Sarod

Tejendra Narayan Majumdar | Format: Audio CD

Product Details

• Audio CD (December 4, 2001)
• Original Release Date: September 12, 2000
• Number of Discs: 1
• Label: Allegro Distributed Lines
• ASIN: B00004WKDJ
• In-Print Editions: Audio CD
• Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #1,625,365 in Music (See Top 100 in Music)

Track Listings

1. Raag Todi

2. Raag Megh

3. Raag Hamir

4. Raag Hansadhawani

5. Raag Gorakh Kalyan

6. Raag Simendra Madhyam

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

5.0 out of 5 stars Wrong Track Listings, April 6, 2004

By A Customer

This review is from: Raga Bageshri / Zilla Kafi (Audio CD)

The track listings above are wrong. This CD (IAM #1008) contains the following:

1. Raga Bageshri (alap, jor, jhala) 39:04

2. Raga Zilla Kafi (alap, vilambit & drut gats in tintal) 33:40

Soloists are Tejendra Narayan Majumdar on sarod, Pandit Kumar Bose on tabla (track 2 only).

The performance, as per usual from these great musicians, is superb. So is the recorded sound.

2 of 2 people found the following review helpful:

5.0 out of 5 stars Beware, May 31, 2004

By 

Jessie (Berkeley, CA) - See all my reviews

This review is from: Sarod (Audio CD)

Customers please note that reviews from a different Tejendra CD are appearing on this page. Reviews for India Archives Music CD #1008 are appearing on Biswas CD #185, and vice versa.

The Biswas CD #185 has the tracks listed correctly, but the picture shows a different CD from a different label.

2 of 2 people found the following review helpful:

4.0 out of 5 stars "Ali Akbar Khan Lite", September 3, 2001

By 

Richard S. Osborn "artpaws" (Saratoga, CA USA) - See all my reviews
(REAL NAME)   

This review is from: Sarod (Audio CD)

A nice sampler of 6 different raga moods. If you are new to the sarod, this is a quick way to get a feel for the sound of the instrument, but does not really hint at the depths of exploration that are typically explored in a full-scale recording of an individual raga