Saint Joan: A Chronicle Play in Six Scenes and an Epilogue (Hollywood Theater of the Ear)(Library Edition) [Audiobook, Unabridged] [Audio CD]

(George) Bernard Shaw (Author), Amy Irving (Reader), Edward Herrmann (Reader), A Distinguished Full Cast (Reader)

Book Description

Publication Date: March 1, 2010

''Joan of Arc, a village girl from the Vosges, was born about 1412--burnt for heresy, witchcraft, and sorcery in 1431--rehabilitated after a fashion in 1456--designated Venerable in 1904--declared Blessed in 1908--and finally canonized in 1920. She is the most notable Warrior-Saint in the Christian calendar, and the queerest fish among the eccentric worthies of the Middle Ages.''--George Bernard Shaw

With Saint Joan, Shaw reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc but unhappy with ''the whitewash which disfigures her beyond recognition,'' he presents a realistic Joan at war not just with British invaders but with realpolitik. This is a masterpiece of the theater of ideas, presented in the most eloquent, vital, human, and moving terms. Blackstone Audio commissioned this production from the award-winning Hollywood Theater of the Ear.

The distinguished cast of readers for this production includes: EDWARD HERRMANN, AMY IRVING, KRISTOFFER TABORI, MARK BRAMHALL, SCOTT BRICK, KENNETH DANZIGER, ROBERTSON DEAN, GREGORY ITZIN, JOHN LEE, STEFAN RUDNICKI, ROBIN SACHS, NED SCHMIDTKE, ARMIN SHIMERMAN, KITTY SWINK, GRANVILLE VAN DUSEN.

Editorial Reviews

Amazon.com Review

Joan of Arc, born in 1412, was burned at the stake in 1431, canonized by the Catholic Church in 1920, and, like most saints, whitewashed by history. Canonization tends to strip a saint of supposedly un-Christian attributes such as rebelliousness, pride, and intolerance. And Joan, despite having been a stubborn, haughty, naive, even foolish girl, has for much of history been remembered only as a pious martyr. However, George Bernard Shaw's play, Saint Joan, completed in 1925, began the modern rehabilitation of the icon as a fully human, fallible character--not to mention a poster girl for teenage rebellion and feminism. Shaw's Joan, like the real Maid of Orleans, leads the fight to drive the English out of her native France, insists on direct communication with her God instead of submitting to the mediation of Catholic priests, and refuses to dress, speak, or act according to traditional notions of how women were expected to behave. Until the closing scene of Shaw's play, however, neither Joan nor her foes are cast in neatly heroic terms. Both are earnestly pursuing their partial visions of the truth. In the play's famous epilogue, Shaw suggests that even 400 years later, most of us are so limited by our own perspectives that we are unable to tell the difference between a saint and a heretic. "O God that madest this beautiful earth, when will it be ready to receive Thy saints?" Joan asks, preparing for her death. "How long, O Lord, how long?" --Michael Joseph Gross --This text refers to the Paperback edition.

From School Library Journal

Grade 8 Up-By George Bernard Shaw. Narrated by Flo Gibson.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

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Product Details

• Audio CD
• Publisher: Blackstone Audio, Inc.; Unabridged library edition (March 1, 2010)
• Language: English
• ISBN-10: 1441727779
• ISBN-13: 978-1441727770
• Product Dimensions: 6.1 x 6.7 x 1.2 inches
• Shipping Weight: 4 ounces (View shipping rates and policies)
• Average Customer Review: 3.8 out of 5 stars  See all reviews (18 customer reviews)
• Amazon Best Sellers Rank: #2,943,918 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

23 of 24 people found the following review helpful:

4.0 out of 5 stars Drama Instead of History, December 10, 2005

By 

Jeanette Romee - See all my reviews

This review is from: Saint Joan (Penguin Classics) (Paperback)

This is George Bernard Shaw's most important work. A successful drama that has enjoyed continuous popularity for nearly eighty years is worth a read. Most audiences find it very satisfying. Shaw has a gift for lucid dialogue that brings a centuries old story to life. This is one of the most approachable of the great English language plays.

Why then does "Saint Joan" fall short of five stars?

Fictional accounts of Joan of Arc's life are numerous and seldom accurate. Shakespeare makes her a witch. Voltaire makes her an idiot. Schiller makes her admirable - and gives her a magical helmet that protects her from harm until she falls in love.

In a rare exception to his usual satirical style, Mark Twain spent months in France researching her life and published a fictional biography. Readers who enjoy accurate historical fiction would do well with Twain's "Personal Recollections of Joan of Arc." Twain considered this - not "Huckleberry Finn" - to be his finest work.

Shaw pays far more attention to accuracy than most fictionalizations. Several lines in the play are Shaw's own translations from her trial transcript. Shaw's long introductory essay aspires to be history as well as drama. Most scholars agree with his assessment of Joan of Arc's socioeconomic background. Shaw acknowledges a few dramatic economies: he combines the historical Jean d'Orleans and Duke Jean d'Alencon into a single character. What causes problems are Shaw's unacknowledged deviations from the factual record.

Shaw argues that Joan of Arc was a forerunner of Protestantism who got a fair trial. Among serious scholars this argument gains no credibility. A surviving letter from the English government that financed the trial guaranteed her execution even if the court found her not guilty. Joan of Arc never rejected the Roman Catholic Church: she rejected the authority of politically biased judges bent on discrediting her and, by inference, on discrediting the king she had crowned. Twenty-four years after her death the Pope reopened the case. The appeals court not only found her innocent but discovered such extensive violations of proper court procedure that it accused the late Bishop Cauchon of heresy.

Shaw's choice works as drama rather than as history yet he advocates it on historical grounds. He might be sincere but he is certainly not honest. To an academic scholar who has explained the facts to umpteen Shaw enthusiasts the difference can be infuriating. This is why "Saint Joan" collects a handful of scathing reviews.

A reader who understands this little shell game with history should have a lively time with the drama. If this is your first reading of "Saint Joan" then I envy you. Nothing quite equals the first encounter.

7 of 9 people found the following review helpful:

5.0 out of 5 stars One of the greatest plays in English Literature, May 16, 1999

By A Customer

This review is from: Saint Joan: A Chronicle Play in Six Scenes and an Epilogue (Shaw Library) (Paperback)

I have read this play and also performed the part of Joan on stage many times. Shaw's play brings the soul of Joan to life. A girl with no formal education - defeated the English, won a crown for a king, and was tried and burned as a witch - dead at or under the age of 23. No wonder she was made a saint. The story would almost be a horrible fairy tale, if it wasn't true.

8 of 11 people found the following review helpful:

5.0 out of 5 stars Wisdom, December 7, 2003

By 

MarianaP "marianap" (Lisbon, Portugal) - See all my reviews

This review is from: Saint Joan (Turtleback School & Library Binding Edition) (Penguin Classics) (School & Library Binding)

What has most stuck in my mind, many years after having read Shaw's book, is the fact that it's more logical to think of Joan as a protestant saint, instead of Catholic, when one considers how she rejected the Catholic Church's authority and was, naturally, rejected in turn.

He makes a very good point when he says that, right as that Church was to ban her on those grounds, nothing could give it the moral right (or any other right, for that matter) to condemn a woman who disagreed with it on matters of faith. In all fairness, they should have simply excommunicated her and said: "If you think you have a better idea, then you go ahead and create your own Church".

It may be a thoroughly idealistic point of view of course, too democratic for that age (perhaps any age), but nonetheless it strikes me as completely fair.
If you like a club but object to some of its rules, and that club isn't willing to change for your sake, they may have the right to throw you out, just as you may have the right to start a new one on your own - but they shouldn't be given the right to take away your life for having dared to challenge their concepts.

This lesson has stayed with me and I recommend this book for the wisdom it contains.