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This paper looks closely at the formal structure and linquistic texture of Curse of the Starving Class, attempting to demonstrate that the text itself is engaged in the same (self-destructive) struggle expressed at the end by the figure of the eagle and the cat.
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emotional territory, stage space
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New York, Sam Shepard, Silent Tongue, Native American, Operation Sidewinder, Far North, Indian Country, Curse of the Starving Class, Jessica Lange, Lincoln Centre, Angel City, Glory Bee, Old Man, Shaved Splits, United States, Contemporary Theatre Review, Harwood Academic Publishers, Lord Pentland, Overseas Publishers Association, The Right Stuff, Village Voice, Arthur Miller, Bantam Books, Buried Child, Carol Rosen
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