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San Remo Drive [Hardcover]

Leslie Epstein (Author)
4.8 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

April 17, 2003
Leslie Epstein's new novel, set in Los Angeles in the 1950s and then, in a long final section, in 2000, depicts the Jacobis, the family of a famous film writer and director. Their story is told by Richard Jacobi, elder son, at the summit of his career as a painter. In five extended narratives, the novel traces the trajectory of Richard's self-awareness as he comes to terms with the death of his principled father and its lasting effects on his mother, brother, and himself. At the same time, the novel meditates on the status of Jews and African-Americans in the U.S. after World War II, and beautifully evokes the landscape of Southern California in its last days before the migration to it of millions.

Richard's reflections betray no nostalgia, but record forthrightly his feelings for a region and the people close to him. We see him on his living room floor watching, on a brand-new 1952 Zenith television, the broadcast of his father testifying before the House Committee on un-American Activities, at the beach in Malibu sizing up a French poseur in pursuit of his mother and her money, and on a trip with his brother and friends to a bar and brothel in Mexico. Through his sensitive discernment, the novel’s stories build until one moment crystallizes all that has come before.

In this novel, Leslie Epstein has revealed his past through the lens of his art. Like an American Proust, he shows how memory shapes the crucial events of a life.

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Editorial Reviews

From Booklist

*Starred Review* As is evident in Pandaemonium (1997), a powerful novel of Hollywood and the Holocaust, and the nervy Ice Fire Water (1999), Epstein is a master of complex narrative strategies. But here he strives for maximum lucidity and unbroken enthrallment as he portrays one talented but troubled Hollywood family through the eyes of the elder son, Richard, who becomes a famous artist. His director father, Norman Jacobi, wittily mocks the HUAC during his televised hearing; his mother, Lotte, is beautiful and a bit of a loose cannon; and his strange little brother, Barton, is given to fits and visions, serving as a trickster figure, the fool who reveals the truth. The boys are looked after by the family's African American employees, the stoic Arthur and Mary, and many of this absorbing novel's most galvanizing scenes involve Richard's awakening to the more insidious aspects of racism, anti-Semitism, and political expediency. And sex, of course, which for Richard is complicated given its entwinement with his art. As Epstein makes the leap from the 1950s to the present in this cinematically vivid and deeply humanistic inquiry into the perpetual interplay of illusion and reality, he muses eloquently on the profound impact childhood memories have on both art and life. Donna Seaman
Copyright © American Library Association. All rights reserved

Review

"Epstein... muses eloquently on the profound impact childhood memories have on both art and life." -- Booklist (starred review)

"With a light touch, Epstein evokes the fear and exhiliration of youth and the comforts and regrets of middle age." -- Kirkus Reviews

[Epstein] has given us . . . one of the four best Hollywood novels ever written. -- New York Times Book Review, July 20, 2003

Product Details

  • Hardcover: 272 pages
  • Publisher: Other Press; First edition. edition (April 17, 2003)
  • Language: English
  • ISBN-10: 1590510666
  • ISBN-13: 978-1590510667
  • Product Dimensions: 6.3 x 1 x 9.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #2,312,808 in Books (See Top 100 in Books)

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Customer Reviews

8 Reviews
5 star:
 (7)
4 star:    (0)
3 star:
 (1)
2 star:    (0)
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Average Customer Review
4.8 out of 5 stars (8 customer reviews)
 
 
 
 
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21 of 24 people found the following review helpful:
5.0 out of 5 stars Buy the book. Read the book. Love the book., June 10, 2003
By 
This review is from: San Remo Drive (Hardcover)
Leslie Epstein's novel of a childhood/adolescence in mid-century Hollywood as told by the novel's narrator, painter Richard Jacobi, is a mix of memory and fiction that illuminates expansive themes with excellent prose in a brave, sometimes controversial, always entertaining style that can be expected from a great writer who always seems to have a great story to tell.
The first half of the book is four tales that each focus on a life-changing event and are brought alive by the surrounding narration. In this section, the writing is direct and unapologetic, recounting instances both pleasurable and painful with a candor that at times borders on the dispassionate but nonetheless evokes a range of emotion: loneliness, irony, love, lust, betrayal-and at times caused me to laugh until I cried. Though comprised of separate instances going back and forth over different periods of time and involving very different circumstances, this first half strives for a level of wholeness and unity that, for the most part, is achieved.
The second half of the novel is set many years later and features Richard moving back to his old family house on San Remo Drive with his wife and adopted twin sons. From this point the novel flows much more smoothly, and the fact that it is one continuous story without chronology shifts doesn't hurt. For me, the highlight of the entire novel appears here, in the characterization of Richard's wife, Marcia. At the end of the day she is the most honest and true of all of them (and funny as hell, too). Her jealousy of Richard's ever-present muse, Madeline, and the events that unfold as a result are at once hilarious, shocking, and complex, and above all relevant to everyone who, as human nature often demands, gives too much of themselves to too many people.
I enjoyed the book immensely as a lovely tie-together of past, present and future, of homage to family and the effect it has on art (both fictional and real), and of identity, love and life through generations.
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4 of 4 people found the following review helpful:
3.0 out of 5 stars Life and times in old Hollywood, October 28, 2003
This review is from: San Remo Drive (Hardcover)
Epstein has delivered a solid body of work over the years of his writing career. However, I didn't read San Remo Drive as part of his other work; rather, as a native Californian, I looked forward to revisiting those long ago days of clear blue skies, pristine coastline and miles of ripening orange groves.

This particular novel begins with the earliest years of the Jacobi family, after the father has died, when Lotte Jacobi does her best to keep her small family together. Mother and sons reminisce about family adventures, occasional fights and rubbing elbows with Hollywood icons. The two young brothers, Bartie and Richard, are certainly influenced by their parent's eccentric lifestyle and tendency toward dramatic confrontations. Richard, as an artist, interprets his unresolved issues on canvas, while Bartie writes movie scripts, boxes of them, forever trolling for a movie deal.

Lotte Jacobi proves a poor judge of character, especially when dealing with men. She makes some disastrous decisions that throw her family into hard times economically and emotionally. Still, emotions are Lotte's strong suit and her presence in both boy's lives is evident, as she directs their decisions and choices far into adulthood. They eventually lose their family home because of Lotte's inability to handle finances.

The second half of the novel is more cohesive and speaks to the strong influence of family on both sons. Richard Jacobi, now a successful artist, moves back into the family home with his wife, Marcia and two adopted American-Indian boys, hoping to recapture his fragile childhood memories. It would appear that he has married a woman much like his mother, raising his sons in the same dysfunctional atmosphere as his own childhood.

Richard has made his artistic reputation through a series of paintings of Madeline, a former next-door neighbor cum longtime lover and is preparing for a show of his work in Paris. However, he hasn't given enough thought to his wife's real jealousy of her supposed rival for Richard's affections, too willing to ignore the signs of trouble, much as the infamous Lotte modeled for him. Nor has his aging mother changed in any significant way, except perhaps that she is more tedious in her dotage. The characters may change, but the chaos endures.

Epstein painstakingly recounts the frenetic dialog, the hysteria and the arguments of generations of Jacobis. This family never gains emotional maturity, even as adults with young children. This novel has enjoyed rave reviews and The New York Times review calls it "one of the four best Hollywood novels ever written," with favorable comparison to Fitzgerald's Last Tycoon and Schulberg's What Makes Sammy Run. San Remo Drive appears to be an acquired taste and Epstein fans will not be disappointed. Luan Gaines/2003.

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10 of 14 people found the following review helpful:
5.0 out of 5 stars Memories, May 26, 2003
By A Customer
This review is from: San Remo Drive (Hardcover)
Epstein at his very best- a poignant memoir of his boyhood in the Hollywood of the '50's. It is the story of excruciating loss and the painful task of revisiting his past. Against the backdrop of Malibu, lemon groves, sunshine and his beloved home on San Remo Drive, he weaves the story of his own redemption through Richard Jacobi, the narrator.
I couldn't put the book down.
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