*Starred Review* Born the same year as Ralph Stanley and growing up very similarly on a hardscrabble Appalachian farm, Charlie Louvin gained fame in a brother act, too. Like the Stanleys, Charlie (1927–2011) and Ira (1924–65) Louvin made songs their mother taught them cornerstones of their repertoire. The songwriting elder brother in each pair drove it to eventual success, until Ira’s alcoholism broke up their act, leaving the sober sibling to carry on, to greater fortune. It would be false, however, to say that Charlie achieved greater repute on his own, for he and Ira had set the gold standard for harmony singing in country music. They did it by ear and intuition, Charlie reveals, freely exchanging melodic and harmonic lines in the same song, though Ira invariably sang the highest notes. Louvin concentrates on his and Ira’s relationship in this book, completed just two months before his death. Collaborator Whitmer wisely lets it seem entirely an as-told-to effort, like Stanley’s beautifully vernacular Man of Constant Sorrow (2009). Though probably as religious, Louvin is an earthier speaker than Stanley, more personally revealing, too, so that his is a case study vis-à-vis the social history Stanley affords. It’s no less marvelous, though—a real classic of Americana. --Ray Olson
“One of the most important and illuminating memoirs ever written by a country singer.” (Terry Teachout, Wall Street Journal )
“I think I’ve already found my favorite book of 2012.” (Chris Talbott, Associated Press )
“Satan Is Real has the best-designed book cover of 2012 .” (Paper Magazine )
“The anecdotes alone offer significance to any person interested in the anthropology of Americana music. Magnanimous without feigning and brusque without malice, Charlie Louvin’s clear-eyed commentary is straightforward and unapologetic.” (Oxford American )
“Masterful [and] graceful.” (Alec Solomita, Wall Street Journal )
“Raw honesty, genuine grit, common sense, and smokin’ down-home flavor.” (Publishers Weekly )
“A real classic of Americana.” (Booklist )
“The mix of light and darkness that filled their music was mirrored in their lives.” (Ian Crouch, The New Yorker )
“[A] chilling portrait of a brilliant musician intent on self-annihilation.” (Kirkus )
“Grand themes of life, death, religion, salvation, damnation, human choices and, sometimes, joy.” (Randy Lewis, Los Angeles Times )
“Simple and plain-spoken, yet powerful and resonant.” (Daily Journal )
“There was something scary and washed in the blood about the sound of the Louvin Brothers.” (Emmylou Harris )
“Charlie…was a true punk, in the best sense of the word.” (Lucinda Williams )
“You can’t find anybody, I don’t think, that was not inspired by them.” (Vince Gill )
“They influenced everybody.” (Phil Everly )
“The Burritos’ favorite artists.” (Gram Parsons )
“The Louvin Brothers were my favorite when I was young and growing up in the business.” (Dolly Parton )
“Probably the greatest traditional country duo in history.” (Grove Dictionary of American Music )
“The most influential harmony team in the history of country music.” (Los Angeles Times )
“One of the pre-eminent brother acts in country music and an inspiration to several generations of rock musicians.” (New York Times )