From Publishers Weekly
Thessaly, a cutie-pie with big glasses and a wicked left hook, first appeared in Neil Gaiman's Sandman comics. Here, she stars in her own adventure, complete with love interest and unbeatable foe. Our heroine is the last of the Thessalian witches. The tale's narrator is named Fetch, a charmingly dapper fellow who looks like a 1940s screen star and is a ghost somehow composed of all the people Thessaly ever killed. Smitten with Thessaly, Fetch has attempted simultaneously to get closer to her and give her life a little meaning by signing her up for a monster-killing contract without her prior knowledge or consent. When our story opens, Thessaly has spent the last two years offing dangerous ghoulies and then finding new places to live when the locals inevitably catch wind of what she's up to; it's made her a bit grouchy, and she's understandably furious with Fetch when he confesses what he's done. With catchy dialogue, McManus's charming and accessible art, a twisted love story and a kick-ass heroine, Thessaly is a load of fun, and worthy of having "The Sandman presents" written on the book's cover. (Sept.)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up–Thessaly is your average immortal, powerful witch. She gets up in the morning, goes to the market, and fights off the demons that happen to invade her home. Actually, she's fought off more than 30 demons in the past two years, and she's getting a little tired of trying to explain that to the neighbors. Everything becomes clear when Fetch shows up. He is her erstwhile suitor, a ghost on a romantic-cum-business mission. He's optioned out her services to the rich with shady problems needing certain solutions. Unfortunately, he didn't ask Thessaly first. Her general irritation with him grows into actual anger and fear when she learns that they are slated to fight a Tharmic Null–a being composed of nothingness and impossible to beat. The art is lively and cartoonlike, a nice counterpoint to some of the grimmer elements of the story. Thessaly is slight and girlish; her looks belie her ruthless nature. Fetch is a fantastic contrast for her–jovial and slick where Thessaly is dark and cruel. Their bickering is funny and complicated; it feels old, but you don't have to be familiar with their history, introduced in Taller Tales (Vertigo, 2003) to enjoy it. A single-page, violent sex scene makes this title better suited to older teens. The one disappointment is the anticlimactic ending; it's a bit rushed and told as flashback, which results in too much emotional distance.–Sarah Couri, New York Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.





