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Sarah + 2

Sarah VaughanAudio CD
4.9 out of 5 stars  See all reviews (12 customer reviews)

Price: $12.85 & FREE Shipping on orders over $35. Details
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Biography

Monterey Jazz Festival Launches New Record Label in Partnership With Concord Music Group in Celebration of MJF's 50th Year

Monterey Jazz Festival Records Debuts on August 21

With Five Never-Before-Heard Releases Culled From Historic Live Archives

First Releases Feature Recordings

From Louis Armstrong, Miles Davis, Thelonious Monk,

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Frequently Bought Together

Sarah + 2 + After Hours
Price for both: $23.06

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  • After Hours $10.21


Product Details

  • Audio CD (October 3, 2006)
  • Number of Discs: 1
  • Label: Parlophone
  • ASIN: B000GPI2NG
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #90,103 in Music (See Top 100 in Music)

1. Just In Time
2. When Sunny Gets Blue
3. All I Do Is Dream Of You
4. I Understand
5. Goodnight Sweetheart
6. Baby, Won't You Please Come Home
7. When Lights Are Low
8. Key Largo
9. Just Squeeze Me
10. All Or Nothing At All
11. The Very Thought Of You

Editorial Reviews

Vaughan could bop with the best, but she was also one of jazz's most glorious song interpreters. That's what's in the spotlight on this stripped-down 1962 gem, with just Barney Kessel on guitar and Joe Comfort on bass as she does Key Largo; Just in Time; When Lights Are Low; All or Nothing at All; The Very Thought of You , and more!

Customer Reviews

4.9 out of 5 stars
(12)
4.9 out of 5 stars
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Most Helpful Customer Reviews
24 of 25 people found the following review helpful
5.0 out of 5 stars Beyond Words... October 13, 2006
Format:Audio CD
This collection of recordings from 1962 is on par with Vaughan's After Hours...And probably even surpasses that stellar recording. Vaughan is in extremely fine voice. Her control and restraint create an intoxicating and sophisticated atmosphere. The musical accompaniment is purposely understated and the interplay between the Divine One and her musicians is masterful. This collection has been out of circulation for a long time. This is one you want to snatch up. I would include this in my top 20 vocal recordings of all time. dd
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14 of 14 people found the following review helpful
5.0 out of 5 stars I give her a 10 on a 1 to 5 scale November 15, 2006
Format:Audio CD|Verified Purchase
Those who throughout the years have denied Sarah the cachet of a true jazz singer are in for a surprise with this cd.
Those who many, many times have said that Sarah couldn't interpret lyrics are also in for a surprise.
Daring, startling, innovative, creative, are just a few of the words that come to mind when one thinks of the risk it represents for a jazz singer to do an album with bass and electric guitar only,like in this case. However, the format works wonders by giving her a minimal support that allows to showcase her fireworks.
You'll apply the above adjectives as well when you hear Sarah's rhythmic and melodic inventions, always in perfect time, always within the harmony but at the same time revealing hidden corners of it, always adding an unsuspected hue to the song.
Her Just in Time is anthological, just like that incredible When Sunny Gets Blue. You won't find, and I mean this, a better lyrics readings and a better musical approach for these two songs. As good as, maybe, but not better, I swear.
The same happens with more or less the rest of the tracks. Each of them has a special something that keeps the listener on his toes.
Being an inveterate Sarah admirer, but very much aware of her ugly excesses in certain years in her career, I hereby recommend this album. You won't be sorry because you'll agree with me.
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8 of 8 people found the following review helpful
5.0 out of 5 stars Sarah "sings naked." June 19, 2007
Format:Audio CD
Before she recorded this album in 1962, Sarah Vaughan was told by Roulette Records producer Teddy Reig, that he wanted her to "sing naked" on this one. He wanted a recording which would capture her voice in all its splendor, not something in which the orchestra and big accompaniment competed with her voice. The resulting album, recorded with only a bass (Joe Comfort) and guitar (Barney Kessel), sounds as if Sarah Vaughan is standing in front of you in your own home. It may be her most intimate album, one in which she creates and sustains the mood of sexy confidentiality, revealing deep feelings of love, and creating the impression of whispering in your ear, even when she is singing in full voice.

Mostly standards in which Vaughan's phrasing gives new meanings to the lyrics, the CD is a thrilling opportunity to study Vaughan's rich voice. The bass and the guitar are barely there, adding just enough beat to keep the songs interesting and just enough musical variation to suggest new harmonies. The songs, almost entirely slow ballads, are clearly in Vaughan's style, though they lack the flights of jazzy innovation and improvisation for which she was famous in her later career. Instead, she sings "pure," keeping the attention focused on the lyrics and the story within them.

Among the highlights here are "Key Largo," a song of emptiness in which Vaughan has only her dreams for company. In "Just Squeeze Me," she is flirty and sexy, responding to a good beat with a few variations from the score. "All or Nothing at All," tells of a woman who wants it all, a gorgeous rendering in which she holds her notes for long measures.
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9 of 9 people found the following review helpful
5.0 out of 5 stars quite a CD January 11, 2007
Format:Audio CD|Verified Purchase
This was such a happy surprise. Sarah, Barney Kessel and Joe Comfort. This is Sarah at the peak of her career and voice, singing jazz tunes with sensitive accompaniment. I get a little misty every time I listen to this and "Crazy and Mixed Up," done a decade later.
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6 of 7 people found the following review helpful
4.0 out of 5 stars Sarah's big voice in a small setting... December 12, 2006
Format:Audio CD
When I first heard about Sarah + 2, I was eager to hear it but disappointed that it was never released on C.D. I couldn't even find a copy of the original L.P. Then, about five years ago, I found out that you could get it by ordering the "Complete Roulette Recordings" boxed set issued by Blue Note's Mosaic label. Sarah + 2 is one of several albums contained in the set. Now that Sarah + 2 is finally out on its own, you can get it without some of the hit or miss offerings that fill the rest of her Roulette catalogue.

That said, I still think that After Hours, her first recording to feature the same "bass and guitar only" accompaniment - was superior.

Although it was a studio recording, After Hours was recorded late into the night in front of a private audience of some of Ms. Vaughan's closest friends in New York - which seems to capture a certain wistful subtlety that hits where Sarah + 2 misses. Sarah + 2 was recorded a couple of years later in a larger L.A. studio that had better sound quality, but a different mood. Don't get me wrong - I can't take anything away from the performance or musicianship of Sarah + 2. It simply captures a different feel than its predecessor did. Either way, Sarah + 2 is still a must have for any fan of Sarah who prefers hearing her without the lush, orchestral backdrop that dominated many of her commercial recordings of that era.

Some of Sarah's other stand out small group recordings include "Sarah Vaughan and Clifford Brown" and "Swingin Easy" -both of which were recorded for Mercury's Emarcy label in the 50's.

For those of you who enjoy other fine Jazz vocalists in a minimal setting, Ella Fitzgerald's "The Intimate Ella" featuring Ella's voice backed by no more than Paul Smiths lovely piano, is also a gem.
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Most Recent Customer Reviews
5.0 out of 5 stars Superb
Sarah's voice on this CD is more than a voice. It is an instrument in the set. This is a remarkable recording. I'm going to keep it forever and indicate to my friends.
Published 3 months ago by Marco Paiva
5.0 out of 5 stars a record for ever
perhaps the best record of sarah vaughan and the title of an other would be also usefull : after hours i am glad of having find the cd( gt-paris)
Published 18 months ago by Trastour Guy
5.0 out of 5 stars A desert island disc
Truly one of the greatest jazz recordings of all time. Barney Kessel's comping is without peer, Sarah's voice is amazing, and the song selections are wonderful to boot. Read more
Published on February 8, 2011 by coolvinny
5.0 out of 5 stars At Long Last
A friend gave me a copy of the cassette of this 20 years ago. At last I've found it on CD. Turns out I was missing a few tracks. Read more
Published on June 21, 2009 by Ivan Yager
5.0 out of 5 stars Sassy swings intimately
Rightly considered another intimate gem in Sarah's discography (recorded after the seminal "After Hours" album), "Sarah plus two" gives Vaughan another chance to show the splendour... Read more
Published on March 18, 2009 by Nikica Gilic
5.0 out of 5 stars Sarah +2
Excellent CD, Sarah was one of my favorite singers and I still enjoy listening to her songs. Thanks
Published on December 22, 2008 by H. Shelton
5.0 out of 5 stars WOW!!!!!
There are (or were) very few singers who could pull this off. Sarah's voice is the main instrument in this recording, rather than being buried in a large musical arrangement. Read more
Published on October 8, 2007 by Judy Gretzula
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