Sailing Bright Eternity (Galactic Centre) [Import] [Paperback]

Gregory Benford (Author)

Product Details

• Paperback: 464 pages
• Publisher: Gollancz (August 22, 1996)
• Language: English
• ISBN-10: 0575600470
• ISBN-13: 978-0575600478
• Product Dimensions: 6.7 x 4.4 x 1.5 inches
• Shipping Weight: 9.1 ounces
• Average Customer Review: 2.5 out of 5 stars  See all reviews (12 customer reviews)

More About the Author

Gregory Benford, author of top-selling novels, including Jupiter Project, Artifact, Against Infinity, Eater, and Timescape, is that unusual creative combination of scientist scholar and talented artist; his stories capture readers - hearts and minds - with imaginative leaps into the future of science and of us.

A University of California faculty member since 1971, Benford has conducted research in plasma turbulence theory and experiment, and in astrophysics. His published scientific articles include well over a hundred papers in fields of physics from condensed matter, particle physics, plasmas and mathematical physics, and several in biological conservation.

Often called hard science fiction, Benford's stories take physics into inspired realms. What would happen if cryonics worked and people, frozen, were awoken 50 years in the future? What might we encounter in other dimensions? How about sending messages across time? And finding aliens in our midst? The questions that physics and scientists ask, Benford's imagination explores.
With the re-release of some of his earlier works and the new release of current stories and novels, Benford takes the lead in creating science fiction that intrigues and amuses us while also pushing us to think.

Customer Reviews

Most Helpful Customer Reviews

12 of 12 people found the following review helpful:

2.0 out of 5 stars Tedious finale to a work that could have been great., May 4, 1997

By A Customer

This review is from: SAILING BRIGHT ETERNITY (Bantam Spectra Book) (Hardcover)

Mr. Gregory Benford is a talented author. His
novel Timescape is evidence enough. In fact,
this particular series began well, with
the story of Killeen Bishop and his embattled
tribe, fighting a desperate, bleeding war against
the interesting "mechs." The next three
volumes (or is it four? five?) however show
the plot to be on a montonically decreasing curve,
increasingly stuffed with the latest physics mumbo-jumbo, and wow gee science in the best tradition of popular mechanics, at the cost of character development and story line.

This last volume is indeed the worst. I found myself caring little about Mr. Bishop and his son, the accompanying cyber-a(u)nt that keeps slipping in and out of esty's, whatever the hell they are.

And Nigel Walmsley. Of course there has to be
such a character in all such stories spanning
a godzillion years. He is the guy who remembers
what the word "coffee" meant, or that people
travelled in "subways", and other nuggets to
keep the cosmic brouhaha in perspective.
It seems to me that Mr.Benford wrote two
different sets of stories, and then couldn't
resist the fatal impulse to merge unlikely situations and characters into one huge, ugly
heap. Consider: the mechs attack the humans in the
early 21st century, and humans not only survive
but even capture a scouting ship, and drive
it to the center of the galaxy. Huh uh.

Mr. Benford takes tired old themes from Dawkin's
memes argument, Cairns-Smith's "we came from clay"
theory, Turing's "no virus checker is possible"
result, and the result is a Maalox moment.
30,000 years into the future and we
discover that the 20th century biolgists and
physicists were right after all. Huh uh.

Perhaps most curious of all is how
thoroughly "mechanical" Mr Benford's picture of the world is. Even culture, to which the mechs
finally succumb, is reduced to vague little
memes. From clay to the old ones. From carbon
to human. From silcon to mechs. And memes to
bind them all. And a final peevish point:
BEWARE of a book that
uses different FONTS to mark the intelligence
levels of its characters. It suggests that
the author doesn't have enough confidence in
the content of his character's statements and
relies instead on type weight to give their
utterances the necessary importance. Please
Mr Benford, do make your higher beings talk in
Roman 12 point next time. It really is
an awful strain.

8 of 8 people found the following review helpful:

3.0 out of 5 stars Not Terrible, but Weakest of the Series, September 9, 2005

By 

Arthur P. Smith (Selden, New York USA) - See all my reviews
(REAL NAME)   

This review is from: Sailing Bright Eternity (Paperback)

Perhaps Dr. Benford didn't give himself enough time to produce the conclusion this series really deserved. The preceding books, "In the Ocean of Night" (1977), "Across the Sea of Suns" (1984), "Great Sky River" (1987), "Tides of Light" (1989), and "Furious Gulf" (1994) had set up a galaxy of humans, intelligent mechanical entities, vast magnetic beings, myriapodia and other varied aliens, complex astrophysical structures, some artificial, surrounding the galactic center, and the chaotic and uncertain "esty" in the wedge hugging the galactic black hole. Each preceding book had introduced fascinating new entities inhabiting the galaxy and locations for the drama to play out, but this one stayed within the final "esty", chaotic and perhaps infinitely varied to be sure, but somehow full of sameness in its chaos.

The new characters here are god-like higher beings hinted at in the earlier books - and their actions are really not well explained, except that they ally themselves temporarily with the humans against the mechanicals, to turn things around from the death and destruction wrought to this point. The "esty" (space-time or S-T) was specifically designed by these higher beings in the distant past to accommodate organic life and exclude the machines. This last novel journeys, at one point, billions of years into the future; it also finds Toby in adventures that echo Mark Twain's Mississippi river boat escapades, though here he is going uphill on a river of flowing time. The varied human settlements in the "esty" are occasionally fascinating, but as with the environment itself, there's a certain sameness that seems to stretch the novel beyond what is really needed.

We do learn more about Nigel Walmsley here, clarifying some of the connections between the first two books and the remainder of the series. And the mystery of why Killeen, his father, and his son are so important is resolved, though in a somewhat hokey fashion (does the DNA explanation really make any sense?) The conflict and contrast between humans and mechanicals is further elucidated: the robot/mechanical minds lack laughter, and wonder what purpose it serves. They see life very differently: their minds can be eternal, even as their bodies are frequently discarded and replaced with new upgraded models. In contrast, organic life starts anew with each generation; minds are constantly renewed and also constantly faced with their own extinction - is that the root of the difference? And yet the "higher powers" seem to have overcome these differences, though Benford has little description of how that could happen - and what exactly have they done with Walmsley, who is surely not the same as the original after all these years?

The end for the powerful Mantis is another long trek that seems sad and almost purposeless - couldn't we just get it over with? Benford does finally get to a reasonable conclusion; it's not a bad one, there's hope for the future. But compared to the other novels in the series, this one is certainly a disappointment.

5 of 5 people found the following review helpful:

3.0 out of 5 stars ...And then, a miracle happens., August 18, 2000

By 

Curtis L. Wilbur "zencoyote" (San Diego, California USA) - See all my reviews
(REAL NAME)   

This review is from: Sailing Bright Eternity (Paperback)

This final novel in the "Galactic Center" set proves that even on a bad day, Benford can still whip out a fairly decent yarn.

Not up to his usual caliber, this novel seems even more disjointed than the previous few, and so much less lovingly spun than the "Ocean of Night" which started the series off. The changes in font are positively annoying, and the character development - or lack thereof - reduces the believability and likability of the people we're supposed to be rooting for. Particularly implausable is the dangerous, tin-man Mantis, whose mysterious and compelling behavior in the earlier novels is reduced to trying to find a "heart". I was sorely disappointed in this outcome, and I won't even discuss what a pitiful, sex-starved moron that Nigel Walmsley has become. It's just too painful.

Despite these and other disappointments, I have to give Benford credit for leaving this capstone open-ended, and providing the glorious, off-beat energy that makes his works so readable. I've never even written a published novel, and Benford has managed to pull together so much in this series, despite the reduction in degrees of freedom that the previous novels require to hold the story together. I can't help being reminded of Arthur C. Clark's "2010" where they somehow managed to change planets from Saturn to Jupiter. Sequels can be tough to pull off. We backed Benford into a corner, (or maybe he did it himself), and he performed well enough to merit a moderate "thumbs-up". I have definitely read worse