Salvatore Quasimodo (1901-1968) was awarded the Nobel Prize in 1959 for `his lyrical poetry which with classical fire expresses the tragic experience of life in our time'. Jack Bevan's remarkable translation of Quasimodo's entire poetic oeuvre fills a great gap in our knowledge of twentieth-century European poetry. `The poetry is textured like shot silk, yet the elegance and syntactical lucidity with which Jack Bevan has worked to bring these poems to English readers enables them to stand as poems in their own right', as Peter Scupham wrote of Jack Bevan's translation of Quasimodo's last poems, `Debit and Credit'.
Quasimodo's strong and passionate poetry continues to testify to the human (and inhuman) realities which have created our modern world: as the Italian critic Giuliano Dego wrote, `To bear witness to man's history in all the urgency of a particular time and place, and to teach the lesson of courage, this has been Quasimodo's poetic task.'
