Customer Reviews

Sargent Portrait Drawings: 42 Works by John Singer Sargent (Dover Art Library)

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The Amazon page-listing for this volume is somewhat misleading - there ARE two pages of text (Selector Trevor J. Fairbrother's brief, insightful introduction), but there are also 42 pages of (paper) plates.

Often dismissed as a mere society portrait painter, the real poignancy of John Singer Sargent's work lay in the truth that the society he recorded was on the point of vanishing with the Great War. This sense is heightened by the form of the works reproduced here - drawings composed in pencil and charcoal. Their Cheshire-Cat-grin sketchiness, the way faces seem to materialise or dematerialise bodiless or skeletal on the page, gives them an overwhelmingly ghostly feel.

The most moving pictures here are of the now-forgotten heiresses, young wives, fresh-faced soldiers, and indulgent or austere parents, refugees from the fiction of Henry James, Edith Wharton and Proust, denied the immortality conferred on Singer's more famous subjects, such as Nijinsky, Myra Hess, Faure or Kenneth Grahame. Singer may not be as remorselessly analytical as his literary peers, but he has a wit, satiric sense and emotional empathy all of his own, burrowing out the melancholy behind the glittering facades. Singer seems particularly inspired by long, swan-like necks, as if their owners' beauty already sang their death. The notorious hostess Mme. Pierre Gautreau reclines on a sofa, bored and miserable as a beached mermaid; Nellie Huxley stares at us with sad, tired eyes.

Conversely, the portraits of imperious grandes dames, such as the Myrna Loy-like Mme. Eugenia Huici Errazuriz, are surprisingly sexy; while the Duchess of Marlborough flirts with gamine charm. Portraits of friends, such as the eccentric composer Dame Ethel Smyth, are more informal and playful. Androgyny is another favourite theme, while the unsigned portrait of working class Italian youth Olimpio Fusco glows with sympathetic homoeroticism. In fact, Singer's defining temperament, judging from this collection, is one of amused curiosity, as he sketches the garish and the gloomy, the restless and the resigned, the social and the solitary.

The sketches of notables are often great fun - a shadow-darkened W.B. Yeats as self-regarding buffoon; Jascha Heifitz in an intense tondo of fiddle-like scribbles, encircling a still white face rapt in concentration; Viscountess Astor lost in folds of Napoleonic grandeur; and a young Ernest Thesiger, displaying impish hints of his most famous future film role, as Dr. Pretorious in 'Bride of Frankenstein'.

I vision perhaps there are three "kinds" of readers that can benefit from this book.

1) Those who want to learn to copy drawings from the great masters, for practice (to improve drawing skill) or pleasure (to display or show them to their admirers), or both.

2) Those who like to collect works by the great masters.

3) Those who are, like me, looking to see how this portraitist genius (i.e. John Singer Sargent) treats contrast, light, shadow, edges, and so on, in his drawings. They are all in there, for a good price.

i like these small and inexpensive dover books. this one has some super portraits! --both contour line and charcoal/value drawings.

If anything at all, _this_ IS the John Singer Sargent book to buy!

John Singer Sargent has once again exemplified his skills as an artist through his GORGEOUS portrait drawings.

Unlike other artists, Sargent conveys emotion - passion - with his use of line, stroke, and tone incomparable to any other artist. (Believe me, Sargent is the Artist of Portraiture). This book inspired my art teacher to go into portraiture. This is perhaps the best collection of Sargent's line work. These 42 Works are VERY resourceful for the drawing student and very enjoyable for the viewer/reader. Sketches depict a wide variety of people (people focused in the fine arts - actors, writers, etc.).

A majority of these portrait drawings are done in charcoal; a few are done in pencil. This book includes an introduction by Trevor J. Fairbrother.

This book is also VERY affordable (gotta love the folks at Dover), so if you decide to take one apart for use as reference, you can always buy another. ^-^

Buy this. You won't be disappointed!

This book is one of the best among those in the Dover Art Library. I really like this book because the selection includes many beautifully executed portraits. Sargent's style is at once both romantic and incisive. The portraits are so highly expressive that one is compelled to assume accurate likeness.

John Singer Sargent is a great master of portraiture. This very enjoyable collection does him justice.

Excellent plates - This book is a must have for any John Singer Sargent admirer!

A remarkable bargain and a must for anyone interested in John Singer Sargent or his work. An 8 by 11 inch, less than 50 page paperback. Published by Dover. B&W reproductions of 42 portrait sketches by Sargent. Mostly done in charcoal. Two long pages of lucid and informed, really excellent text by Trevor Fairbrother, author of books devoted to Sargent and several articles as well. The reproductions are competent, but, as always, can be nothing like the originals, one of which I've many times had the privilege of admiring in person. Although here again, any one familiar with works on paper has seen how even the interposition of the protective glass, sadly, visibly degrades the viewing.

The 42 sketches span a remarkable, interesting and even entertaining range. Arranged in almost chronological order, they stem from early in his career, but not his childhood, to near the end of his productive life, when he had almost entirely quit portraiture. Fairbrother skillfully has chosen an eclectic lot of Sargent subjects, well illustrating yet another facet of Sargent's personality. Although said shy unto retiring, Sargent must have liked people, at least the varied types of people. He certainly depicted all kinds. Here from a boy little more than an infant to the elderly and "important". The serious and the frivolous. Talented, self-made artists and performers to the witless-looking heirs and dismal aristocrats.

The book's incredible spectrum of people / types and Sargent's genius at capturing both their surface and their interior, can form the center of quite a game easily played today via the Internet. For example, the portrait of a friend of Sargent's, one Earnest Thesiger. From this sketch one infers quite a character, seeming a person perhaps of manic ebullience. The very amusing facts in his bio on the web's Wikipedia rather bears this out. One learns further that Thesiger was the nephew of General Frederic Augustus Thesiger, 2nd Baron Chelmsford, famously incompetent in needlessly losing his entire army in a massacre by the Zulus. (One can imagine a portrait of a dim and blimpy character here. Thankfully, nowadays the British select more professionals for their general officers.) Sargent's jolly Earnest Thesiger further was cousin to the famous Wifred Thesiger, author of the autobiography, "The Last Nomad". Wifred Thesiger was a war hero, diplomat, author, explorer and skilled photographer. Among his other accomplishments, the autobiography describes Wilfred's tireless toiling in the Sharm el Shatt (where the south of Iraq borders the south of Iran) to bring modern male circumcision to the primitive marsh Arabs. (A people so independent in their watery wilderness that the late Saddam Hussein ordered the draining of their protective confusion of still waters and bogs.) Well, odd as it might seem, Wilfred's medical procedures were clearly an improvement over the native's, I imagine especially over a ceremony for teenagers involving a low-banked fire built in a shallow sand pit. But, I digress.

However, that is the point, digressing from Sargent's wonderful portraits. What do they tell us; how can we follow up on our impressions? I'm returning to Fairbrother's book to select another sketch subject to mine for edification. I'm confident because Sargent has been described as having a large circle of interesting and talented friends. Except for those portraits of blimps.

Again, an excellent book at a very reasonable price.

Sargent was very talented in the art of drawing. He drew at least 1,500 drawings throughout his long, busy artistic career. His portrait drawings of prominent people are beautiful and very realistic. I liked his drawing of Consuelo Yznaga, Duchess of Manchester. That drawing captured the expression of a vibrant middle aged woman. His nude figures are still the most magnificent expression of manhood. I recommend this book to those who are interested in the many talents of John Singer Sargent or artists looking for inspiration.

As a student of Life Drawing and Portraiture (Carolyn's by Design) going back to her art, I had to have more of Sargent. I had just read the book, "Strapless" about the nortorious Madame X who was captured over and over again in Sargent's renderings. This compilation of renderings displays how attuned Sargent is with his representations of the personalities, how good his eye is at capturing the likeness.....how easily he appears to use minimal usage of his medium to obtain maximum expression in his subject.....This small Dover Art Library reference to Sargent gives you the medium and size as well as the name of the subject and the Intro gives you a great synopsis on Sargent's bio.....For any serious student of Sargent....you will refer back to this over and over again for technical knowledge as well as the inspirational beauty obtained from his work...I love him! Formerly millersequine....sign me Carolyn's by Design and "Enjoy"!!!

Sargent's work herein is far more informative, and a revealation
than many a contemporary artist. Even at his most humble of efforts
his rendings and drawings offer wisdom and insight in terms of approach. method and Attitude without wordiness or hype. This humble offering is well worth its price. It puts more pricey books to shame by delivering
simply proof positive of the heights of genius that can be reached through persistent ongoing effort.