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In the Salt Marsh [Hardcover]

Nancy Willard (Author)
4.5 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

July 6, 2004
In this strong, appealing collection, Nancy Willard shares her passion for observing the mysteries of the natural world, particularly the flora and fauna of Cape Cod and the Hudson Valley, where many of these poems are set. We see, through her eyes, the coming of darkness to an empty orchard, the retreat of deer at dusk, and the breakup of a river with the onset of spring. Willard is also deeply engaged with the living creatures that populate her world. Her poems record her encounter with a moon snail and her celebration of the ladybugs she sends into the garden and the butterflies that alight on her shoulders like ghostly kisses.

Amid poems about the intimate presence of nature are expressions of absences deeply felt. Willard is drawn not just to the inhabited world but also to the empty spaces with which our passage through life is strewn. In “The Absence at the Swing,” a rabbit watches a swing’s back-and-forth motion just after the children have left the playground; in “Niche Without Statue,” she takes us to “an alcove scoured / to stucco light” and tells us, “Somebody lived here. Stepped away. No tracks.” We learn, too, of the presences she misses most deeply, as in “Phone Poem,” in which she imagines receiving a telephone call from her father after his death.

Whether she is cultivating a sense of the life that is all around her or attending to the losses felt within, Nancy Willard never ceases to enchant us with the sense of dedication and awe that graces her verse.


Editorial Reviews

From Publishers Weekly

"When I was a bird, the wind carried me,/ and when I died, somebody said goodbye." Willard's tender, careful 10th volume of verse for adults is her first since the 1996 new-and-selected Swimming Lessons, and it returns to the gardens, riversides, parables and Northeastern landscapes whose patterns she has made her own. A snowy sky looks "pale as oatmeal,/ bears up like sheep before shearing"; a bag full of ladybugs seems to her "a pulsing of lives small as a watch spring." Outdoors as well as in, Willard, who teaches at Vassar College, finds symbols of loneliness and family loyalty, evidence of deaths and absences, along with hints of divine presence: "all night long," she asks in "Niche Without Statue," "doesn't the sun recite/ what the moon measures and the tide believes?" A set of tightly rhymed (and Theodore Roethke–ish) tetrameter poems belongs among her best: "Look up. To the discerning eye/ my house stands open to the sky." Quietly inviting, the world here can be as apparently simple as "Sky. Clouds. Apples" (one of her titles), and as mysterious as the goldfinch in "An Accident," reincarnated "as a glad bride." Admirers of Roethke may find here one of his heirs; fans of Annie Dillard or Mary Oliver may encounter in Willard's verse subtler articulations of the attitudes they already love.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Willard crafts verse so well that even her less successful poems are impressive, and her best poems seem unsurpassably good. The elegy for an "ancient lady," "The Way She Left Us," plays the modern game of skirting religion with consummate artistry and feeling. Bright and precisely detailed, "The House," which considers how the poet has re-created her mother's "house made of talk" and kept it open, like her father's "house . . . made of sky," to the wonders of the universe, achieves the kind of photography of the spirit to which so much imagism aspires. The narrative "Love in America" gets to the heart of an elopement, circa 1970, as well as prose ever could. In just three quatrains with only three erratically placed end rhymes among them, "The Migration of Bicycles" is as ludicrously, portentously funny about its two-wheeled subject as Irish comic genius Flann O'Brien's entire novel The Third Policeman (1967). These four masterpieces are matched by several others in this invaluable collection. Ray Olson
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 72 pages
  • Publisher: Knopf; First Edition edition (July 6, 2004)
  • Language: English
  • ISBN-10: 1400042291
  • ISBN-13: 978-1400042296
  • Product Dimensions: 8.3 x 5.6 x 0.6 inches
  • Shipping Weight: 9.6 ounces
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #3,621,379 in Books (See Top 100 in Books)

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Customer Reviews

2 Reviews
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Average Customer Review
4.5 out of 5 stars (2 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

2 of 2 people found the following review helpful:
5.0 out of 5 stars A nice collection of poems, May 22, 2006
By 
Fred Camfield (Vicksburg, MS USA) - See all my reviews
(REAL NAME)   
Amazon Verified Purchase(What's this?)
This review is from: In the Salt Marsh (Hardcover)
I obtained this collection after reading some of the other writings by the author. It is a nice collection, with poems in different forms. The poems reflect various observations by the author, from eloping to walking on the beach. It has a total of 33 poems on 50 pages. It is a convenient size to tuck into a bag to take along on a trip, either commuting or traveling a longer distance (or maybe just going to the beach).
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4.0 out of 5 stars The Exquisite Eye of the Poet, March 15, 2009
Amazon Verified Purchase(What's this?)
This review is from: In the Salt Marsh (Hardcover)
I bought this book because I fell in love with her poem The Ladybugs.

A woman pays the passage for this natural method of ridding dangerous pests from her trees.

"They arrived, famished and sleepy,
in a muslin bag slim as a pencil case,
or a reticule for opera glasses,
or very small change."

We soon learn:
"The ladybugs will want a drink
after their long journey.
Sprinkle the sack before releasing them.

I shook handfuls of water over them.
Drops big as bombs pounded their shelter,
a mass baptism into our human ways.
They did not buzz or beat their wings,
but as the warmth of my house woke them,
I saw a shifting of bodies, of muscles rippling,
like waves adjusting themselves to a passing boat."

Later:
"Under the full moon I carried my guests
to the afflicted catalpa waving its green flags."

It's a fairly short poem created with such delicacy and precision that its little springs continue to live in my mind.

I gave it 4 stars because I didn't love the other poems nearly as much as this one. But this may be why none of us should have the authority to give star ratings in the first place!

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