From School Library Journal
Grade 1-3–Uninspired storytelling, stiff language, and awkward transitions mar this story about young actors on the Elizabethan stage. Sam and his mother have just moved to London, and the lad needs a job. With stars in his eyes, he visits the Globe Theatre and finds work as an actor. Sam's roles are all relatively small, until one lucky day when the voice of the actor playing Juliet begins to break. Sam quickly learns the part and brings down the house. Francis states that all of the female characters in this era were portrayed by boys, but neither the book's illustrations nor its text effectively makes this point. This problem stems, in part, from the fact that the artwork is often out of sync with the action in the text. Where it reads, Sam stared in the mirror. He smiled at his reflection, picked up the hem of his dress and went out on to the stage, the accompanying artwork is a sterile, uninteresting depiction of the theater's exterior. It's a wasted opportunity to convey Sam's transformation as an actor. The book has six largely irrelevant cityscapes, many of which are spreads, but few of which make a contribution to the story.
–Catherine Threadgill, Charleston County Public Library, SC Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
The brief historical note on the title page sets up the drama for this picture-book story for older children. In Shakespeare's time, girls and women were not allowed to act in the theater, so men's parts were played by young boys before their voices broke. Sam finds work in the famous Globe Theater, where he starts off playing small parts, such as a fairy in
A Midsummer Night's Dream. Finally, after being trained by kindly, idyllic Shakespeare, he is cast as Juliet, and the audience loves him: "They sighed when Juliet fell in love with Romeo. They cheered when she disobeyed her father and married him. They sobbed when . . ." Clear, brilliantly colored ink-and-gouache illustrations show the stage performances and the active audience as well as the backstage goings-on and a glowing view of the theater on the Thames.
Hazel RochmanCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.