Amazon.com
Everyone is familiar with the Old Testament tale of the mighty Samson and the treacherous Delilah, and how the strongman was robbed of his powers once the biblical femme fatale sheared off his locks. This 1950 version is retold in splashy Cecil B. DeMille style, with Technicolor that practically jumps off the screen and larger-than-life portrayals all around. Even for those who aren't fond of costume dramas, this is an engrossing version of the age-old yarn. The drop-dead-gorgeous Hedy Lamarr plays the vindictive Delilah to Victor Mature's ultravirile Samson. Mature uses his expressive features to full advantage, melting hearts as the vulnerable Samson sans curls. The only problems are an unintentionally funny struggle between Samson and a phony-looking lion, and the somewhat implausible idea of Angela Lansbury playing Samson's older sister. It's a grand-scale biblical drama, entertaining and fun, with good performances throughout and lavish production values. Hollywood just doesn't make 'em like this anymore.
--Jerry Renshaw
Amazon.com
Behaving as if it hadn't already been immortalized in Judges, chapters 13-16, Cecil B. DeMille immortalized history's most famous haircut all over again in this 1949 classic of the Epic Saga genre. Victor Mature is a trifle bovine as Samson--which perhaps isn't so inappropriate--but Hedy Lamarr's Delilah is a magnet on fire. Impossibly perfect and sexy, she sashays through the movie in a whole wardrobe of revealing halter tops, bending the men like blades of grass. These days it's hard to enjoy a DeMille film without condescension: from Samson's fight with a lion that might well be stuffed, to the famous collapsing-temple scene, we are constantly aware of how far movies have come, and the Philistines parade around in costumes that won an Oscar but can only remind the modern viewer of Klingon cocktail parties. But in so many other ways this is very classy filmmaking. DeMille takes considerable liberties with the biblical story to come up with a sort of
Ur-narrative of love, betrayal, and remorse that you can swallow very nicely with or without its religious ingredient. Best exchange: Lamarr--"You killed him with... your hands. Oh, Samson!" (Jumps on Mature's back.) Mature--"Hey! One cat at a time!" Also stars George Sanders, a very youthful (and miscast) Angela Lansbury, and impassioned music by Victor Young.
--Richard Farr