Customer Reviews

Saint-Saëns: Complete Works for Piano

5 star:		(3)
4 star:		(1)
3 star:		(1)
2 star:		(1)
1 star:		(1)

 

 

Saint-Saens didn't believe that music must express deep emotion to be worthwhile. He was more interested in beautiful surfaces than in profundity. The composer's aesthetic, which might be described as "decorative," justifies certain limitations and is not all that different from Milhaud's or Poulenc's, although the musical idiom is more 19th century than 20th century.

Because this is a "complete works" set of CDs, the quality of the compositions is predictably uneven. Several of the many pieces included are too protracted, formulaic and even dull, but few are without any interest. Almost all seem impersonal and dispassionate. That said, much of the music is lovely, frequently colorful and occasionally dazzling. Saint-Saens' piano writing is almost always transparent, elegant, ironic and wry. Some pieces, like the Scherzo for Two Pianos (which is organized as a palindrome), the Valse Gaie and the Etude en Forme de Valse, are stunning mixtures of modern musical language and traditional gestures. There is truly no other music like this.

Admirers of French music are fortunate that Vox decided to reissue these performances, which range from adequate to excellent.

This is delightful stuff! Nothing "profound" here (what a dreadful sin, Mr. Gerber!) but plenty of this composer's mix of the playful and the intellectual. True, there are a few pieces (the fugues and some of the more mechanically-oriented etudes) that are academic note-spinning, but there's lots more that aren't. It's perfectly OK to like and enjoy this kind of elegant fluff--does EVERYTHING have to be a heaven-storming masterpiece? People who think that miss an awful lot. If you like Bizet (but don't expect Carmen!) and Chabrier, this will appeal to you.

Saint-Saens was one of the greatest pianists of his time, and certainly knew his way around a keyboard. Marylene Dosse has the technique and temperament to do this music justice. The remastered analog sound is NOT terrible--perhaps a bit shallow and not state of the art digital, but quite easily listenable. I certainly don't hear the "bumps and pops" alluded to by another reviewer--can't imagine what's going on there.

Highlights of the set that I particularly enjoy: the two-piano Beethoven Variations on the trio of the menuet of the Piano Sonata Op.31 No.3 (the pianos sound in tune to me, although someone with perfect pitch might find them a few cents off!); the Allegro appassionato and the Etude en forme de valse--two standard classics that every lover of French piano music should know; the transcription and abridgement for piano solo of the first movement of Piano Concerto No.3 (with the orchestral parts absorbed into the piano); the last of the Etudes Op.111 where the composer reworks material from his Piano Concerto No.5 into a brilliant toccata.

At this price, this set is a steal, and, as Mr. Crawford said, a nice companion for the piano concertos (I'm particularly fond of Collard--Hough is a bit too much of a speed demon on the autobahn, looking neither to the right nor left to see the beauties just within sight.)

This is a collection rare to come across: the complete piano works by Saint-Saens. As a native of France, Ms. Dosse accomplishes the nearly impossible task of recording the entirety of this difficult french repertoire. Her masterful understand of the music is apparently throughout every piece and her musicality extends far past that of many of the great pianists. In addition to the extraordinary playing, the set is marvelously priced. This is a set to add to your collection.

This is a very nice collection of pieces that are rarely heard, rightfully so in some cases. But others, such as the Beethoven Variations for 2 pianos, are wonderful - but the piano sound! Ouch! The pianos are not even in tune! Still, it is a collection worth having, especially at this price.

The performances on this collection were decent, although it is somewhat hard to judge them, not being familiar with most of the items. However, the sound quality is way below expectations for something that was originally recorded in ca. 1974 (more like what one would expect from the 1920s or 1930s). There are inexplicable bumps and pops (no pits or scratches obvious on the CDs), and the general acoustics are very subdued (as if the transfer were done using a tape recorder on a monophonic turntable). One cannot claim that it this way because of the budget price - other labels have managed to do much better in their offerings at this price point (such as the D. Scarlatti sonata selection by Pletnev on Virgin Classics which I had purchased in the same order as this CD set).

I AM LISTENING TO THE FOURTH OF FIVE CDS PLAYED ON THE PIANO BY FRENCH WOMEN MARYLENE DOSSE AND ANNIE PETIT. THEY ARE EXCELLENT ESCAPISMS. I DON'T KNOW ONE FROM THE OTHER, BUT JUST LAY BACK ON A SULTRY DAY AND ENJOY.
I THOUGHT I MAY HAVE DUPLICATED SAINT-SAENS COMPLETE WORKS FOR PIANO AND ORCHESTRA BY SAKARI ORAMO UNDER STEPHEN HOUGH OF THE CITY OF BIRMINGHAM ORCHESTRA, BUT THAT IS NOT THE CASE. WITH VOX I GOT 5 CDS AT HALF THE PRICE OF THE HOUGH TWO CDS. SO THE SELECTIONS AREN'T FAMILIAR. WHO NEEDS MORE OF THE SAME?

I'm glad to bring the stars down on this product. Let me first say that I think that Saint-Saen's Piano Concertos are some of the very, VERY best music in the history of the human race. But his solo piano works, are worse than garbage. Imagine a young bratty virtuoso with no sense of melody, practicing offensive scales for 6 hours straight. I think composing is like any other profession, and sometimes you just have to hurry up and "meet the quota" so to speak. But for those who can appreciate fine art, don't get this set, get his complete piano concertos instead, please.