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  • Salò, or the 120 Days of Sodom (The Criterion Collection) [Blu-ray]
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Salò, or the 120 Days of Sodom (The Criterion Collection) [Blu-ray]


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Product Details

  • Actors: Paolo Bonacelli, Aldo Valletti, Umberto P. Quintavalle, Hélène Surgère, Sonia Saviange
  • Directors: Pier Paolo Pasolini
  • Producers: Alberto Grimaldi
  • Format: Multiple Formats, Blu-ray, NTSC, Subtitled, Widescreen, Color
  • Language: Italian
  • Subtitles: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Criterion Collection
  • DVD Release Date: October 4, 2011
  • Run Time: 116 minutes
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (305 customer reviews)
  • ASIN: B005D0RDO8
  • Amazon Best Sellers Rank: #97,441 in Movies & TV (See Top 100 in Movies & TV)

Special Features

High-definition digital restoration, with uncompressed monaural soundtrack

Salo: Yesterday and Today, a thirty-three-minute 2002 documentary

Fade to Black, a twenty-three-minute 2001 documentary

The End of Salo, a forty-minute documentary about the film?s production

Video interviews with set designer Dante Ferretti and director and film scholar

Optional English-dubbed soundtrack

Theatrical trailer

PLUS: A booklet featuring essays by Neil Bartlett, Breillat, Naomi Greene & more


Editorial Reviews

The notorious final film from Pier Paolo Pasolini (Mamma Roma), Salo, or the 120 Days of Sodom, has been called nauseating, shocking, depraved, pornographic . . . It’s also a masterpiece. The controversial poet, novelist, and filmmaker’s transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.

Customer Reviews

Pasolini made this film as an indictment of society, culture, and history.
Brian
This movie is really an atrocity. "Nothing is shocking," a lot of people say, but this movie shocks and its not a good shock.
El Tigre TA Esmitz
Pasolini expounded upon de Sade's ideas and made a startling film, one that has immense power, even today.
Grigory's Girl

Most Helpful Customer Reviews

433 of 464 people found the following review helpful By bigsuggs on May 29, 2002
Format: DVD
"Salo" is most certainly one of the most controversial films of all time. With an eye sensitive to horrific imagery, it is easy to fall into a trap and see the imagery for only what it is, as opposed to what it represents. For, the power of "Salo" is to be seen in the relentless metaphor that it contains. Once one knows a couple of basic hints it becomes far easier to peel off the layers of disgust to reveal the true essence of this powerful film.
The basic characters fall into several archetypes:
1) The 4 Men: represent the fascist rule that dominated Italy during the Nazi rule. Given more power than they should have, they are content to savage the people they rule over with no respect for the humanity that they have been given control over.
2) The teens: the victims of this fascist control (the Jews of the Holocaust, the Italian people, etc.) who quickly lose all their dignity and rights under such savage treatment. Escape appears to be only a couple of steps away and seems quite easy; yet, for these individuals, it is impossible.
3) The madams: The politicians that (although not participating directly in most of the exploitation of the populace) provide the direction and desire to commit such crimes to humanity. Easily recognizable, they are just a step below the 4 men in the line of power.
4) The soldiers: the populace of Germany/Italy who allowed these atrocities to go on. Witnessing the entire situation as it escalates (much like it did in Nazi Germany), these people fall under the Nazi spell. For them, it is impossible to sympathize with individuals that have been so debased, so no guilt is felt on their part for the crimes they are involved in.
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Format: DVD
Yes, ladies and gentlemen. The infamous film, Salo or the 120 Days of Sodom, has been reissued by Criterion in a special 2 disc edition. Criterion initally put out this DVD when they were still doing laserdiscs and DVD simaltaneously (its DVD spine number was 17), and the original DVD was pretty much barebones and not a particularly good transfer of the film (on either the laserdisc version or the DVD version). Now it's being released in a deluxe edition. What about the film itself? Is it worth picking up? Is it truly disturbing? Is it a work of art? Yes, yes, and yes.

Pasolini made this film in 1975 right after his "trilogy of life" films, which included The Decameron, The Cantebury Tales, and Arabian Nights (aka Thousand and One Nights). Those films were very joyful and playful, and did quite well at the box office. Pasolini went into a deep depression afterwards, feeling that all his films were bogus and compromised, and set out to make a film, as he called it, "undigestable". Salo was that film.

It is based on the Marquis de Sade's book, which was written in 1789 but not published until 1935. De Sade's book, while interesting at first, soon becomes boring and repetitive, outlining one sexual abberation after another. It's not erotic, in fact, it's quite disgusting, as most of the sexual behavior concentrates on coprophilia. Pasolini's film is much better than the novel, as Pasolini had much more to say with his film. He changed the original setting from 18th century France to the last days of Mussolini's government, which had set up shop in Salo, an actual province in Italy. Four fascists round up 8 teenage boys and 8 teenage girls, haul them off to a secluded villa, and degrade them and themselves for the duration.
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369 of 434 people found the following review helpful By Brian on November 21, 2001
Format: DVD
This film is not an exploitation film. Anyone that watches it based on that assumption is missing the whole idea of the movie. Pasolini made this film as an indictment of society, culture, and history. The film is about fascism, neo-fascism, and capitalism, and the images on the screen are not to be taken at face value, but as metaphors for contemporary society and politics. The sexual depravity shown on the screen, the coprophagy, the torture, it is all symbolic. For example, the children in the film are forced to eat excrement becuase Pasolini believed that contemporary culture and society was excrement, and thus was force feeding us, the consumer, with excrement.
The most interesting aspect of this film is that Pasolini, a homosexual, linked homosexuality with death and fascism. Why after portraying homosexuality in a beautiful way in his earlier works did Pasolini change his tune, nobody knows. Some think he lost his mind while making this movie.
Many don't like the film because Pasolini makes the victims out to be emotionless and doesn't allow us to pity them. But thats just what he wanted! By watching the movie, we are like the victims, allowing ourselves to be abused and also being a spectator to abuse. Again, everything in this film is done for a reason.
Before watching this film you should be familiar with de Sade, Dante's Inferno, and have some basic understanding of fascism and its history. If you lack any of these three elements, don't watch the movie because you will not get it at all. Again, don't watch this movie at face value. It is one of the sickest, most disturbing films ever made, and it is that way for a reason. Not for shock value or to get banned in country after country, but to make a statement. This film is so dangerous that it is believed by many that Pasolini was assassinated for making it. If everyone got this movie, the world would be in deep trouble.
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