The Sandman Vol. 10: The Wake [Paperback]

Neil Gaiman (Illustrator), Michael Zulli (Illustrator), Jon J. Muth (Illustrator), Charles Vess (Illustrator), Mikal Gilmore (Introduction), Neil Gaiman (Author), Mikal Gilmore (Author)

Book Description

Series: Sandman Collected Library | Publication Date: July 1, 1997

This is the conclusion to the much talked about Sandman series. It may be best to start your Sandman acquaintance with earlier episodes, but The Wake stands as one of Neil Gaiman's strongest and most consistent Sandman volumes to date.

Editorial Reviews

Amazon.com Review

This is the conclusion to the much talked about Sandman series. It may be best to start your Sandman acquaintance with earlier episodes, but The Wake stands as one of Neil Gaiman's strongest and most consistent Sandman volumes to date. --This text refers to an out of print or unavailable edition of this title.

Product Details

• Paperback: 192 pages
• Publisher: Vertigo (July 1, 1997)
• Language: English
• ISBN-10: 1563892790
• ISBN-13: 978-0865680975
• Product Dimensions: 6.6 x 0.3 x 10.2 inches
• Shipping Weight: 10.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (43 customer reviews)
• Amazon Best Sellers Rank: #17,736 in Books (See Top 100 in Books)
  • #29 in Books > Comics & Graphic Novels > Graphic Novels > Fantasy
  • #65 in Books > Comics & Graphic Novels > Publishers > DC Comics

Customer Reviews

Most Helpful Customer Reviews

22 of 24 people found the following review helpful:

5.0 out of 5 stars Awaking Dream, August 20, 1999

By A Customer

This review is from: The Sandman Vol. 10: The Wake (Paperback)

The first three chapters in this graphic novel are the story of the funeral for the King of Dreams, mostly seen through the beady, little smart-assed eyes of the raven who was once Matthew Cable. Delirium manages to steal the show a bit in the first act, but there's plenty for everyone. Just about everyone puts in an appearance here, from the lovely, self-absorbed and funny Rose Walker, who adjusts to her `condtion' with the help of her estranged brother Jed; to the immortal Indian King talked about in World's End (who makes a Winnie the Pooh reference, so's you know it's good).

The convention of Morpheus' old lovers is nice. Good Queen Titania refuses to disclose any specifics about their rumored relationship, Larissa/Thessaly comes to tears speaking about Morpheus (wasn't she directly responsible for him getting killed in the first place, though?), and Calliope's speech about her gratefulness to Dream for the mercy-killing of their son, was strangely beautiful. Meager words, however, cannot possibly describe the eulogies of Morpheus' family and friends, nor the mystical funeral barge that Dream's final voyage is taken on. It IS the stuff dreams are made of.

But, celebrity guest stars aside, this is the story of the late Dream King's best friend and right-hand bird, Matthew, coming to grips with his boss' death, the option of ending his own life, and the new Dream on the throne. Dream/Daniel Hall has a busy time too. Fear over meeting the rest of his family, The Endless, over dinner, and his quiet moments with the palace guards, show that, despite however much of Morpheus there may be in him, this time, Dream is more human than ever. But, as Destruction's visit proves, Morpheus is still very much a part of Daniel. Evidenced especially when he pardons his mother, Lyta Hall, for her involvement in the Kindly Ones affair, something Morpheus probably would never have done. Finally, Matthew learns a lesson that Dream tried to impart to his son, Orpheus, and had he learned it, none of the tragedy in the series would need have happened. "When the dead are gone, you mourn, and go on living." Or words to that effect. Long live the King.

The Epilogue, Sunday Mourning, chronicles the immortal Hob Gadling's day spent at a renaissance festival with his latest girlfriend, Gwen. Miserable, and feeling his age (635), Hob gets into an argument about English slaving practices with Gewn, and argues about what the English Renaissance era was REALLY like with a puppeteer. Then he gets drunk. Or at least tries to. Hob's description of American beer has to be read in context to be believed, but it made me split my sides. Then Death shows up. She brings Hob the news of her brother's passing, and asks if he's ready to call it a day. Hob's anguish over whether to choose a poetic death over a degrading life is a great, moving literary moment.

Michael Zulli illustrates these four parts of the novel. The faces, the colors, the emotion in every stinkin' panel... Wow. The colors and the inks look just slightly washed-over, somehow, giving the feeling of looking at the page through glass. Or like in a dream. This is some of the best comic artwork I've ever seen. Ever.

Exiles is the story of a Japanese man banished from his village, and, lost in the desert, he enters the Soft Places, a section of the Dreaming where all time exists simultaneously, and meets both Dreams, Morpheus and Daniel. A quiet, touching story, perfectly fitting with the mostly black and white brushstrokes of Jon J. Muth.

Finally, The Tempest. Illustrated by fantasy master Charles Vess, whose art is full of emotion and the sights of the period. This, the story of the world's greatest writer's last work, which is itself, the story of a powerful magician who breaks his books and leaves his island. Will Shakespeare himself, is faced with the weight of old age, his distance from his wife, and his daughter being courted by a boy he does not approve of. He deals with these by getting drunk with Ben Jonson, and pouring his heart and soul into The Tempest. Finished the play, Will accompanies the King of Dreams to his castle for a drink, and to ask him why this was the play that Morpheus wanted written about him. Because Morpheus, unlike some of his family and unlike Prospero, the hero of The Tempest, will never leave his island. Although he is the Prince of Stories, he will never have one written about him. And, I guess, that's where we came in, fellow readers. Just us and Mr. Gaiman. Wasn't that a nice note to go out on?

13 of 13 people found the following review helpful:

5.0 out of 5 stars Waking up from a 5 year dream., September 4, 1997

By A Customer

This review is from: The Sandman Vol. 10: The Wake (Paperback)

A fitting title to one of the best comic series ever printed. The reader who has followed the Sandman series finally wakes up from the incredible 5 year 'dream' saga. It is not as heavy to read as some of the other earlier collections since it is made up of short stories. This collection wraps up the loose bits and pieces to the Sandman series. The first part sees the wake for Morpheus and Daniel taking up the mantle as the new Dream. The rest are individual stories. We see Hob's reaction to the departure of his friend, a story of a traveller trapped in The Dreaming and finally concludes, appropriately, with Neil Gaiman's take on Shakespere's "The Tempest". To really understand and appreciate this book, the reader would be have to have read at least "The Kindly Ones". As for me, I really liked this book and would have given it a 10 if I didn't have to wake up from this fantastic dream Gaiman has taken me, and countless others to.

13 of 14 people found the following review helpful:

4.0 out of 5 stars Sandman's long epilogue, August 31, 2003

By 

P. Nicholas Keppler "rorscach12" (Pittsburgh, Pennsylvania United States) - See all my reviews
(REAL NAME)   

This review is from: The Sandman Vol. 10: The Wake (Paperback)

Throughout the course of his acclaimed comic book saga, Sandman, Neil Gaiman always worked at his own pace. Thus, it is no surprise that the falling action that follows The Kindly Ones, the grand finale of the series, should last six issues and be a story arc onto itself. No matter, though. Gaiman possesses an immaculate sense of precision and rarely did any part of his saga stretch on longer than it had to. With The Wake, Sandman's long epilogue, Gaiman continues to dazzle readers with his beautifully surreal people and places and his inspiring deliberations on life, death, family and the significance of storytelling.

Sandman features a family of Greek God-like entities called The Endless, each of which have some sort of responsibility in regulating the conscious experience of mortals. In The Wake, the remaining members of the clan, Destiny, Death, Desire, Despair and Delirium hold a wake and funeral for Dream (Sandman's protagonist more often than not), who died in The Kindly Ones. Almost every character that played a part in the series attends. Meanwhile, Daniel, the child who inherited the mantle of the Dream King, prepares to meet his new family. There is a certain grace, warmth and thoroughness with which Gaiman addresses death, mourning and the welcoming of a new family member that makes this tale sure to cause readers to reflect on his or her own experiences with the aforesaid. Michael Zulli is the most grand and majestic illustrator to ever grace the pages of Sandman and his style certainly works for the story. Truly, the memorial services for Dream make-up one of the best pieces of the Sandman saga.

That story only lasts for first three issues, though. The remaining three of this volume are single-issue stories. "Sunday Morning" revisits one of the series' most interesting characters, the immortal Hob Gadling. In "Exiles" a banished Chinese wise man embarks on a strange path that leads into Dream's realm. The issue, which is told in Analect-ish verse, has little to do with the greater story, yet it is always delightful to see Gaiman mesh Sandman with indigenous story-telling traditions. "The Tempest," the series' final issue, revisits William Shakespeare, whose employment under Dream was chronicled in early issues. This tale elaborates on the dream king's need of the dramatist as he writes his final play. The Kindly Ones was Sandman's riveting climax and the first three issues of The Wake are the place to say goodbye to the main characters, but as far as giving the final word on what is perhaps the most important theme of Sandman, the importance of stories and their telling, "The Tempest" is its true conclusion.