frank opens up, he imagines how the photos might improve his life instead of just allowing him to morbidly relive the past. Sometimes, redemption can be claimed in the heartbeat of a tripping shutter.
Frank SennettCopyright © American Library Association. All rights reserved
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