Since its posthumous publication in 1924, Billy Budd has become one of the acknowledged masterpieces of American literature.
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Since its posthumous publication in 1924, Billy Budd has become one of the acknowledged masterpieces of American literature.
In the time before steamships, or then more frequently than now, a stroller along the docks of any considerable seaport would occasionally have his attention arrested by a group of bronzed mariners, man-of-war's men or merchant sailors in holiday attire, ashore on liberty. In certain instances they would flank, or like a bodyguard quite surround, some superior figure of their own class, moving along with them like Aldebaran among the lesser lights of his constellation. That signal object was the "Handsome Sailor" of the less prosaic time alike of the military and merchant navies. With no perceptible trace of the vainglorious about him, rather with the offhand unaffectedness of natural regality, he seemed to accept the spontaneous homage of his shipmates.
A somewhat remarkable instance recurs to me. In Liverpool, now half a century ago, I saw under the shadow of the great dingy street-wall of Prince's Dock (an obstruction long since removed) a common sailor so intensely black that he must needs have been a native African of the unadulterate blood of Ham -- a symmetric figure much above the average height. The two ends of a gay silk handkerchief thrown loose about the neck danced upon the displayed ebony of his chest, in his ears were big hoops of gold, and a Highland bonnet with a tartan band set off his shapely head. It was a hot noon in July; and his face, lustrous with perspiration, beamed with barbaric good humor. In jovial sallies right and left, his white teeth flashing into view, he rollicked along, the center of a company of his shipmates. These were made up of such an assortment of tribes and complexions as would have well fitted them to be marched up by Anacharsis Cloots before the bar of the first French Assembly as Representatives of the Human Race. At each spontaneous tribute rendered by the wayfarers to this black pagod of a fellow -- the tribute of a pause and stare, and less frequently an exclamation -- the motley retinue showed that they took that sort of pride in the evoker of it which the Assyrian priests doubtless showed for their grand sculptured Bull when the faithful prostrated themselves.
To return. If in some cases a bit of a nautical Murat in setting forth his person ashore, the Handsome Sailor of the period in question evinced nothing of the dandified Billy-be-Dam, an amusing character all but extinct now, but occasionally to be encountered, and in a form yet more amusing than the original, at the tiller of the boats on the tempestuous Erie Canal or, more likely, vaporing in the groggeries along the towpath. Invariably a proficient in his perilous calling, he was also more or less of a mighty boxer or wrestler. It was strength and beauty. Tales of his prowess were recited. Ashore he was the champion; afloat the spokesman; on every suitable occasion always foremost. Close-reefing topsails in a gale, there he was, astride the weather yardarm-end, foot in the Flemish horse as stirrup, both hands tugging at the earing as at a bridle, in very much the attitude of young Alexander curbing the fiery Bucephalus. A superb figure, tossed up as by the horns of Taurus against the thunderous sky, cheerily hallooing, to the strenuous file along the spar.
The moral nature was seldom out of keeping with the physical make. Indeed, except as toned by the former, the comeliness and power, always attractive in masculine conjunction, hardly could have drawn the sort of honest homage the Handsome Sailor in some examples received from his less gifted associates.
Such a cynosure, at least in aspect, and something such too in nature, though with important variations made apparent as the story proceeds, was welkin-eyed Billy Budd -- or Baby Budd, as more familiarly, under circumstances hereafter to be given, he at last came to be called -- aged twenty-one, a foretopman of the British fleet toward the close of the last decade of the eighteenth century. It was not very long prior to the time of the narration that follows that he had entered the King's service, having been impressed on the Narrow Seas from a homeward-bound English merchantman into a seventy-four outward bound, H.M.S. Bellipotent; which ship, as was not unusual in those hurried days, having been obliged to put to sea short of her proper complement of men. Plump upon Billy at first sight in the gangway the boarding officer, Lieutenant Ratcliffe, pounced, even before the merchantman's crew was formally mustered on the quarter-deck for his deliberate inspection. And him only he elected. For whether it was because the other men when ranged before him showed to ill advantage after Billy, or whether he had some scruples in view of the merchantman's being rather short-handed, however it might be, the officer contented himself with his first spontaneous choice. To the surprise of the ship's company, though much to the lieutenant's satisfaction, Billy made no demur. But, indeed, any demur would have been as idle as the protest of a goldfinch popped into a cage.
Noting this uncomplaining acquiescence, all but cheerful, one might say, the shipmaster turned a surprised glance of silent reproach at the sailor. The shipmaster was one of those worthy mortals found in every vocation, even the humbler ones -- the sort of person whom everybody agrees in calling "a respectable man." And -- nor so strange to report as it may appear to be -- though a ploughman of the troubled waters, lifelong contending with the intractable elements, there was nothing this honest soul at heart loved better than simple peace and quiet. For the rest, he was fifty or thereabouts, a little inclined to corpulence, a prepossessing face, unwhiskered, and of an agreeable color -- a rather full face, humanely intelligent in expression. On a fair day with a fair wind and all going well, a certain musical chime in his voice seemed to be the veritable unobstructed outcome of the innermost man. He had much prudence, much conscientiousness, and there were occasions when these virtues were the cause of overmuch disquietude in him. On a passage, so long as his craft was in any proximity to land, no sleep for Captain Graveling. He took to heart those serious responsibilities not so heavily borne by some shipmasters.
Now while Billy Budd was down in the forecastle getting his kit together, the Bellipotent's lieutenant, burly and bluff, nowise disconcerted by Captain Graveling's omitting to proffer the customary hospitalities on an occasion so unwelcome to him, an omission simply caused by preoccupation of thought, unceremoniously invited himself into the cabin, and also to a flask from the spirit locker, a receptacle which his experienced eye instantly discovered. In fact he was one of those sea dogs in whom all the hardship and peril of naval life in the great prolonged wars of his time never impaired the natural instinct for sensuous enjoyment. His duty he always faithfully did; but duty is sometimes a dry obligation, and he was for irrigating its aridity, whensoever possible, with a fertilizing decoction of strong waters. For the cabin's proprietor there was nothing left but to play the part of the enforced host with whatever grace and alacrity were practicable. As necessary adjuncts to the flask, he silently placed tumbler and water jug before the irrepressible guest. But excusing himself from partaking just then, he dismally watched the unembarrassed officer deliberately diluting his grog a little, then tossing it off in three swallows, pushing the empty tumbler away, yet not so far as to be beyond easy reach, at the same time settling himself in his seat and smacking his lips with high satisfaction, looking straight at the host.
These proceedings over, the master broke the silence; and there lurked a rueful reproach in the tone of his voice: "Lieutenant, you are going to take my best man from me, the jewel of 'em."
"Yes, I know," rejoined the other, immediately drawing back the tumbler preliminary to a replenishing. "Yes, I know. Sorry."
"Beg pardon, but you don't understand, Lieutenant. See here, now. Before I shipped that young fellow, my forecastle was a rat-pit of quarrels. It was black times, I tell you, aboard the Rights here. I was worried to that degree my pipe had no comfort for me. But Billy came; and it was like a Catholic priest striking peace in an Irish shindy. Not that he preached to them or said or did anything in particular; but a virtue went out of him, sugaring the sour ones. They took to him like hornets to treacle; all but the buffer of the gang, the big shaggy chap with the fire-red whiskers. He indeed, out of envy, perhaps, of the newcomer, and thinking such a "sweet and pleasant fellow," as he mockingly designated him to the others, could hardly have the spirit of a gamecock, must needs bestir himself in trying to get up an ugly row with him. Billy forebore with him and reasoned with him in a pleasant way -- he is something like myself, Lieutenant, to whom aught like a quarrel is hateful -- but nothing served. So, in the second dogwatch one day, the Red Whiskers in presence of the others, under pretense of showing Billy just whence a sirloin steak was cut -- for the fellow had once been a butcher -- insultingly gave him a dig under the ribs. Quick as lightning Billy let fly his arm. I dare say he never meant to do quite as much as he did, but anyhow he gave the burly fool a terrible drubbing. It took about half a minute, I should think. And, lord bless you, the lubber was astonished at the celerity. And will you believe it, Lieutenant, the Red Whiskers now really loves Billy -- loves him, or is the biggest hypocrite that ever I heard of. But they all love him. Some of 'em do his washing, darn his old trousers for him; the carpenter is at odd times making a pretty little chest of drawers for him. Anybody will do anything for Billy Budd; and it's the happy family here. But now, Lieutenant, if that young fellow goes -- I know how it will be aboard the Rights. Not again very soon shall I, coming up from dinner, lean over the capstan smoking a quiet pipe -- no, not very soon again, I think. Ay, Lieutenant...
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Melville's common man against Burke's paternal authority,
By
This review is from: Billy Budd, Sailor (An Inside Narrative Reading Text and Genetic Text) (Paperback)
Stored away in a tin box and unpublished until 1924, "Billy Budd" has since been released in a number of forms. The confused state of the various drafts and manuscripts and the resulting (significant) disparities among the work's many editions have only increased the multiplicity of interpretations of what is already an extraordinarily complex (but not all that difficult) work. Readers' understanding or pleasure of this deeply textured novella may well depend on the text they select; the version widely considered the standard is Hayford and Sealts's "reading text," which is reprinted in any number of editions, including those available from the University of Chicago Press, Penguin, and The Library of America."Billy Budd" is often labeled an "unfinished" work--but I think that this intimidating tag does the story an injustice, leading readers to believe that the tale will end mid-sentence, with Billy dangling from the plank of a ship. But this is no "Mystery of Edwin Drood" or "The Castle"; Melville's novel is complete. Instead, one might say it is "unpolished"--although the work's ostensible inconsistencies and errors may have been part and parcel of Melville's clearly unreliable narrator--an aspect common to many of his late works, particularly "Pierre" and "The Confidence-Man." So what's it about? And, more perplexingly, what does it mean? This tale of the sea relates the adulation and eventual persecution of the ever-trusting Billy Budd, the "Handsome Sailor" on a British merchant ship who, at the book's opening, is forcibly impressed by the warship "Bellipotent." In his new post, the innocent naif is worshipped by the rest of the crew, which arouses the dangerous jealousy of the master-at-arms, John Claggart, the protective watchfulness of the old salt Dansker, and the conflicted paternal instincts of the ship's captain, Edward Vere. The dynamics of the tensions among these four shipmates lead to a horrible accident which tests the principles of each of the survivors. At its most basic, Melville is a retelling of the biblical tale of Abraham and Isaac (a parallel made explicitly in the text), but in this story God remains aloof: Captain Vere must decide on his own whether Billy is to be sacrificed on the rock of military discipline. And, even more obviously, Billy is the ship's Christ figure. But, biblical allusions aside, Billy can also be seen as the common man controlled by the paternalism of nobility. The ship from which Billy is kidnapped is the "Rights-of-Man," and "the dry and bookish" Vere (who shares his name with one of the more famous Earls of Oxford) is unsubtly modeled after that idol of conservatism Edmund Burke ("his settled convictions were as a dike against those invading waters of novel opinion social, political, and otherwise"). Billy's eventual transformation as a symbol of the strong arm of the law disguises what's really at stake: is it the preservation of aristocratic power--or the prevention of anarchy? (Melville's own sympathies were equally ambiguous.) More subtle still is the issue of race: the archetypal Handsome Sailor, mentioned in passing on the first page of the book, is "so intensely black that he must needs have been a native African." Through the compulsory act of impressment, Billy (whose "lily was quite suppressed" by his tan) becomes a slave under the arbitrary white rule of the ship. The book's finale and its understated aftermath never fail to amaze and sadden me. My amazement results from Melville's ability to turn what could be a treacly ending into a statement on democracy and humankind (much like he did in the less successful "Israel Potter"); the sadness stems from the obvious truth in the author's views on power and subservience. In spite of its being a slim and "unfinished" novella, "Billy Budd" remains one of the most multifaceted classics of American literature.
5 of 5 people found the following review helpful:
4.0 out of 5 stars
Elisabeth, Billy Budd,
By A Customer
This review is from: Billy Budd, Sailor (Enriched Classics (Washington Square)) (Mass Market Paperback)
Melville's short novel, Billy Budd, relates the late eighteenth century story of a naive, innocent, young sailor, who is hated by John Claggart, the ship's master-at-arms. Good versus evil, the individual versus society, absolute law versus mercy are all themes in the novel. Billy Budd contains many Christian allusions, and some commentators have suggested the novel is a Christian allegory that depicts the sacrifice of an innocent man. The narrator repeatedly draws comparisons between Billy Budd and Christ and Claggart and Satan. Although the reader must be willing to wade through many unfamiliar allusions and difficult vocabulary, the novel has a simple, but gripping plot line with universal themes.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Elisabeth, Billy Budd,
By A Customer
This review is from: Billy Budd, Sailor (Enriched Classics (Washington Square)) (Mass Market Paperback)
Melville's short novel, Billy Budd, relates the story of a naive, innocent, young sailor hated by John Claggart, the ship's master-at-arms. The reason for Claggart's hatred is unknown; he is simply the representative of evil. In the presence of the ship's captain, Claggart falsely accuses Billy of mutiny. In response, Billy strikes Claggart with such force that Claggart falls dead. Concerned with the possibility of mutiny, Captain Vere convenes a court which follows Vere's directions, convicts Billy, and sentences him to death by hanging. The sentence is carried out.The novel contains many Christian allusions, and some commentators have suggested Billy Budd is an allegory of Christ and the sacrifice of an innocent man. The narrator repeatedly draws comparisons between Billy and Christ and Claggart and Satan. The most difficult parts of Billy Budd were Chapters 3 and 4, which seemed unconnnected with plot at that point in the novel. Later, the reader understands the connection between the descriptions of two mutinies on other ships and Billy Budd. However, I am not sure the reader is ever entirely clearly ion the relevance of Admiral Nelson in Chapter 4. Although the reader has to be willing to wade through many allusions and difficult vocabulary, the novel has a great plot and universal themes. The innocent victim, the evil heart, the individual versus society theme, the letter of the law versus mercy theme, the internal conflicts in Captain Vere, the Christ imagery all make for a classic novel. I recommend Billy Budd.
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