Amazon.com Review
Academic literary criticism can often be a tough read. Luckily, this is not the case with Ruth Vanita's
Sappho and the Virgin Mary, a compelling look at how these twin images of sex and celibacy--both outside the world of men--have brought the idea and meaning of lesbianism to British writing. Vanita has a likable style that makes the literature she explicates--
Keats, the
Brontes,
Christina Rossetti,
E. M. Forster,
George Eliot--live again in a new light. Beautifully argued and intelligently written,
Sappho and the Virgin Mary surprises us on every page, making us reexamine previous assumptions in a new light.
Review
Exposing the unacknowledged 'Protestant bias' that has led thinkers such as Freud, Foucault and Paglia to discount lesbianism, Sappho and the Virgin Mary challenges many of the assumptions regarding modernity and cultural history that currently dominate gay and lesbian studies. Intrepid, sophisticated, and worldly. --
Corinne E. Blackmer coeditor of En Travesti: Women, Gender Subversion, OperaHer broad definition of the Sapphic allows Vanita to explore such fascinating matters as the ambiguous status of the virgin / celibate, for men as well as women; the Romantics' search for alternative forms of family; the overlaps between Victorian feminism and male homoerotic causes; and the buried connections between Catholicism and homosexuality. She sheds new light on well-known novels like
Howards End as well as obscure texts she has resurrected, such as Jane Austen's poem to Anne Lefroy. . . . A delightfully unpredictable book. --
Emma Donoghue